COLLECTION NAME:
Emanuel Martinez Collection
mediaCollectionId
ArtArtHi~4~4
Emanuel Martinez Collection
Collection
true
Image Record ID:
aahi0019851
image_record_id
aahi0019851
Image Record ID
false
Work Title (display):
Arts center hosts Annual festival de los Artes
Image Title:
full view
Work Description:
Martinez is featured as a guest at Annual Festival de Los Artes at the Sangre de Cristo Arts Center. Painting information: Madonna, oil, 1994, 12 in. (H) x 9 in. (W), Collection of Everett Chavez.; Guatemalan, pastel, 1990, 18 in. (H) x 12 in. (W), Collection of Grace Cisneros.; Rebozo Rojo, oil, 1981, 16 in. (H) x 12 in. (W).
Work Dates (display):
October 10, 1995
Work Dates type:
publication
Work Creator (display):
The Pueblo Chieftain (American newspaper based in Pueblo Colorado, founded in 1868)
Work Creator notes (display):
"The Pueblo Chieftain is an American daily newspaper published in Pueblo, Colorado. The Chieftain was established in 1868 by Dr. Michael Beshoar, the first doctor in Trinidad, Colorado. Wilbur Fisk Stone and George A. Hinsdale were the first two editors. In May 2018, the paper was sold to GateHouse Media." (https://en.wikipedia.org/wiki/The_Pueblo_Chieftain).
Work Creator (display):
Emanuel Martinez (American, born 1947)
Work Creator notes (display):
Born in Denver, Colorado in 1947, Emanuel Martinez began his career as an artist at the age of thirteen, when he painted his first mural. His art education includes workshops with world renowned artists and sculptors including David A. Siquieros and Francisco Zuniga. At the age of 20, Emanuel did a major work and two other pieces that are now in the permanent collection of the Smithsonian’s National Museum of American Art in Washington, D.C. As a muralist, painter and sculptor he occupies an outstanding status among nationally known artists. Since establishing a studio in 1968, Martinez has received international acclaim and prestigious awards for his design capabilities and high standards of workmanship. He enjoys personalizing compositions for clients and doing public works of art for site-specific environments. His work is lively, timeless, yet conveys a sense of serenity. He has been featured in over 300 newspaper/magazine articles and 37 published books, including a book written on his art career entitled: “Emanuel Martinez: A Retrospective”. http://emanuelmarti…
Work Creator (display):
Mary Jean Porter (American, active circa 1995 to present)
Work Creator Multiple Roles (display):
author: Mary Jean Porter; photographer: unknown; artist: Emanuel Martinez; publisher: The Pueblo Chieftain
Work Style Period:
1990s
work_styleperiod
1990s
Work Style Period
false
Work Subject:
Martinez, Emanuel (American sculptor and painter, born 1947)
subject
Martinez, Emanuel (American sculptor and painter, born 1947)
Work Subject
false
Work Subject:
Madonna (Emanuel Martinez painting)
subject
Madonna (Emanuel Martinez painting)
Work Subject
false
Work Subject:
paintings (visual works)
subject
paintings (visual works)
Work Subject
false
Work Subject:
Festival de los Artes (art exhibition in Pueblo, CO)
subject
Festival de los Artes (art exhibition in Pueblo, CO)
Work Subject
false
Work Subject:
art exhibitions
subject
art exhibitions
Work Subject
false
Work Subject:
Sangre de Cristo Arts & Conference Center (arts organization in Pueblo, CO)
subject
Sangre de Cristo Arts & Conference Center (arts organization in Pueblo, CO)
Work Subject
false
Work Subject:
Guatemalan (Emanuel Martinez painting)
subject
Guatemalan (Emanuel Martinez painting)
Work Subject
false
Work Subject:
Rebozo Rojo (Emanuel Martinez painting)
subject
Rebozo Rojo (Emanuel Martinez painting)
Work Subject
false
Work Worktype:
clippings (information artifacts)
work_type
clippings (information artifacts)
Work Worktype
false
Work Category (VRC classification):
periodicals
work_category__ucbaahvrc_classification_
periodicals
Work Category (VRC classification)
false
Image Rights Fair Use Checklist:
1) use of this work is for education and educational research; 2) the author and photographer are credited if known; 3) the work is published; 4) the size and amount of the work in relation to the whole are needed for education or educational research; 5) the number of derivatives is the minimum required for education or educational research; 6) the work has not been found to be reasonably available for sale; 7) duplication of the work does not violate preexisting contracts.
Work Rights (display):
© The Pueblo Chieftain
Terms of Agreement and Conditions of Use:
YOU AGREE: Luna Imaging's Insight Software and the digital image collection associated with it (the Software) are being provided by the University of Colorado under the following license. By obtaining, using, and/or copying this work, you (the Licensee) agree that you have read, understood, and will comply with the following terms and conditions. 1. The Software contains the University of Colorado's Department of Art and Art History's implementation of a digital image collection; 2. Any images obtained through use of the Software will be used only for non-profit, educational purposes; 3. The use of images obtained through the software will only be used while the Licensee is either: a) an employee of the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver, or b) an enrolled student at the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver; 4. When the Licensee is no longer an employee or student of the University of Colorado, Metropolitan State College of Denver or Community College of Denver, either by an action of the University of Colorado, Metropolitan State College of Denver or the Community College of Denver or due to actions of the Licensee, the licensee will cease to use any images exported from the Department of Art and Art History's digital image collection; 5. The Licensee agrees to indemnify the University for claims and liability arising out of the use of the Software or for any violations of this license; 6. THE UNIVERSITY OF COLORADO SUPPLIES THE SOFTWARE WITHOUT ANY WARRANTIES, EXPRESS OR IMPLIED, INCLUDING ANY WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
CU Copyright Statement:
The contents of the University of Colorado Digital Library are available for your use in research, teaching, and private study. Some of these items are protected by the U.S. Copyright Law (Title 17, U.S.C.) and some items may have additional restrictions. If you use the items in this collection, make sure you abide by any restrictions stated in the descriptive data window. The nature of these collections often makes it difficult to determine the copyright status of an item. We have made every effort to provide information about copyright owners and other restrictions in the descriptive data window. Ultimately, however, it is your responsibility to use the item according to the terms governing its use. If you are a copyright holder and the information is either not listed or listed incorrectly, please let us know so that we can update the information on our site.
Holding Institution:
University of Colorado Boulder
Collection:
Art and Art History Visual Resources Center
Subcollection:
Emanuel Martinez Collection
Collection info and contact:
For information about this collection, see . For specific questions, suggestions, or corrections about the descriptive information for images, contact aahvrc@colorado.edu. Please include the image file name.