COLLECTION NAME:
Visual Resources Teaching Collection
mediaCollectionId
ArtArtHiAAH~7~7
Visual Resources Teaching Collection
Collection
true
Image Record ID:
aahi0020803
image_record_id
aahi0020803
Image Record ID
false
Work Title (display):
Hands (Lust for Woman)
Work Title (variant):
Hands
Work Title (variant):
Lust for Woman
Image Title:
full view
Work Dates (display):
1895
Work Dates type:
creation
Work Creator (display):
Edvard Munch (Norwegian, 1863-1944)
Work Creator gender:
male
work_creator_or_agent_gender
male
Work Creator gender
false
Work Creator notes (display):
Munch, one of the most noted Norwegian artists, was concerned with the expressive representation of emotions and personal relationships in his work. He was associated with the international development of Symbolism during the 1890s and recognized as a major influence on Expressionism. His early work was conventionally naturalistic; by 1884, he belonged to the avant-garde circle of the painter Christian Krøhg. During stays in Paris between 1889 and1892 Munch was influenced by the symbolists, van Gogh, and, above all, Gauguin; it was during this time that he established his characteristic nervous linear style. An exhibition of more than 50 of Munch's work at the Berlin Kunstlerverein (Artists' Union) in 1892 was so scandalous that it was closed after a week with the repercussions leading to the formation of the Berlin Sezession in 1899. Much of the next ten years was spent in Berlin associating with writers such as Richard Dehmel and August Strindberg and creating works featuring his recurrent themes of sexual awareness, illness, jealousy, and insanity. These intense and disturbing works reflected not only Symbolist preoccupations but Munch's difficulties stemming from his own traumatic childhood during which his mother and sister died and his father nearly went mad. While in Berlin he produced his first prints, with lithographs and woodcuts becoming equally important to his painting. In 1908 he suffered a nervous breakdown and in 1909 he returned permanently to Norway, deliberately abandoning his disturbing themes as part of his recovery. His work became more outgoing, his palette brighter, and his themes more optimistic although his self-portraits retained the earlier intensity. After 1916 Munch became increasingly reclusive and his work regained some of its earlier urgency. He lived at Ekely outside Oslo; when he died he left over 20,000 works to the city. During Munch's lifetime there were many exhibitions of his work in Oslo, Prague, Stockholm, and German cities. (ULAN Accessed 2007-10-22)
Work Style Period:
19th century
work_styleperiod
19th century
Work Style Period
false
Work Style Period:
Modern (style or period)
work_styleperiod
Modern (style or period)
Work Style Period
false
Work Subject:
women (female humans)
subject
women (female humans)
Work Subject
false
Work Subject:
figures
subject
figures
Work Subject
false
Work Subject:
hands
subject
hands
Work Subject
false
Work Subject:
lust
subject
lust
Work Subject
false
Work Subject:
sexuality
subject
sexuality
Work Subject
false
Work Worktype:
lithographs
work_type
lithographs
Work Worktype
false
Work Worktype:
prints (visual works)
work_type
prints (visual works)
Work Worktype
false
Work Worktype:
drawings
work_type
drawings
Work Worktype
false
Work Category (VRC classification):
drawings
work_category__ucbaahvrc_classification_
drawings
Work Category (VRC classification)
false
Work Category (VRC classification):
prints
work_category__ucbaahvrc_classification_
prints
Work Category (VRC classification)
false
Work Material and Technique (display):
Lithographic chalk and india ink on paper
Work Measurements (display):
48 in (H) x 29 in (W)
Work Location (Repository or Site) name:
private collection
Work Location (Repository or Site) role:
repository
Image Source Reproduction citation:
Edvard Munch, Symbols and Images. National Gallery of Art, Washington, 1984.
image_source_copy_from_print_name
Edvard Munch, Symbols and Images. National Gallery of Art, Washington, 1984.
Image Source Reproduction citation
false
Image Source Reproduction page number:
216
Image Source Reproduction plate-figure number:
214
Image Rights (display):
© Munch-Museet, Oslo
Image Rights fair use checklist:
1) use of this image is for education and educational research; 2) access is restricted to University of Colorado and Auraria Higher Education Center communities; 3) the original photographer is credited if known; 4) the image is published; 5) the amount of the work in relation to the whole is needed for education or educational research; 6) the number of derivatives is the minimum required for education or educational research; 7) the image has not been found to be reasonably available for sale; 8) duplication of the image does not violate preexisting contracts.
Work Rights (display):
© public domain
Terms of Agreement and Conditions of Use:
YOU AGREE: Luna Imaging's Insight Software and the digital image collection associated with it (the Software) are being provided by the University of Colorado under the following license. By obtaining, using, and/or copying this work, you (the Licensee) agree that you have read, understood, and will comply with the following terms and conditions. 1. The Software contains the University of Colorado's Department of Art and Art History's implementation of a digital image collection; 2. Any images obtained through use of the Software will be used only for non-profit, educational purposes; 3. The use of images obtained through the software will only be used while the Licensee is either: a) an employee of the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver, or b) an enrolled student at the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver; 4. When the Licensee is no longer an employee or student of the University of Colorado, Metropolitan State College of Denver or Community College of Denver, either by an action of the University of Colorado, Metropolitan State College of Denver or the Community College of Denver or due to actions of the Licensee, the licensee will cease to use any images exported from the Department of Art and Art History's digital image collection; 5. The Licensee agrees to indemnify the University for claims and liability arising out of the use of the Software or for any violations of this license; 6. THE UNIVERSITY OF COLORADO SUPPLIES THE SOFTWARE WITHOUT ANY WARRANTIES, EXPRESS OR IMPLIED, INCLUDING ANY WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
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Holding Institution:
University of Colorado Boulder
Collection:
Art and Art History Visual Resources Center
Collection info and contact:
For information about this collection, see . For specific questions, suggestions, or corrections about the descriptive information for images, contact aahvrc@colorado.edu. Please include the image file name.