COLLECTION NAME:
Visual Resources Teaching Collection
mediaCollectionId
ArtArtHiAAH~7~7
Visual Resources Teaching Collection
Collection
true
Image Record ID:
aahi0019325
image_record_id
aahi0019325
Image Record ID
false
Work Title (display):
Woman with Mink and Veil
Work Title (variant):
Dame mit Schleier und Nerz
Image Title:
full view
Work Dates (display):
1920
Work Dates type:
creation
Work Creator (display):
Otto Dix (German, 1891-1969)
Work Creator gender:
male
work_creator_or_agent_gender
male
Work Creator gender
false
Work Creator notes (display):
German painter and printmaker. Dix was born at Untermhaus, Thuringia, and was apprenticed to an interior decorator (19059) before studying at the Dresden School of Arts and Crafts 190914. At Dresden he absorbed the work of the Expressionists and was particularly influenced by van Gogh. From 1914 to 1918 he served in the First World War; initially enthusiastic, he was soon sickened by the horror and violence which he recorded in dramatic oil paintings, full of movement and violence, which incorporated the techniques of Futurism. After the war he studied at the Academies of Dresden (191822) and Düsseldorf (19225) gradually moving from Dadaism towards the greater realism exemplified by the Neue Sachlichkeit, although his work can hardly be described as objective. He remained deeply scarred by his wartime experiences and disillusioned by post-war society; Der Krieg (The War), a series of 50 etchings, published in 1924, has a Goyaesque intensity and his paintings of crippled war veterans, like Die Skatspieler (1920; Berlin, Neue Nationalgal.), have a crude and compelling immediacy. Prostitutes, another recurrent theme in the 1920s, are used almost allegorically as a symbol of a decadent corrupt society and, usually obese or emaciated, are cruelly shocking moralities. From 1927 Dix taught at the Dresden Academy and also established a reputation for his idiosyncratic unflattering portraits; but in 1933 he was dismissed by the Nazis and in 1934 forbidden to exhibit. After the Second World War, in which he was briefly conscripted, he lived in Hemmenhofen, on the Bodensee, where he was inspired by the Alpine landscape to turn to German Renaissance masters, like Dürer and Altdorfer, as prototypes for mannered allegorical and spiritual paintings which, despite their ambition, remain essentially vapid. (Grove Art Online accessed 2007-10-27)
Work Worktype:
oil paintings
work_type
oil paintings
Work Worktype
false
Work Worktype:
paintings (visual works)
work_type
paintings (visual works)
Work Worktype
false
Work Category (VRC classification):
paintings
work_category__ucbaahvrc_classification_
paintings
Work Category (VRC classification)
false
Work Material and Technique (display):
Oil and tempera on canvas mounted on board
Work Measurements (display):
73 cm (H) x 54.6 cm (W)
Work Location (Repository or Site) name:
Collection of Judy and Michael Steinhardt
Work Location (Repository or Site) role:
repository
Work Location (Geographic) name:
New York
Work Location (Geographic) role:
repositoryLocation
Image Source Reproduction citation:
Pfeiffer, Ingrid, editor. Splendor and Misery in the Weimar Republic. Schirn Kunsthalle Frankfurt, 2017.
image_source_copy_from_print_name
Pfeiffer, Ingrid, editor. Splendor and Misery in the Weimar Republic. Schirn Kunsthalle Frankfurt, 2017.
Image Source Reproduction citation
false
Image Source Reproduction refid:
978-3-7774-2933-5
Image Source Reproduction page number:
149
Image Source Reproduction refid type:
ISBN
Image Rights (display):
© Judy and Michael Steinheardt Collection, New York
Image Rights fair use checklist:
1) use of this image is for education and educational research; 2) access is restricted to University of Colorado and Auraria Higher Education Center communities; 3) the original photographer is credited if known; 4) the image is published; 5) the amount of the work in relation to the whole is needed for education or educational research; 6) the number of derivatives is the minimum required for education or educational research; 7) the image has not been found to be reasonably available for sale; 8) duplication of the image does not violate preexisting contracts.
Work Rights (display):
© Otto Dix
Terms of Agreement and Conditions of Use:
YOU AGREE: Luna Imaging's Insight Software and the digital image collection associated with it (the Software) are being provided by the University of Colorado under the following license. By obtaining, using, and/or copying this work, you (the Licensee) agree that you have read, understood, and will comply with the following terms and conditions. 1. The Software contains the University of Colorado's Department of Art and Art History's implementation of a digital image collection; 2. Any images obtained through use of the Software will be used only for non-profit, educational purposes; 3. The use of images obtained through the software will only be used while the Licensee is either: a) an employee of the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver, or b) an enrolled student at the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver; 4. When the Licensee is no longer an employee or student of the University of Colorado, Metropolitan State College of Denver or Community College of Denver, either by an action of the University of Colorado, Metropolitan State College of Denver or the Community College of Denver or due to actions of the Licensee, the licensee will cease to use any images exported from the Department of Art and Art History's digital image collection; 5. The Licensee agrees to indemnify the University for claims and liability arising out of the use of the Software or for any violations of this license; 6. THE UNIVERSITY OF COLORADO SUPPLIES THE SOFTWARE WITHOUT ANY WARRANTIES, EXPRESS OR IMPLIED, INCLUDING ANY WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
CU Copyright Statement:
The contents of the University of Colorado Digital Library are available for your use in research, teaching, and private study. Some of these items are protected by the U.S. Copyright Law (Title 17, U.S.C.) and some items may have additional restrictions. If you use the items in this collection, make sure you abide by any restrictions stated in the descriptive data window. The nature of these collections often makes it difficult to determine the copyright status of an item. We have made every effort to provide information about copyright owners and other restrictions in the descriptive data window. Ultimately, however, it is your responsibility to use the item according to the terms governing its use. If you are a copyright holder and the information is either not listed or listed incorrectly, please let us know so that we can update the information on our site.
Holding Institution:
University of Colorado Boulder
Collection:
Art and Art History Visual Resources Center
Collection info and contact:
For information about this collection, see . For specific questions, suggestions, or corrections about the descriptive information for images, contact aahvrc@colorado.edu. Please include the image file name.