COLLECTION NAME:
Visual Resources Teaching Collection
mediaCollectionId
ArtArtHiAAH~7~7
Visual Resources Teaching Collection
Collection
true
Image Record ID:
aahi0019318
image_record_id
aahi0019318
Image Record ID
false
Work Title (display):
Waltz Dream
Work Title (variant):
Walzertraum
Image Title:
full view
Work Description:
Sheet XIII from the portfolio ECCE HOMO (Splendor and Misery in the Weimar Republic, p. 293)
Work Dates (display):
1921
Work Dates type:
creation
Work Creator (display):
George Grosz (German, 1893-1959)
Work Creator gender:
male
work_creator_or_agent_gender
male
Work Creator gender
false
Work Creator notes (display):
German draughtsman and painter. Born in Berlin, Grosz spent his childhood in a cavalry barracks. He studied at the Dresden Academy (190912) and the Berlin Kunstgewerbeschule (191214) before volunteering for the army. Discharged as unfit in 1915, he was conscripted in 1917 and, mistakenly, sentenced to execution in 1918; from now on the German army was one of the principal targets of his savage and telling satires. Grosz and his fellow student John Heartfield (both Anglicized their names in 1917) had collaborated on Dada collages and journals during the war and in 1920 he was a leading figure in the first international Dada exhibition in Berlin. In the same year he published Gott mit uns, ten photolithographs of his spare and almost naive line drawings, a bitter attack on the German military for which he was arrested and fined. Undeterred he issued the satirical collection The Face of the Ruling Class in 1921. Further court appearances followed in 1923 and 1928. In his drawings and paintings, which assimilated elements from Cubism, Futurism, and, particularly, de Chirico's Pittura metafisica, Grosz established archetypal images of post-war German militarists and profiteers, exemplified by The Pillars of Society (1926; New York, MoMa) in which priest, soldier, businessman, editor, and aristocrat are mercilessly caricatured. As a Communist, atheist, and satirist Grosz was a natural target for the National Socialists but left for America in 1932. His American years were artistically disappointing and in 1959 he returned to Berlin, only to die in an accident. (Grove Art Online accessed 2007-10-17)
Work Worktype:
prints (visual works)
work_type
prints (visual works)
Work Worktype
false
Work Worktype:
offset print
work_type
offset print
Work Worktype
false
Work Material and Technique (display):
Offset printing
Work Measurements (display):
35.1 cm (H) x 25.8 cm (W)
Work Location (Repository or Site) name:
Akademie der Künst
Work Location (Repository or Site) role:
repository
Work Location (Geographic) name:
Berlin, Germany
Work Location (Geographic) role:
repositoryLocation
Image Source Reproduction citation:
Pfeiffer, Ingrid, editor. Splendor and Misery in the Weimar Republic. Schirn Kunsthalle Frankfurt, 2017.
image_source_copy_from_print_name
Pfeiffer, Ingrid, editor. Splendor and Misery in the Weimar Republic. Schirn Kunsthalle Frankfurt, 2017.
Image Source Reproduction citation
false
Image Source Reproduction refid:
978-3-7774-2933-5
Image Source Reproduction page number:
132
Image Rights (display):
© Akademie der Künste, Berlin
Image Rights fair use checklist:
1) use of this image is for education and educational research; 2) access is restricted to University of Colorado and Auraria Higher Education Center communities; 3) the original photographer is credited if known; 4) the image is published; 5) the amount of the work in relation to the whole is needed for education or educational research; 6) the number of derivatives is the minimum required for education or educational research; 7) the image has not been found to be reasonably available for sale; 8) duplication of the image does not violate preexisting contracts.
Work Rights (display):
© George Grosz
Terms of Agreement and Conditions of Use:
YOU AGREE: Luna Imaging's Insight Software and the digital image collection associated with it (the Software) are being provided by the University of Colorado under the following license. By obtaining, using, and/or copying this work, you (the Licensee) agree that you have read, understood, and will comply with the following terms and conditions. 1. The Software contains the University of Colorado's Department of Art and Art History's implementation of a digital image collection; 2. Any images obtained through use of the Software will be used only for non-profit, educational purposes; 3. The use of images obtained through the software will only be used while the Licensee is either: a) an employee of the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver, or b) an enrolled student at the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver; 4. When the Licensee is no longer an employee or student of the University of Colorado, Metropolitan State College of Denver or Community College of Denver, either by an action of the University of Colorado, Metropolitan State College of Denver or the Community College of Denver or due to actions of the Licensee, the licensee will cease to use any images exported from the Department of Art and Art History's digital image collection; 5. The Licensee agrees to indemnify the University for claims and liability arising out of the use of the Software or for any violations of this license; 6. THE UNIVERSITY OF COLORADO SUPPLIES THE SOFTWARE WITHOUT ANY WARRANTIES, EXPRESS OR IMPLIED, INCLUDING ANY WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
CU Copyright Statement:
The contents of the University of Colorado Digital Library are available for your use in research, teaching, and private study. Some of these items are protected by the U.S. Copyright Law (Title 17, U.S.C.) and some items may have additional restrictions. If you use the items in this collection, make sure you abide by any restrictions stated in the descriptive data window. The nature of these collections often makes it difficult to determine the copyright status of an item. We have made every effort to provide information about copyright owners and other restrictions in the descriptive data window. Ultimately, however, it is your responsibility to use the item according to the terms governing its use. If you are a copyright holder and the information is either not listed or listed incorrectly, please let us know so that we can update the information on our site.
Holding Institution:
University of Colorado Boulder
Collection:
Art and Art History Visual Resources Center
Collection info and contact:
For information about this collection, see . For specific questions, suggestions, or corrections about the descriptive information for images, contact aahvrc@colorado.edu. Please include the image file name.