COLLECTION NAME:
Visual Resources Teaching Collection
mediaCollectionId
ArtArtHiAAH~7~7
Visual Resources Teaching Collection
Collection
true
Image Record ID:
aahi0018476
image_record_id
aahi0018476
Image Record ID
false
Work Title (display):
Le Pavillon de l'Alma
Image Title:
Aristotype photograph by M. Bauche
Work Description:
To coincide with the Exposition Universelle of 1900, Rodin decided to mount a 'self-organised' retrospective exhibition, in a pavilion specially built for the occasion on the Place de l’Alma (http://www.rodinthealmaproject.com/the-pavillon-de-l-alma).
In 1901 the Rodin Pavilion was dismantled and reconstructed in the grounds of the Villa des Brillants, in Meudon. It was converted into a studio (http://www.musee-rodin.fr/en/resources/chronology-auguste-rodin/turning-point).
In 1901 the Rodin Pavilion was dismantled and reconstructed in the grounds of the Villa des Brillants, in Meudon. It was converted into a studio (http://www.musee-rodin.fr/en/resources/chronology-auguste-rodin/turning-point).
Work Dates (display):
Built for the 1900 Exposition Universelle, in which Rodin showed his work in a solo exhibition.
Work Dates type:
creation
Image Date (display):
1900
Image Date type:
photographed
Work Creator (display):
Auguste Rodin (French, 1840-1917)
Work Creator gender:
male
work_creator_or_agent_gender
male
Work Creator gender
false
Work Creator notes (display):
French sculptor and draughtsman. He is the only sculptor of the modern age regarded in his lifetime and afterwards to be on a par with Michelangelo. Both made images with widespread popular appeal, and both stressed the materiality of sculpture. Rodin's most famous worksthe Age of Bronze, The Thinker, The Kiss, the Burghers of Calais and Honoré de Balzacare frequently reproduced outside a fine-art context to represent modern attitudes that require poses and encounters freed from allegory, idealization and propriety. The Rodin mythology embraces the artist's faith in the spiritual dignity of individuals that direct scrutiny can reveal; this is at its most blatant in Rodin's portraits of French heroes such as Balzac and Victor Hugo, presented naked and vulnerable. His numerous biographers dwell on his rise from humble origins and his struggle to be accepted by the juries arbitrating entry to the Salon and to be awarded government commissions. Also part of the myth are the fidelity of Rose Beuret, his companion of 50 years; his brazen sexuality; and the unprecedented international fame Rodin acquired after 1900. Set outside this familiar story is the artist who has appealed to people with an enthusiasm for the landmarks of avant-garde sculpture and life drawing. A massive legacy of extremely experimental and intimate studieson paper, in plaster, some merely fragments, some not published until the 1980shave helped contradict the criticism that Rodin's mature work was compromised by rather dull copies of popular works realized by his large workshop. Because he encouraged the reproduction and dissemination of his works in bronze and marble editions, Rodin is represented in many public and private collections. The largest collection of his worksdrawings as well as sculptureis in the Musée Rodin, Paris. Many of his original plasters are in the Musée Rodin, Meudon. (Grove Art Online Accessed 2007-07-25)
Work Worktype:
exhibitions (events)
work_type
exhibitions (events)
Work Worktype
false
Work Worktype:
sculpture (visual works)
work_type
sculpture (visual works)
Work Worktype
false
Work Worktype:
pavilions (garden structures)
work_type
pavilions (garden structures)
Work Worktype
false
Work Category (VRC classification):
sculptures and installations
work_category__ucbaahvrc_classification_
sculptures and installations
Work Category (VRC classification)
false
Work Category (VRC classification):
exhibitions
work_category__ucbaahvrc_classification_
exhibitions
Work Category (VRC classification)
false
Work Location (Geographic) name:
Paris, France
Work Location (Geographic) role:
site
Image Source Reproduction citation:
Rodin en 1900: L'exposition de l'Alma: Musee Du Luxembourg, 12 Mars-15 Juillet 2001. Musee Luxembourg, 2001.
image_source_copy_from_print_name
Rodin en 1900: L'exposition de l'Alma: Musee Du Luxembourg, 12 Mars-15 Juillet 2001. Musee Luxembourg, 2001.
Image Source Reproduction citation
false
Image Source Reproduction refid:
2711841642
Image Source Reproduction page number:
23
Image Source Reproduction plate-figure number:
7
Image Source Reproduction refid type:
ISBN
Image Rights (display):
public domain
Image Rights fair use checklist:
1) use of this image is for education and educational research; 2) access is restricted to University of Colorado and Auraria Higher Education Center communities; 3) the original photographer is credited if known; 4) the image is published; 5) the amount of the work in relation to the whole is needed for education or educational research; 6) the number of derivatives is the minimum required for education or educational research; 7) the image has not been found to be reasonably available for sale; 8) duplication of the image does not violate preexisting contracts.
Work Rights (display):
© public domain
Terms of Agreement and Conditions of Use:
YOU AGREE: Luna Imaging's Insight Software and the digital image collection associated with it (the Software) are being provided by the University of Colorado under the following license. By obtaining, using, and/or copying this work, you (the Licensee) agree that you have read, understood, and will comply with the following terms and conditions. 1. The Software contains the University of Colorado's Department of Art and Art History's implementation of a digital image collection; 2. Any images obtained through use of the Software will be used only for non-profit, educational purposes; 3. The use of images obtained through the software will only be used while the Licensee is either: a) an employee of the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver, or b) an enrolled student at the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver; 4. When the Licensee is no longer an employee or student of the University of Colorado, Metropolitan State College of Denver or Community College of Denver, either by an action of the University of Colorado, Metropolitan State College of Denver or the Community College of Denver or due to actions of the Licensee, the licensee will cease to use any images exported from the Department of Art and Art History's digital image collection; 5. The Licensee agrees to indemnify the University for claims and liability arising out of the use of the Software or for any violations of this license; 6. THE UNIVERSITY OF COLORADO SUPPLIES THE SOFTWARE WITHOUT ANY WARRANTIES, EXPRESS OR IMPLIED, INCLUDING ANY WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
CU Copyright Statement:
The contents of the University of Colorado Digital Library are available for your use in research, teaching, and private study. Some of these items are protected by the U.S. Copyright Law (Title 17, U.S.C.) and some items may have additional restrictions. If you use the items in this collection, make sure you abide by any restrictions stated in the descriptive data window. The nature of these collections often makes it difficult to determine the copyright status of an item. We have made every effort to provide information about copyright owners and other restrictions in the descriptive data window. Ultimately, however, it is your responsibility to use the item according to the terms governing its use. If you are a copyright holder and the information is either not listed or listed incorrectly, please let us know so that we can update the information on our site.
Holding Institution:
University of Colorado Boulder
Collection:
Art and Art History Visual Resources Center
Collection info and contact:
For information about this collection, see