COLLECTION NAME:
Visual Resources Teaching Collection
mediaCollectionId
ArtArtHiAAH~7~7
Visual Resources Teaching Collection
Collection
true
Image Record ID:
aahi0017172
image_record_id
aahi0017172
Image Record ID
false
Work Title (display):
The Plaster Cupid
Image Title:
full view
Work Dates (display):
1890-1895
Work Dates type:
creation
Work Creator (display):
Paul Cézanne (French, 1839-1906)
Work Creator gender:
male
work_creator_or_agent_gender
male
Work Creator gender
false
Work Creator notes (display):
French painter. He was one of the most important painters of the second half of the 19th century. In many of his early works, up to about 1870, he depicted dark, imaginary subjects in a violent, expressive manner. In the 1870s he came under the influence of Impressionism, particularly as practised by Camille Pissarro, and he participated in the First (1874) and Third (1877) Impressionist Exhibitions. Though he considered the study of nature essential to painting, he nevertheless opposed many aspects of the Impressionist aesthetic. He epitomized the reaction against it when he declared: 'I wanted to make of Impressionism something solid and enduring, like the art in museums.' Believing colour and form to be inseparable, he tried to emphasize structure and solidity in his work, features he thought neglected by Impressionism. For this reason he was a central figure in Post-impressionism. He rarely dated his works (and often did not sign them either), which makes it hard to ascertain the chronology of his oeuvre with any precision. Until the end of his life he received little public success and was repeatedly rejected by the Paris Salon. In his last years his work began to influence many younger artists, including both the Fauves and the Cubists, and he is therefore often seen as a precursor of 20th-century art. (Grove Art Online Accessed 2006-07-28)
Work Worktype:
drawings
work_type
drawings
Work Worktype
false
Work Category (VRC classification):
drawings
work_category__ucbaahvrc_classification_
drawings
Work Category (VRC classification)
false
Work Material and Technique (display):
pencil drawing on laid paper
Work Measurements (display):
19.25 in (H) x 12.75 in (W)
Work Location (Repository or Site) name:
Brooklyn Museum of Art
Work Location (Repository or Site) role:
repository
Work Location (Repository or Site) refid:
39.623a-b
Work Location (Repository or Site) refid type:
accession
Work Location (Geographic) name:
Brooklyn, New York
Work Location (Geographic) role:
repositoryLocation
Image Source Reproduction citation:
Dumas, Ann, and Xavier Bray. Inspiring Impressionism: the Impressionists and the art of the past. Denver, CO: Denver Art Museum, 2007. Print.
image_source_copy_from_print_name
Dumas, Ann, and Xavier Bray. Inspiring Impressionism: the Impressionists and the art of the past. Denver, CO: Denver Art Museum, 2007. Print.
Image Source Reproduction citation
false
Image Source Reproduction refid:
978-0300131321
Image Source Reproduction page number:
64
Image Source Reproduction plate-figure number:
15
Image Source Reproduction refid type:
ISBN
Image Rights (display):
© Brooklyn Museum of Art. Licensed for educational use via Scholars Resource: Davis Art Images
Image Rights fair use checklist:
1) use of this image is for education and educational research; 2) access is restricted to University of Colorado and Auraria Higher Education Center communities; 3) the original photographer is credited if known; 4) the image is published; 5) the amount of the work in relation to the whole is needed for education or educational research; 6) the number of derivatives is the minimum required for education or educational research; 7) the image has not been found to be reasonably available for sale; 8) duplication of the image does not violate preexisting contracts.
Work Rights (display):
public domain
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Holding Institution:
University of Colorado Boulder
Collection:
Art and Art History Visual Resources Center
Collection info and contact:
For information about this collection, see