COLLECTION NAME:
Visual Resources Teaching Collection
mediaCollectionId
ArtArtHiAAH~7~7
Visual Resources Teaching Collection
Collection
true
Image Record ID:
aahi0017196
image_record_id
aahi0017196
Image Record ID
false
Work Title (display):
The Autopsy (Preparation for the Funeral)
Work Title (variant):
Preparation for the Funeral
Image Title:
full view
Work Dates (display):
1869
Work Dates type:
creation
Work Creator (display):
Paul Cézanne (French, 1839-1906)
Work Creator gender:
male
work_creator_or_agent_gender
male
Work Creator gender
false
Work Creator notes (display):
French painter. He was one of the most important painters of the second half of the 19th century. In many of his early works, up to about 1870, he depicted dark, imaginary subjects in a violent, expressive manner. In the 1870s he came under the influence of Impressionism, particularly as practised by Camille Pissarro, and he participated in the First (1874) and Third (1877) Impressionist Exhibitions. Though he considered the study of nature essential to painting, he nevertheless opposed many aspects of the Impressionist aesthetic. He epitomized the reaction against it when he declared: 'I wanted to make of Impressionism something solid and enduring, like the art in museums.' Believing colour and form to be inseparable, he tried to emphasize structure and solidity in his work, features he thought neglected by Impressionism. For this reason he was a central figure in Post-impressionism. He rarely dated his works (and often did not sign them either), which makes it hard to ascertain the chronology of his oeuvre with any precision. Until the end of his life he received little public success and was repeatedly rejected by the Paris Salon. In his last years his work began to influence many younger artists, including both the Fauves and the Cubists, and he is therefore often seen as a precursor of 20th-century art. (Grove Art Online Accessed 2006-07-28)
Work Worktype:
oil paintings
work_type
oil paintings
Work Worktype
false
Work Worktype:
paintings (visual works)
work_type
paintings (visual works)
Work Worktype
false
Work Category (VRC classification):
paintings
work_category__ucbaahvrc_classification_
paintings
Work Category (VRC classification)
false
Work Material and Technique (display):
oil paint on canvas
Work Measurements (display):
49.5 cm (H) x 80.5 cm (W)
Work Location (Repository or Site) name:
private collection
Work Location (Repository or Site) role:
repository
Image Source Reproduction citation:
Dumas, Ann, and Xavier Bray. Inspiring Impressionism: the Impressionists and the art of the past. Denver, CO: Denver Art Museum, 2007. Print.
image_source_copy_from_print_name
Dumas, Ann, and Xavier Bray. Inspiring Impressionism: the Impressionists and the art of the past. Denver, CO: Denver Art Museum, 2007. Print.
Image Source Reproduction citation
false
Image Source Reproduction refid:
978-0300131321
Image Source Reproduction page number:
126
Image Source Reproduction plate-figure number:
54
Image Source Reproduction refid type:
ISBN
Image Rights (display):
© private collection
Image Rights fair use checklist:
1) use of this image is for education and educational research; 2) access is restricted to University of Colorado and Auraria Higher Education Center communities; 3) the original photographer is credited if known; 4) the image is published; 5) the amount of the work in relation to the whole is needed for education or educational research; 6) the number of derivatives is the minimum required for education or educational research; 7) the image has not been found to be reasonably available for sale; 8) duplication of the image does not violate preexisting contracts.
Work Rights (display):
public domain
Terms of Agreement and Conditions of Use:
YOU AGREE: Luna Imaging's Insight Software and the digital image collection associated with it (the Software) are being provided by the University of Colorado under the following license. By obtaining, using, and/or copying this work, you (the Licensee) agree that you have read, understood, and will comply with the following terms and conditions. 1. The Software contains the University of Colorado's Department of Art and Art History's implementation of a digital image collection; 2. Any images obtained through use of the Software will be used only for non-profit, educational purposes; 3. The use of images obtained through the software will only be used while the Licensee is either: a) an employee of the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver, or b) an enrolled student at the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver; 4. When the Licensee is no longer an employee or student of the University of Colorado, Metropolitan State College of Denver or Community College of Denver, either by an action of the University of Colorado, Metropolitan State College of Denver or the Community College of Denver or due to actions of the Licensee, the licensee will cease to use any images exported from the Department of Art and Art History's digital image collection; 5. The Licensee agrees to indemnify the University for claims and liability arising out of the use of the Software or for any violations of this license; 6. THE UNIVERSITY OF COLORADO SUPPLIES THE SOFTWARE WITHOUT ANY WARRANTIES, EXPRESS OR IMPLIED, INCLUDING ANY WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
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Holding Institution:
University of Colorado Boulder
Collection:
Art and Art History Visual Resources Center
Collection info and contact:
For information about this collection, see