COLLECTION NAME:
Visual Resources Teaching Collection
mediaCollectionId
ArtArtHiAAH~7~7
Visual Resources Teaching Collection
Collection
true
Image Record ID:
aahi0015069
image_record_id
aahi0015069
Image Record ID
false
Work Title (display):
The Future of Statues
Image Title:
full view of front
Work Dates (display):
1937
Work Dates type:
creation
Work Creator (display):
René Magritte (Belgian, 1898-1967)
Work Creator gender:
male
work_creator_or_agent_gender
male
Work Creator gender
false
Work Creator notes (display):
An influential figure in Surrealism, Magritte is now regarded as possibly the most important Belgian artist of the 20th century. Inspired by the works of De Chirico, in the 1920s he began to experiment with concepts of reality in his paintings, altering form and often creating entirely new objects, giving his work the mystical look of a riddle. By 1926 he became involved with the Belgian Surrealist movement, and later lived in Paris from 1927-1930, connecting with the Surrealists in that city and painting full-time. His work began exploring a disconnect between normal objects, or between text and what is shown, as with his work "Treachery of Images" where the image of a pipe is accompanied by the text "Ceci n'est pas une pipe". Possibly drawing from his experience in advertising, his work employed standard human types, such as his businessman wearing a bowler hat, whose image appeared in numerous works. Magritte had been fairly well-known due to his association with the French Surrealists, but did not become an internationally recognized artist until 1948, when he signed a contract with New York dealer Alexander Iolas. He died in 1967, several days after the opening of a major retrospective of his work. (ULAN)
Work Worktype:
sculpture (visual works)
work_type
sculpture (visual works)
Work Worktype
false
Work Worktype:
oil paintings
work_type
oil paintings
Work Worktype
false
Work Worktype:
paintings (visual works)
work_type
paintings (visual works)
Work Worktype
false
Work Category (VRC classification):
paintings
work_category__ucbaahvrc_classification_
paintings
Work Category (VRC classification)
false
Work Category (VRC classification):
sculptures and installations
work_category__ucbaahvrc_classification_
sculptures and installations
Work Category (VRC classification)
false
Work Material and Technique (display):
oil paint on plaster
Work Measurements (display):
13 in (H) x 6.5 in (W) x 8 in (D)
Work Location (Repository or Site) name:
Tate Britain
Work Location (Repository or Site) role:
repository
Work Location (Repository or Site) refid:
T03258
Work Location (Repository or Site) refid type:
accession
Work Location (Geographic) name:
London, United Kingdom
Work Location (Geographic) role:
repositoryLocation
Image Source Reproduction citation:
Fletcher, Valerie J., and Rhys Conlon. Surrealist Sculpture: Marvelous Objects from Paris to New York. Washington, DC: Hirshhorn Museum and Sculpture Garden, 2015. Print.
image_source_copy_from_print_name
Fletcher, Valerie J., and Rhys Conlon. Surrealist Sculpture: Marvelous Objects from Paris to New York. Washington, DC: Hirshhorn Museum and Sculpture Garden, 2015. Print.
Image Source Reproduction citation
false
Image Source Reproduction refid:
978-3791354651
Image Source Reproduction page number:
14
Image Source Reproduction plate-figure number:
1
Image Source Reproduction refid type:
ISBN
Image Rights (display):
© Tate Modern
Image Rights fair use checklist:
1) use of this image is for education and educational research; 2) access is restricted to University of Colorado and Auraria Higher Education Center communities; 3) the original photographer is credited if known; 4) the image is published; 5) the amount of the work in relation to the whole is needed for education or educational research; 6) the number of derivatives is the minimum required for education or educational research; 7) the image has not been found to be reasonably available for sale; 8) duplication of the image does not violate preexisting contracts.
Work Rights (display):
© René Magritte
Terms of Agreement and Conditions of Use:
YOU AGREE: Luna Imaging's Insight Software and the digital image collection associated with it (the Software) are being provided by the University of Colorado under the following license. By obtaining, using, and/or copying this work, you (the Licensee) agree that you have read, understood, and will comply with the following terms and conditions. 1. The Software contains the University of Colorado's Department of Art and Art History's implementation of a digital image collection; 2. Any images obtained through use of the Software will be used only for non-profit, educational purposes; 3. The use of images obtained through the software will only be used while the Licensee is either: a) an employee of the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver, or b) an enrolled student at the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver; 4. When the Licensee is no longer an employee or student of the University of Colorado, Metropolitan State College of Denver or Community College of Denver, either by an action of the University of Colorado, Metropolitan State College of Denver or the Community College of Denver or due to actions of the Licensee, the licensee will cease to use any images exported from the Department of Art and Art History's digital image collection; 5. The Licensee agrees to indemnify the University for claims and liability arising out of the use of the Software or for any violations of this license; 6. THE UNIVERSITY OF COLORADO SUPPLIES THE SOFTWARE WITHOUT ANY WARRANTIES, EXPRESS OR IMPLIED, INCLUDING ANY WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
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Holding Institution:
University of Colorado Boulder
Collection:
Art and Art History Visual Resources Center
Collection info and contact:
For information about this collection, see