COLLECTION NAME:
Visual Resources Teaching Collection
mediaCollectionId
ArtArtHiAAH~7~7
Visual Resources Teaching Collection
Collection
true
Image Record ID:
aahi0014725
image_record_id
aahi0014725
Image Record ID
false
Work Title (display):
Installation of Pollock's 1950 exhibition at Betty Parsons Gallery
Image Title:
full view
Work Dates (display):
1950
Work Dates type:
creation
Work Creator (display):
Jackson Pollock (American, 1912-1956)
Work Creator gender:
male
work_creator_or_agent_gender
male
Work Creator gender
false
Work Creator notes (display):
Pollock was one of the leading proponents of Abstract Expression in the 1940s and 1950s. His art, lifestyle, and untimely death have been elevated to the status of legend. In 1928, he studied at the Manual Arts High School in Los Angeles, and during this time was exposed to European modernism, analytical psychology, and Surrealist automatism. In 1930, he settled in New York, and studied with the Regionalist painter Thomas Hart Benton. During the 1930s he lived in poverty and worked as a mural assistant for the Works Progress Administration Federal Art Project. His work before 1938 shows the influence of Benton, Albert Pinkham Ryder and the Mexican muralists. In 1938, he was hospitalized for alcoholism during which time he used automatic drawing as therapy. From this, Pollock developed his early style, one of totemic male and female figures and images of eyes or mythic beats that constituted a personal iconography. A fine example of this period is "Guardians of the Secret," a work of late-Surrealist style and frenetic brushwork that would hint at his later mature style. He met the painter Lee Krasner in 1942 and they were married in 1945. Pollock is best known for working methods of pouring or dripping paint onto a large canvas on the floor, moving about it as he worked, the entire art process being a kind of performance. Typically moving from left to right as if "writing" the work, Pollock laid the key vertical and horizontal elements down first, mostly black or white and then intertwined subsequent colors within it. This method of organizing a space into panels echoes Benton's theories of mural composition. Pollock was one of the first celebrity painters of the Post-War era in the USA, he free-from style and dramatic personality capturing the spirit of the Beat Generation of the early 1950s. He was killed in car accident in 1956. ( Accessed 2006-07-26)
Work Worktype:
installations (exhibitions)
work_type
installations (exhibitions)
Work Worktype
false
Work Worktype:
paintings (visual works)
work_type
paintings (visual works)
Work Worktype
false
Work Worktype:
oil paintings
work_type
oil paintings
Work Worktype
false
Work Category (VRC classification):
exhibitions
work_category__ucbaahvrc_classification_
exhibitions
Work Category (VRC classification)
false
Work Category (VRC classification):
paintings
work_category__ucbaahvrc_classification_
paintings
Work Category (VRC classification)
false
Work Material and Technique (display):
exhibition of oil paintings
Work Location (Repository or Site) name:
Betty Parsons Gallery
Work Location (Repository or Site) role:
exhibition
Work Location (Geographic) name:
New York, New York
Work Location (Geographic) role:
repositoryLocation
Image Source Reproduction citation:
Jackson Pollock,, Varnedoe, Kirk, and Pepe Karmel. Jackson Pollock. New York: Museum of Modern Art, 1998. Print.
image_source_copy_from_print_name
Jackson Pollock,, Varnedoe, Kirk, and Pepe Karmel. Jackson Pollock. New York: Museum of Modern Art, 1998. Print.
Image Source Reproduction citation
false
Image Source Reproduction refid:
0-87070-068-5
Image Source Reproduction page number:
325
Image Source Reproduction refid type:
ISBN
Image Rights (display):
© Pollock, Jackson
Image Rights fair use checklist:
1) use of this image is for education and educational research; 2) access is restricted to University of Colorado and Auraria Higher Education Center communities; 3) the original photographer is credited if known; 4) the image is published; 5) the amount of the work in relation to the whole is needed for education or educational research; 6) the number of derivatives is the minimum required for education or educational research; 7) the image has not been found to be reasonably available for sale; 8) duplication of the image does not violate preexisting contracts.
Work Rights (display):
public domain
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Holding Institution:
University of Colorado Boulder
Collection:
Art and Art History Visual Resources Center
Collection info and contact:
For information about this collection, see