COLLECTION NAME:
Visual Resources Teaching Collection
mediaCollectionId
ArtArtHiAAH~7~7
Visual Resources Teaching Collection
Collection
true
Image Record ID:
aahi0000132
image_record_id
aahi0000132
Image Record ID
false
Work Title (display):
Adoration of the Magi Altar
Image Title:
view of exterior
Work Description:
This triptych, for many Bosch's masterpiece, was possibly made between 1495 and 1500. It was painted for the chapel of the Guild of Our Lady in Hertogenbosch Cathedral and its formal characteristics suggest that it was intended to be a worship object. It was later moved to the Town Hall escaping thus from the iconoclastic revolt. Subsequently it belonged to Jean Casembroot, a supporter of William of Orange, who was sentenced by a court-martial and whose properties were confiscated in Brussels. Philip II sent this work to El Escorial and gave it a place of honour in his private oratory. The closed triptych represents Saint Gregory Mass, painted in grisaille. In a central altar an Ecce-Homo is surrounded by scenes of the Passion with the Crucifixion above. Around a pope several characters are portrayed and among them two unidentified donors. Inside, the central panel depicts The Adoration of the Magi. The side wings portray the donors, with their respective coats of arms, one of them reads Een voer al (one for all). Most of critics have identified them as members of Bronkhorst and Mosschuyse families. Behind them, St. Peter and St. Agnes their respective protectors- are represented, recognizable by their attributes. The Adoration follows the rules established for the subject. The Kings offer their gifts to the Child sitting in his mother's lap: gold, incense and myrrh, according to St. Mathew's Gospel. All the figures are in the foreground allowing to appreciating the sumptuousness of the dresses the large collar of one of the Magi's cape is embroidered with The visit of the Queen of Sheba to Salomon- and the magnificent goldsmith work depicting The Sacrifice of Isaac. In the shack there are disturbing figures, like the half-naked man in the doorway with a sore at his leg, who has been interpreted by some as Jewish symbolism or as representing the Antichrist. The landscape which fills the background of the three panels unifies the whole providing a panoramic view linked by the high horizon line. Different architectures, a lake with a fortified island and different scenes scattered on the meadows, crowd the varied landscape. (Museo del Prado accessed 2007-10-12)
Work Dates (display):
ca. 1510
Work Dates type:
creation
Work Creator (display):
Hieronymus Bosch (Netherlandish, ca. 1450-1516)
Work Creator gender:
male
work_creator_or_agent_gender
male
Work Creator gender
false
Work Creator notes (display):
Netherlandish painter and draughtsman. The most distinctive and idiosyncratic of 15th-century Netherlandish artists, he produced a body of work remarkable for its depiction of fantastic, often diabolic, creatures, generally moralizing representations of the consequences of sin and folly. (Grove Art Online Accessed 2006-07-26)
Work Style Period:
Netherlandish Renaissance-Baroque styles
work_styleperiod
Netherlandish Renaissance-Baroque styles
Work Style Period
false
Work Style Period:
16th century
work_styleperiod
16th century
Work Style Period
false
Work Subject:
Bibles
subject
Bibles
Work Subject
false
Work Subject:
Antichrist
subject
Antichrist
Work Subject
false
Work Subject:
Adoration of Christ child
subject
Adoration of Christ child
Work Subject
false
Work Subject:
Mary, Blessed Virgin, Saint
subject
Mary, Blessed Virgin, Saint
Work Subject
false
Work Subject:
St. Agnes
subject
St. Agnes
Work Subject
false
Work Subject:
St. Peter (d. 304)
subject
St. Peter (d. 304)
Work Subject
false
Work Subject:
Jesus Christ
subject
Jesus Christ
Work Subject
false
Work Subject:
donors
subject
donors
Work Subject
false
Work Subject:
Magi
subject
Magi
Work Subject
false
Work Subject:
landscapes (representations)
subject
landscapes (representations)
Work Subject
false
Work Subject:
saints
subject
saints
Work Subject
false
Work Worktype:
triptychs
work_type
triptychs
Work Worktype
false
Work Category (VRC classification):
paintings
work_category__ucbaahvrc_classification_
paintings
Work Category (VRC classification)
false
Work Material and Technique (display):
oil on panel
Work Measurements (display):
138 cm (H) x 72 cm (W); 138 cm (H) x 34cm (W) when closed
Work Inscription (display):
Signed
Work Location (Repository or Site) name:
Museo del Prado
Work Location (Repository or Site) role:
repository
Work Location (Repository or Site) refid:
2084
Work Location (Repository or Site) refid type:
accession
Work Location (Geographic) name:
Madrid, Spain
Image Rights (display):
© Ronald Wiedenhoeft. Licensed for educational use via Scholars Resource: Saskia, Ltd.
Image Rights license agreement:
SASKIA, LTD.: WHO CAN USE THIS SOFTWARE: (a) Licensee, including faculty, staff and currently enrolled students may use the Licensed Software to display and or print the corresponding graphic images without limitation for teaching and research purposes at the defined Sites, or at remote locations having electronic access to your Site(s). (b) This license include permission to use the Licensed Software on a multi-user network at the defined Site, and to permit remote access to a computer/server located at your Site. Simultaneous display in multiple locations at or connected to the Site is also permitted. (c) Licensee agrees to employ reasonable security measures designed to limit access to your faculty, staff and currently enrolled students. PROHIBITED USES AND LIMITATIONS: (a) Saskia hereby reserves all rights not expressly granted herein. (b) the License Software may not be used for preparaiton of any publication, scholarly or otherwise; or for any purpose other than teaching or research. Publication of an image from the Licensed Software requires a separate license from Saskia. (c) Licensee agrees not to resell, lease, transfer, sub-license or otherwise distribute a copy of the Licensed Software, or any image taken from the Licensed Software, in whole or in part. (d) Licensee also agrees not to modify, corrupt or alter any digital image graphic content or "digital watermark" or the like in the software provided by Saskia under this Agreement. (e) Licensee agrees not to remove, alter, cover or distort Saskia's copyright notice, trademark, or other proprietary rights notice placed by Saskia in the Licensed Software itself, or in the associated packaging, media or documentation. (f) And Licensee agrees to notify users of the Licensed Software, in writing or by sign-on screen display, of their obligations under this Agreement and solicit their cooperation and compliance with such obligations.
Work Rights (display):
public domain
Terms of Agreement and Conditions of Use:
YOU AGREE: Luna Imaging's Insight Software and the digital image collection associated with it (the Software) are being provided by the University of Colorado under the following license. By obtaining, using, and/or copying this work, you (the Licensee) agree that you have read, understood, and will comply with the following terms and conditions. 1. The Software contains the University of Colorado's Department of Art and Art History's implementation of a digital image collection; 2. Any images obtained through use of the Software will be used only for non-profit, educational purposes; 3. The use of images obtained through the software will only be used while the Licensee is either: a) an employee of the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver, or b) an enrolled student at the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver; 4. When the Licensee is no longer an employee or student of the University of Colorado, Metropolitan State College of Denver or Community College of Denver, either by an action of the University of Colorado, Metropolitan State College of Denver or the Community College of Denver or due to actions of the Licensee, the licensee will cease to use any images exported from the Department of Art and Art History's digital image collection; 5. The Licensee agrees to indemnify the University for claims and liability arising out of the use of the Software or for any violations of this license; 6. THE UNIVERSITY OF COLORADO SUPPLIES THE SOFTWARE WITHOUT ANY WARRANTIES, EXPRESS OR IMPLIED, INCLUDING ANY WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
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Holding Institution:
University of Colorado at Boulder
Collection:
Art and Art History Visual Resources Center
Collection info and contact:
For information about this collection, see