COLLECTION NAME:
Visual Resources Teaching Collection
mediaCollectionId
ArtArtHiAAH~7~7
Visual Resources Teaching Collection
Collection
true
Image Record ID:
aahi0012687
image_record_id
aahi0012687
Image Record ID
false
Work Title (display):
Collection of Four Hundred and Eighty Plaster Surrogates
Work Title notes (display):
title from (http://www.barbarakrakowgallery.com/contentmgr/showdetails.php/id/3059)
Image Title:
exhibition view
Work Dates (display):
1982/1989
Work Dates type:
creation
Image Date (display):
2014-09-09
Work Creator (display):
Allan McCollum (American, born 1944)
Work Creator gender:
male
work_creator_or_agent_gender
male
Work Creator gender
false
Work Creator notes (display):
American sculptor. He did not have a formal art education. McCollum has stated that formative influence in his work included the Fluxus movement of the 1960s and the work of conceptual artists, such as Sol LeWitt and Daniel Buren. In 1975 he moved to New York. Departing from the notion of a work of art as a rare object of unique value, he introduced a procedure of studio manufacture of precast models made in unlimited editions. The series of Perfect Vehicles (exh. New York, CashNewhouse Gal., 1986) resembled large vessels, sealed and painted in Moorglo on concrete. Over 10,000 Individual Works (exh. New York, John Weber Gal., 1987) comprised precise rows of miniature units moulded from found objects, painted in enamel on solid-cast Hydrocal (fibreglass and concrete). McCollum scrupulously avoided aspects of ironical parody typical of Pop art. His works were not presented as decorative accessories or social commentary but as physical signs of the mechanical drives of existenceof repetitious behaviour and patterns of market-based relationships. ("McCollum, Allan." Grove Art Online. Oxford Art Online. 17 Mar. 2009 .)
Work Creator UCB affiliation (display):
visiting artist, Visiting Artist Program, 1987
Work Worktype:
installations (exhibitions)
work_type
installations (exhibitions)
Work Worktype
false
Work Worktype:
installations (visual works)
work_type
installations (visual works)
Work Worktype
false
Work Category (VRC classification):
sculptures and installations
work_category__ucbaahvrc_classification_
sculptures and installations
Work Category (VRC classification)
false
Work Material and Technique (display):
Enamel on solid-cast Hydrostone plaster
Work Location (Repository or Site) name:
Barbara Krakow Gallery
Work Location (Repository or Site) role:
exhibition
Work Location (Geographic) name:
Boston, Massachusetts
Image Source Reproduction refid:
batch_20140905_02
Image Rights (display):
unknown
Image Rights fair use checklist:
1) use of this image is for education and educational research; 2) access is restricted to University of Colorado and Auraria Higher Education Center communities; 3) the original photographer is credited if known; 4) the image is published; 5) the amount of the work in relation to the whole is needed for education or educational research; 6) the number of derivatives is the minimum required for education or educational research; 7) the image has not been found to be reasonably available for sale; 8) duplication of the image does not violate preexisting contracts.
Work Rights (display):
© Allan McCollum
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Holding Institution:
University of Colorado Boulder
Collection:
Art and Art History Visual Resources Center
Collection info and contact:
For information about this collection, see