COLLECTION NAME:
Visual Resources Teaching Collection
mediaCollectionId
ArtArtHiAAH~7~7
Visual Resources Teaching Collection
Collection
true
Image Record ID:
aahi0000405
image_record_id
aahi0000405
Image Record ID
false
Work Title (display):
The Garden of Earthly Delights Alterpiece
Image Title:
full view when open
Work Description:
In the triptych with the 'Garden of Earthly Delights', Bosch depicted the history of the world in terms of the Creation of the World by God the Father (on the outer wings), the earthly or Terrestrial Paradise (Garden of Eden) on the left inner wing and Hell on the right inner wingall treated sub specie sexualitatis et procreationis. On the outer side the newly created world is already clothed in wonderful flora, symbols of nature and sexuality, which are also found in the central panel and in temptation scenes by the artist. The left wing shows the institution of marriage (Adam and Eve) and already hints at the sexual perversion of it (the owl in the fountain). The central panel shows the false paradise of love, probably as the aetas aurea from Adam to Noah, to be repeated at the end of the world sub specie luxuriae ('sicut in diebus Noe …'). This grail, as the pseudo-paradisus amoris was called in the 15th and 16th centuries, is situated between the earthly and the supernatural and contains both heavenly and diabolical elements: thus some interpreters see it as depicting a paradisiacal state, others a state of sin. The ambiguity is, in fact, intended and is fundamental to a proper understanding of the triptych. Its 'message' is approximately as follows: sexuality can become an end in itself, owing to an unchaste interpretation of the paradisiacal state of marriage instituted by God, with the command to increase and multiply. Thus men and women believe they are living in a lovers' paradise (the grail), but it is really false and pernicious. Bosch supported this view 'historically': sex and procreation were known from the beginning (the outside of the wings); in the 'golden age' they turned to luxuria; and at the end of the world (which may come at any time) they will again lead back to evil. The preaching of 'pure' marriage is not so much a matter of religious thinking as of the upper middle-class preoccupation with marriage, the family and the household (concerns that were strongly promoted c. 1500). (Grove Art Online accessed 2007-10-13>
Work Dates (display):
ca. 1505-1516
Work Dates type:
creation
Work Creator (display):
Hieronymus Bosch (Netherlandish, ca. 1450-1516)
Work Creator gender:
male
work_creator_or_agent_gender
male
Work Creator gender
false
Work Creator notes (display):
Netherlandish painter and draughtsman. The most distinctive and idiosyncratic of 15th-century Netherlandish artists, he produced a body of work remarkable for its depiction of fantastic, often diabolic, creatures, generally moralizing representations of the consequences of sin and folly. (Grove Art Online Accessed 2006-07-26)
Work Style Period:
16th century
work_styleperiod
16th century
Work Style Period
false
Work Style Period:
Netherlandish Renaissance-Baroque styles
work_styleperiod
Netherlandish Renaissance-Baroque styles
Work Style Period
false
Work Subject:
Bibles
subject
Bibles
Work Subject
false
Work Subject:
Hell
subject
Hell
Work Subject
false
Work Subject:
Genesis, Book of
subject
Genesis, Book of
Work Subject
false
Work Subject:
Adam and Eve
subject
Adam and Eve
Work Subject
false
Work Subject:
seven deadly sins
subject
seven deadly sins
Work Subject
false
Work Subject:
creation
subject
creation
Work Subject
false
Work Worktype:
triptychs
work_type
triptychs
Work Worktype
false
Work Category (VRC classification):
paintings
work_category__ucbaahvrc_classification_
paintings
Work Category (VRC classification)
false
Work Material and Technique (display):
oil painting
Work Measurements (display):
220 cm (H) x 195 cm (W)
Work Inscription (display):
"For he spake and it was done; he commanded, and it stood fast." From Psalm 33:9 of the Bible
Work Location (Repository or Site) name:
Museo del Prado
Work Location (Repository or Site) role:
repository
Work Location (Repository or Site) refid:
2823
Work Location (Repository or Site) refid type:
accession
Work Location (Geographic) name:
Madrid, Spain
Image Rights (display):
© Ronald Wiedenhoeft. Licensed for educational use via Scholars Resource: Saskia, Ltd.
Image Rights license agreement:
SASKIA, LTD.: WHO CAN USE THIS SOFTWARE: (a) Licensee, including faculty, staff and currently enrolled students may use the Licensed Software to display and or print the corresponding graphic images without limitation for teaching and research purposes at the defined Sites, or at remote locations having electronic access to your Site(s). (b) This license include permission to use the Licensed Software on a multi-user network at the defined Site, and to permit remote access to a computer/server located at your Site. Simultaneous display in multiple locations at or connected to the Site is also permitted. (c) Licensee agrees to employ reasonable security measures designed to limit access to your faculty, staff and currently enrolled students. PROHIBITED USES AND LIMITATIONS: (a) Saskia hereby reserves all rights not expressly granted herein. (b) the License Software may not be used for preparaiton of any publication, scholarly or otherwise; or for any purpose other than teaching or research. Publication of an image from the Licensed Software requires a separate license from Saskia. (c) Licensee agrees not to resell, lease, transfer, sub-license or otherwise distribute a copy of the Licensed Software, or any image taken from the Licensed Software, in whole or in part. (d) Licensee also agrees not to modify, corrupt or alter any digital image graphic content or "digital watermark" or the like in the software provided by Saskia under this Agreement. (e) Licensee agrees not to remove, alter, cover or distort Saskia's copyright notice, trademark, or other proprietary rights notice placed by Saskia in the Licensed Software itself, or in the associated packaging, media or documentation. (f) And Licensee agrees to notify users of the Licensed Software, in writing or by sign-on screen display, of their obligations under this Agreement and solicit their cooperation and compliance with such obligations.
Work Rights (display):
public domain
Terms of Agreement and Conditions of Use:
YOU AGREE: Luna Imaging's Insight Software and the digital image collection associated with it (the Software) are being provided by the University of Colorado under the following license. By obtaining, using, and/or copying this work, you (the Licensee) agree that you have read, understood, and will comply with the following terms and conditions. 1. The Software contains the University of Colorado's Department of Art and Art History's implementation of a digital image collection; 2. Any images obtained through use of the Software will be used only for non-profit, educational purposes; 3. The use of images obtained through the software will only be used while the Licensee is either: a) an employee of the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver, or b) an enrolled student at the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver; 4. When the Licensee is no longer an employee or student of the University of Colorado, Metropolitan State College of Denver or Community College of Denver, either by an action of the University of Colorado, Metropolitan State College of Denver or the Community College of Denver or due to actions of the Licensee, the licensee will cease to use any images exported from the Department of Art and Art History's digital image collection; 5. The Licensee agrees to indemnify the University for claims and liability arising out of the use of the Software or for any violations of this license; 6. THE UNIVERSITY OF COLORADO SUPPLIES THE SOFTWARE WITHOUT ANY WARRANTIES, EXPRESS OR IMPLIED, INCLUDING ANY WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
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Holding Institution:
University of Colorado at Boulder
Collection:
Art and Art History Visual Resources Center