COLLECTION NAME:
Visual Resources Teaching Collection
mediaCollectionId
ArtArtHiAAH~7~7
Visual Resources Teaching Collection
Collection
true
Image Record ID:
aahi0000206
image_record_id
aahi0000206
Image Record ID
false
Work Title (display):
Muscular Paper
Image Title:
full view
Work Dates (display):
1985
Work Dates type:
creation
Work Creator (display):
David Salle (American, born 1952)
Work Creator gender:
male
work_creator_or_agent_gender
male
Work Creator gender
false
Work Creator notes (display):
American painter, draughtsman and printmaker. He studied under John Baldessari and others at the California Institute of the Arts in Valencia, CA (19735). While working in the art department of a publisher of romance and pornographic magazines he gathered together photographs from the company's archives, later using them as source material for his paintings. After producing performances and installations in the late 1970s he began in 1979 to make paintings in which he overlaid images in different styles based on found sources, as in The Flesh Made Word (1979; Rotterdam, Boymansvan Beuningen). Although he acknowledged the example of the Transparencies series painted in the late 1920s and 1930s by Picabia, a more immediate point of comparison for works such as Good Bye D. (1982; Richmond, VA, Mus. F. A.)with their references to popular sources and kitsch and jarring juxtapositions of styleswas in work produced in the 1960s by artists associated with Pop art, notably James Rosenquist and Sigmar Polke. During the 1980s and early 1990s he was one of the most influential young painters working in a representational idiom. (Grove Art Online Accessed 2006-07-26)
Work Style Period:
Postmodern
work_styleperiod
Postmodern
Work Style Period
false
Work Style Period:
20th century
work_styleperiod
20th century
Work Style Period
false
Work Style Period:
Contemporary
work_styleperiod
Contemporary
Work Style Period
false
Work Subject:
representation (form of expression)
subject
representation (form of expression)
Work Subject
false
Work Subject:
art
subject
art
Work Subject
false
Work Subject:
nudes (representations)
subject
nudes (representations)
Work Subject
false
Work Subject:
body, human
subject
body, human
Work Subject
false
Work Subject:
Géricault, Théodore (1791-1824)
subject
Géricault, Théodore (1791-1824)
Work Subject
false
Work Worktype:
acrylic paintings
work_type
acrylic paintings
Work Worktype
false
Work Worktype:
oil paintings
work_type
oil paintings
Work Worktype
false
Work Worktype:
paintings (visual works)
work_type
paintings (visual works)
Work Worktype
false
Work Worktype:
drawings
work_type
drawings
Work Worktype
false
Work Category (VRC classification):
paintings
work_category__ucbaahvrc_classification_
paintings
Work Category (VRC classification)
false
Work Material and Technique (display):
oil and polymer paint, with charcoal
Work Measurements (display):
249.3 cm (H) x 475 cm (W)
Work Location (Repository or Site) name:
Museum of Modern Art (New York, N.Y.)
Work Location (Repository or Site) role:
repository
Work Location (Repository or Site) refid:
373.1991.a-c
Work Location (Repository or Site) refid type:
accession
Work Location (Geographic) name:
New York, New York
Image Rights (display):
© Museum of Modern Art, New York. Licensed for educational use via Scholars Resource: Davis Art Images
Image Rights license agreement:
DAVIS ART IMAGES: This image is copyrighted by Davis or its sources and all interest in and to the Image and its copyrights throughout the World are retained by Davis or its sources. Your permission to use the Images is limited as provided below. You acknowledge and agree that your use of the Images, including all use by your faculty and students who are users, shall be strictly limited to educational purposes by means of display through classroom projection and closed network, for instruction and study solely by users who are staff, faculty and registered students of your educational institution at the locations specified below. This license includes permission to use the Images on a multi-user network at the defined locations, and to permit remote access to a computer/server located at your site. Simultaneous display in multiple locations at or connected to the defined locations also is permitted. For all of these uses, you willl use reasonable security measures designed to limit access accordingly (e.g. by requiring authenticated password entry or by using other reasonable security measures to limit access). Any open access use and any publication (including scholarly publication) of the Images for any purpose, is strictly prohibited. Any request for any such use, or any other use not expressly authorized in this Agreement, must be directed to Davis in writing. You shall inform all permitted users of the copyright status of the Images and the restrictions on their use set forth in this Agreement. Your specified locations of use are: 1. University of Colorado at Boulder; 2. University of Colorado at Denvcer and Health Sciences Center (inclusing the Metropolitan State College of Denver and the Community College of Denver which may have students on that downtown campus); 3. University of Colorado at Colorado Springs.
Work Rights (display):
© David Salle
Terms of Agreement and Conditions of Use:
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Holding Institution:
University of Colorado at Boulder
Collection:
Art and Art History Visual Resources Center
Collection info and contact:
For information about this collection, see