COLLECTION NAME:
Visual Resources Teaching Collection
mediaCollectionId
ArtArtHiAAH~7~7
Visual Resources Teaching Collection
Collection
true
Image Record ID:
aahi0012254
image_record_id
aahi0012254
Image Record ID
false
Work Title (display):
Bathers
Image Title:
full view
Work Dates (display):
1854
Work Dates type:
creation
Image Date (display):
2014-01-27
Work Creator (display):
Felix Gonzalez-Torres (American, 1958-1996)
Work Creator gender:
male
work_creator_or_agent_gender
male
Work Creator gender
false
Work Creator notes (display):
American sculptor and photographer of Cuban birth. He moved in 1979 to New York, where he completed a BFA in photography at the Pratt Institute (1983) and an MFA at the International Center of Photography, New York University (1987), as well as enrolling in the Whitney Museum of American Art Independent Study Program. In 1987 he joined Group Material, a New York-based group of artists whose intention was to work collaboratively, adhering to principles of cultural activism and community education. His own engagement as a gay man with socio-political issues, as well as his exploration of the way in which politics can infiltrate personal life, forms the background to his work, centred around the interaction of public and private spheres. In 1989 he presented his first stacked-paper work, Untitled (Memorial Day Weekend) and Untitled (Veterans Day Sale), exhibited together as Untitled (Monuments) (L. and R. Plehn priv. col., see 1994 exh. cat., p. 20). This consists of two stacks of sheets measuring 29×23 in, printed with the bracketed words of the titles, neatly piled (at an ideal height of 22 in) to resemble Minimalist floor sculptures. By inviting gallery visitors to take the sheets, Gonzalez-Torres undermines Minimalist principles of social and aesthetic autonomy, suggesting that the artwork is completed by the viewers' physical interaction with (and consumption of) the work. This strategy also criticizes the ways in which ideas are propagated through an art practice; by offering a work that depends on the projection and contemplation by its audience. His placing of personal, biographical material in the public realm was especially evident in Untitled (1991; E. and W. Dannheisser priv. col., see 1994 exh. cat., p. 17), in which he presented a black-and-white photograph (of an inviting, recently vacated double bed) on billboards in 24 locations throughout Manhattan. Although made shortly after the death of his partner, Ross Laycock, this project was characteristically open to interpretation. His ability to create sensual metaphor for private life in public can be seen with Untitled (Perfect Lovers) (1991; Dannheisser Found., see 1994 exh. cat., p. 74), in which two synchronized clocks, of the type to be found in offices and public spaces, are displayed side by side; the implicit romanticism is tempered by the inevitable fact of one stopping before the other. In 1992 Gonzalez-Torres was granted a DAAD fellowship to work in Berlin, and in 1993 a fellowship from the National Endowment for the Arts. He died from AIDS-related causes. (John-Paul Stonard. "Gonzalez-Torres, Felix." Grove Art Online. Oxford Art Online. 18 Mar. 2009 .)
Work Worktype:
oil paintings
work_type
oil paintings
Work Worktype
false
Work Worktype:
paintings (visual works)
work_type
paintings (visual works)
Work Worktype
false
Work Category (VRC classification):
paintings
work_category__ucbaahvrc_classification_
paintings
Work Category (VRC classification)
false
Work Material and Technique (display):
oil paints on canvas
Work Measurements (display):
93.3 cm (H) x 79.4 cm (W)
Work Location (Repository or Site) name:
Wadsworth Atheneum Museum of Art
Work Location (Repository or Site) role:
repository
Work Location (Geographic) name:
Hartford, Connecticut
Image Source Reproduction citation:
Zafran, Eric. Masters of French Painting, 1290-1920 at the Wadsworth Antheneum, 2012. Print.
image_source_copy_from_print_name
Zafran, Eric. Masters of French Painting, 1290-1920 at the Wadsworth Antheneum, 2012. Print.
Image Source Reproduction citation
false
Image Source Reproduction refid:
978-1-904832-93-5
Image Source Reproduction page number:
127
Image Source Reproduction plate-figure number:
52
Image Source Reproduction refid type:
ISBN
Image Rights (display):
unknown
Image Rights fair use checklist:
1) use of this image is for education and educational research; 2) access is restricted to University of Colorado and Auraria Higher Education Center communities; 3) the original photographer is credited if known; 4) the image is published; 5) the amount of the work in relation to the whole is needed for education or educational research; 6) the number of derivatives is the minimum required for education or educational research; 7) the image has not been found to be reasonably available for sale; 8) duplication of the image does not violate preexisting contracts.
Work Rights (display):
public domain
Terms of Agreement and Conditions of Use:
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Holding Institution:
University of Colorado Boulder
Collection:
Art and Art History Visual Resources Center
Collection info and contact:
For information about this collection, see . For specific questions, suggestions, or corrections about the descriptive data for images, contact aahvrc@colorado.edu. Please include the Image Record ID ('aahi' followed by a 7-digit number) for each image in question.