COLLECTION NAME:
Visual Resources Teaching Collection
mediaCollectionId
ArtArtHiAAH~7~7
Visual Resources Teaching Collection
Collection
true
Image Record ID:
aahi0000215
image_record_id
aahi0000215
Image Record ID
false
Work Title (display):
Portrait of a Dog
Image Title:
full view
Work Dates (display):
1987
Work Dates type:
creation
Work Creator (display):
Eric Fischl (American, born 1948)
Work Creator gender:
male
work_creator_or_agent_gender
male
Work Creator gender
false
Work Creator notes (display):
American painter, draughtsman and printmaker. After completing his BFA at the California Institute of Arts in Valencia, CA, in 1972, he taught from 1974 to 1978 at the Nova Scotia College of Art and Design in Halifax, NS. In 1978 he returned to New York and began to produce paintings in a naturalistic style of uncomfortably intimate scenes of middle-class suburban existence and burgeoning sexuality, as in Master Bedroom (1983; Los Angeles, CA, Mus. Contemp. A.), in which a nearly naked girl in hair-curlers kneels on a double bed with her arms around a large dog. By depicting the figures larger than life, he placed the viewer in the role of a child, exaggerating the psychological force of the situations by presenting them as if retrieved from memory. The historical lineage proposed by critics for the bravura technique of these works includes the paintings of Manet, Balthus and Edward Hopper, but the clear reliance on photography suggests a debt to the Photorealism of the 1960s. Perhaps to counter the misapprehension of his pictures as Neo-Expressionist, in the mid-1980s Fischl exaggerated their formal quality by fragmenting the image on to a series of separate panels overlapping at different angles, as in Portrait of a Dog (1987; New York, MOMA), a solution already explored in his six-part colour etching the Year of the Drowned Dog (1983; see exh. cat., p. 43). (Grove Art Online Accessed 2006-07-26)
Work Creator UCB affiliation (display):
visiting artist, Visiting Artist Program, 1982
Work Style Period:
Realist (modern European fine arts styles)
work_styleperiod
Realist (modern European fine arts styles)
Work Style Period
false
Work Style Period:
20th century
work_styleperiod
20th century
Work Style Period
false
Work Style Period:
Contemporary
work_styleperiod
Contemporary
Work Style Period
false
Work Subject:
women (female humans)
subject
women (female humans)
Work Subject
false
Work Subject:
toothbrushes
subject
toothbrushes
Work Subject
false
Work Subject:
blue (color)
subject
blue (color)
Work Subject
false
Work Subject:
toilets
subject
toilets
Work Subject
false
Work Subject:
nudes (representations)
subject
nudes (representations)
Work Subject
false
Work Subject:
dogs
subject
dogs
Work Subject
false
Work Subject:
men (male humans)
subject
men (male humans)
Work Subject
false
Work Worktype:
oil paintings
work_type
oil paintings
Work Worktype
false
Work Worktype:
paintings (visual works)
work_type
paintings (visual works)
Work Worktype
false
Work Category (VRC classification):
paintings
work_category__ucbaahvrc_classification_
paintings
Work Category (VRC classification)
false
Work Material and Technique (display):
oil on canvas, four parts
Work Measurements (display):
287 cm (H) x 434 cm (W)
Work Location (Repository or Site) name:
Museum of Modern Art (New York, N.Y.)
Work Location (Repository or Site) role:
repository
Work Location (Repository or Site) refid:
190.1987.a-d
Work Location (Repository or Site) refid type:
accession
Work Location (Geographic) name:
New York, New York
Image Rights (display):
© Museum of Modern Art, New York. Licensed for educational use via Scholars Resource: Davis Art Images
Image Rights license agreement:
DAVIS ART IMAGES: This image is copyrighted by Davis or its sources and all interest in and to the Image and its copyrights throughout the World are retained by Davis or its sources. Your permission to use the Images is limited as provided below. You acknowledge and agree that your use of the Images, including all use by your faculty and students who are users, shall be strictly limited to educational purposes by means of display through classroom projection and closed network, for instruction and study solely by users who are staff, faculty and registered students of your educational institution at the locations specified below. This license includes permission to use the Images on a multi-user network at the defined locations, and to permit remote access to a computer/server located at your site. Simultaneous display in multiple locations at or connected to the defined locations also is permitted. For all of these uses, you willl use reasonable security measures designed to limit access accordingly (e.g. by requiring authenticated password entry or by using other reasonable security measures to limit access). Any open access use and any publication (including scholarly publication) of the Images for any purpose, is strictly prohibited. Any request for any such use, or any other use not expressly authorized in this Agreement, must be directed to Davis in writing. You shall inform all permitted users of the copyright status of the Images and the restrictions on their use set forth in this Agreement. Your specified locations of use are: 1. University of Colorado at Boulder; 2. University of Colorado at Denvcer and Health Sciences Center (inclusing the Metropolitan State College of Denver and the Community College of Denver which may have students on that downtown campus); 3. University of Colorado at Colorado Springs.
Work Rights (display):
public domain
Terms of Agreement and Conditions of Use:
YOU AGREE: Luna Imaging's Insight Software and the digital image collection associated with it (the Software) are being provided by the University of Colorado under the following license. By obtaining, using, and/or copying this work, you (the Licensee) agree that you have read, understood, and will comply with the following terms and conditions. 1. The Software contains the University of Colorado's Department of Art and Art History's implementation of a digital image collection; 2. Any images obtained through use of the Software will be used only for non-profit, educational purposes; 3. The use of images obtained through the software will only be used while the Licensee is either: a) an employee of the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver, or b) an enrolled student at the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver; 4. When the Licensee is no longer an employee or student of the University of Colorado, Metropolitan State College of Denver or Community College of Denver, either by an action of the University of Colorado, Metropolitan State College of Denver or the Community College of Denver or due to actions of the Licensee, the licensee will cease to use any images exported from the Department of Art and Art History's digital image collection; 5. The Licensee agrees to indemnify the University for claims and liability arising out of the use of the Software or for any violations of this license; 6. THE UNIVERSITY OF COLORADO SUPPLIES THE SOFTWARE WITHOUT ANY WARRANTIES, EXPRESS OR IMPLIED, INCLUDING ANY WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
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Holding Institution:
University of Colorado at Boulder
Collection:
Art and Art History Visual Resources Center
Collection info and contact:
For information about this collection, see