COLLECTION NAME:
Visual Resources Teaching Collection
mediaCollectionId
ArtArtHiAAH~7~7
Visual Resources Teaching Collection
Collection
true
Image Record ID:
aahi0011484
image_record_id
aahi0011484
Image Record ID
false
Work Title (display):
Hands
Image Title:
full view
Work Dates (display):
1949
Work Dates type:
creation
Image Date (display):
2005-10-06
Work Creator (display):
David Alfaro Siqueiros (Mexican, 1896-1974)
Work Creator gender:
male
work_creator_or_agent_gender
male
Work Creator gender
false
Work Creator notes (display):
Mexican painter. The most politically active of the 'Three Great' Mexican Muralists. Like Rivera and Orozco, he studied at the Academy of S. Carlos in Mexico City. He fought as a captain in the Mexican revolutionary army, and in 1919 he was sent to Madrid and then Paris as military attaché where he moved in avant-garde circles and met Rivera, whose ideas for a politicized, monumental public art coincided with his own. In 1922 he was asked to join the post-revolutionary educational programme in Mexico for which he painted murals at the National Preparatory School (19223) and the University of Guadalajara (1925). His political activity as secretary both to the Mexican Communist Party and to the Revolutionary Union of Technical Workers, Painters, and Sculptors caused him to be imprisoned several times. During his exile from Mexico (193240) he fought with the Republican army in the Spanish Civil War 19379. In 1936 he founded the Experimental Workshop in New York, teaching many Abstract Expressionists, including Jackson Pollock, to explore industrial materials and 'accidental methods' of artistic creation, with the aim to 'create art for the people'. Siqueiros's work is violently powerful, its overriding message being the oppression of the Mexican lower classes. His harsh, aggressive strokes, his bold colours, and scenes of destruction, suffering, and violence all express the epic struggle of mankind, as in Echo of a Scream (1937; New York, MoMa). Though present, his use of pre-Hispanic images is less obvious than Rivera's and Orozco's, and his historical murals such as From Porfirio to the Revolution (195766; Mexico City, National Mus. of History) give more importance to anti-capitalist ideology. http://www.groveart
accessed 2008-06-16>
Work Worktype:
enamels (visual works)
work_type
enamels (visual works)
Work Worktype
false
Work Worktype:
paintings (visual works)
work_type
paintings (visual works)
Work Worktype
false
Work Category (VRC classification):
enamels
work_category__ucbaahvrc_classification_
enamels
Work Category (VRC classification)
false
Work Category (VRC classification):
paintings
work_category__ucbaahvrc_classification_
paintings
Work Category (VRC classification)
false
Work Material and Technique (display):
enamel on composition board
Work Location (Repository or Site) name:
Museum of Modern Art (New York, N.Y.)
Work Location (Repository or Site) role:
repository
Work Location (Geographic) name:
New York, New York
Image Rights (display):
© Museum of Modern Art, New York. Licensed for educational use via Scholars Resource: Davis Art Images
Image Rights license agreement:
DAVIS ART IMAGES: This image is copyrighted by Davis or its sources and all interest in and to the Image and its copyrights throughout the World are retained by Davis or its sources. Your permission to use the Images is limited as provided below. You acknowledge and agree that your use of the Images, including all use by your faculty and students who are users, shall be strictly limited to educational purposes by means of display through classroom projection and closed network, for instruction and study solely by users who are staff, faculty and registered students of your educational institution at the locations specified below. This license includes permission to use the Images on a multi-user network at the defined locations, and to permit remote access to a computer/server located at your site. Simultaneous display in multiple locations at or connected to the defined locations also is permitted. For all of these uses, you willl use reasonable security measures designed to limit access accordingly (e.g. by requiring authenticated password entry or by using other reasonable security measures to limit access). Any open access use and any publication (including scholarly publication) of the Images for any purpose, is strictly prohibited. Any request for any such use, or any other use not expressly authorized in this Agreement, must be directed to Davis in writing. You shall inform all permitted users of the copyright status of the Images and the restrictions on their use set forth in this Agreement. Your specified locations of use are: 1. University of Colorado at Boulder; 2. University of Colorado at Denvcer and Health Sciences Center (inclusing the Metropolitan State College of Denver and the Community College of Denver which may have students on that downtown campus); 3. University of Colorado at Colorado Springs.
Work Rights (display):
© David Alfaro Siqueiros
Terms of Agreement and Conditions of Use:
YOU AGREE: Luna Imaging's Insight Software and the digital image collection associated with it (the Software) are being provided by the University of Colorado under the following license. By obtaining, using, and/or copying this work, you (the Licensee) agree that you have read, understood, and will comply with the following terms and conditions. 1. The Software contains the University of Colorado's Department of Art and Art History's implementation of a digital image collection; 2. Any images obtained through use of the Software will be used only for non-profit, educational purposes; 3. The use of images obtained through the software will only be used while the Licensee is either: a) an employee of the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver, or b) an enrolled student at the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver; 4. When the Licensee is no longer an employee or student of the University of Colorado, Metropolitan State College of Denver or Community College of Denver, either by an action of the University of Colorado, Metropolitan State College of Denver or the Community College of Denver or due to actions of the Licensee, the licensee will cease to use any images exported from the Department of Art and Art History's digital image collection; 5. The Licensee agrees to indemnify the University for claims and liability arising out of the use of the Software or for any violations of this license; 6. THE UNIVERSITY OF COLORADO SUPPLIES THE SOFTWARE WITHOUT ANY WARRANTIES, EXPRESS OR IMPLIED, INCLUDING ANY WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
CU Copyright Statement:
The contents of the University of Colorado Digital Library are available for your use in research, teaching, and private study. Some of these items are protected by the U.S. Copyright Law (Title 17, U.S.C.) and some items may have additional restrictions. If you use the items in this collection, make sure you abide by any restrictions stated in the descriptive data window. The nature of these collections often makes it difficult to determine the copyright status of an item. We have made every effort to provide information about copyright owners and other restrictions in the descriptive data window. Ultimately, however, it is your responsibility to use the item according to the terms governing its use. If you are a copyright holder and the information is either not listed or listed incorrectly, please let us know so that we can update the information on our site.
Holding Institution:
University of Colorado Boulder
Collection:
Art and Art History Visual Resources Center
Collection info and contact:
For information about this collection, see . For specific questions, suggestions, or corrections about the descriptive data for images, contact aahvrc@colorado.edu. Please include the Image Record ID ('aahi' followed by a 7-digit number) for each image in question.