COLLECTION NAME:
Visual Resources Teaching Collection
mediaCollectionId
ArtArtHiAAH~7~7
Visual Resources Teaching Collection
Collection
true
Image Record ID:
aahi0010301
image_record_id
aahi0010301
Image Record ID
false
Work Title (display):
Noviembre 6 y 7
Image Title:
installation view
Work Dates (display):
2000
Work Dates type:
creation
Image Date (display):
2012-11-15
Work Creator (display):
Doris Salcedo (Colombian, born 1958)
Work Creator gender:
female
work_creator_or_agent_gender
female
Work Creator gender
false
Work Creator notes (display):
Colombian sculptor. After completing her BFA at the Universidad de Bogotá in 1980, she went to New York, where she completed an MFA in Fine Art at New York University. She later returned to her native city, where she taught at the Universidad de Bogotá. Her work is profoundly affected by the unsettled political situation in her country. Her sculpture is made in response to testimony from friends and relatives of victims killed during her lifetime and often takes the form of reconfigured pieces of household furniture. Her Casa Viuda VI (1995; Jerusalem, Israel Mus.) consists of a cabinet fused with bone and clothing and forcibly attached to an unhinged door as an image of a widow's house. Transforming objects that should be familiar and comforting into things of horror, Salcedo draws attention to the grisly facts that underpin everyday existence in her society. Unland: Irreversible Witness (19958; San Francisco, CA, MOMA) plays on the form of a table, the symbol of communal living: two halves of tables are made into a hybrid whole, to which she attached the frame of a child's cot. Drilling hundreds of small holes into the table top, she wove a delicate surface of human hair, making the table into an unsettling monument to the disappeared victims of a silent war. Her sculpture has been described as a gesture of healing in a culture where memory is condemned to oblivion. (Grove Art Online Accessed 2006-07-26)
Work Style Period:
21st century
work_styleperiod
21st century
Work Style Period
false
Work Subject:
duration
subject
duration
Work Subject
false
Work Subject:
freezing
subject
freezing
Work Subject
false
Work Subject:
order (metaphysical concept)
subject
order (metaphysical concept)
Work Subject
false
Work Subject:
chaos
subject
chaos
Work Subject
false
Work Subject:
experience
subject
experience
Work Subject
false
Work Subject:
processes
subject
processes
Work Subject
false
Work Subject:
chairs
subject
chairs
Work Subject
false
Work Subject:
history (discipline)
subject
history (discipline)
Work Subject
false
Work Subject:
time
subject
time
Work Subject
false
Work Subject:
furniture
subject
furniture
Work Subject
false
Work Worktype:
sculpture (visual works)
work_type
sculpture (visual works)
Work Worktype
false
Work Category (VRC classification):
sculptures and installations
work_category__ucbaahvrc_classification_
sculptures and installations
Work Category (VRC classification)
false
Work Material and Technique (display):
wooden chairs
Work Measurements (display):
variable
Work Location (Repository or Site) name:
Palace of Justice
Work Location (Repository or Site) role:
installation
Work Location (Geographic) name:
Bogota, Columbia
Image Source Reproduction citation:
Sollins, Susan. Art 21: Art in the Twenty-first Century. New York: Art 21, Inc., 2009. Print.
image_source_copy_from_print_name
Sollins, Susan. Art 21: Art in the Twenty-first Century. New York: Art 21, Inc., 2009. Print.
Image Source Reproduction citation
false
Image Source Reproduction refid:
0-615-30836-8
Image Source Reproduction page number:
30
Image Source Reproduction refid type:
ISBN
Image Rights fair use checklist:
1) use of this image is for education and educational research; 2) access is restricted to University of Colorado and Auraria Higher Education Center communities; 3) the original photographer is credited if known; 4) the image is published; 5) the amount of the work in relation to the whole is needed for education or educational research; 6) the number of derivatives is the minimum required for education or educational research; 7) the image has not been found to be reasonably available for sale; 8) duplication of the image does not violate preexisting contracts.
Work Rights (display):
© Doris Salcedo
Terms of Agreement and Conditions of Use:
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Holding Institution:
University of Colorado at Boulder
Collection:
Art and Art History Visual Resources Collection
Collection info and contact:
For information about this collection, see