COLLECTION NAME:
Visual Resources Teaching Collection
mediaCollectionId
ArtArtHiAAH~7~7
Visual Resources Teaching Collection
Collection
true
Image Record ID:
aahi0010071
image_record_id
aahi0010071
Image Record ID
false
Work Title (display):
Les Sataniques - Satan semant l'ivraie
Work Title (variant):
The Satanic - Satan sowing tares
Image Title:
full view
Work Dates (display):
1906
Work Dates type:
creation
Image Date (display):
2012-08-27
Work Creator (display):
Félicien Rops (Belgian, 1833-1898)
Work Creator gender:
male
work_creator_or_agent_gender
male
Work Creator gender
false
Work Creator notes (display):
Belgian printmaker and painter. Rops settled in Paris in 1874, and rapidly established himself as an illustrator of esoteric and erotic literature. He was admired by many of the leading symbolist writers, including J. K. Huysmans and, most importantly, Baudelaire, who was responsible for launching him into the Parisian art world. Rops's art developed from Symbolism towards Surrealism in his metamorphic depictions of obscene and blasphemous monsters. He also explored the darker aspects of Satanism and the occult. His best works are the illustrations he produced for Baudelaire's Fleurs du mal, and Joséphin Péladan's Le Vice suprême, and a series of etchings, Les Sataniques, which exploit his talent for the depiction of contemporary evil and his hostility to women to devastating effect, as in Pornokrates (1896; etching). Hailed as the leader of 'Dark Symbolism', he rejected the lyrical aspects of the movement in favour of deliberately shocking images and juxtapositions, perverse, erotic, and bizarre. (Hopkins, Justine. "Rops, Félicien." The Oxford Companion to Western Art. Ed. Hugh Brigstocke. Oxford Art Online. 13 Sep. 2012 .)
Work Style Period:
20th century
work_styleperiod
20th century
Work Style Period
false
Work Subject:
female
subject
female
Work Subject
false
Work Subject:
scale (relative size)
subject
scale (relative size)
Work Subject
false
Work Subject:
people (agents)
subject
people (agents)
Work Subject
false
Work Subject:
skeletons
subject
skeletons
Work Subject
false
Work Subject:
nature
subject
nature
Work Subject
false
Work Subject:
figures
subject
figures
Work Subject
false
Work Subject:
cityscapes (representations)
subject
cityscapes (representations)
Work Subject
false
Work Subject:
sexuality
subject
sexuality
Work Subject
false
Work Subject:
body, human
subject
body, human
Work Subject
false
Work Subject:
death
subject
death
Work Subject
false
Work Worktype:
engravings (prints)
work_type
engravings (prints)
Work Worktype
false
Work Worktype:
prints (visual works)
work_type
prints (visual works)
Work Worktype
false
Work Category (VRC classification):
prints
work_category__ucbaahvrc_classification_
prints
Work Category (VRC classification)
false
Work Measurements (display):
256 cm (H) x 179 cm (W)
Image Source Reproduction citation:
Rops, Félicien, Edvard Munch, Jonathan Penfold, Paul Louis, Luc Schrobiltgen, and Jan Ung. Félicien Rops, Edvard Munch: Man, Woman. Brussel: Transpetrol Foundation, 2006. Print.
image_source_copy_from_print_name
Rops, Félicien, Edvard Munch, Jonathan Penfold, Paul Louis, Luc Schrobiltgen, and Jan Ung. Félicien Rops, Edvard Munch: Man, Woman. Brussel: Transpetrol Foundation, 2006. Print.
Image Source Reproduction citation
false
Image Source Reproduction refid:
9788992074148
Image Source Reproduction page number:
106
Image Source Reproduction plate-figure number:
56
Image Source Reproduction refid type:
ISBN
Image Rights (display):
unknown
Image Rights fair use checklist:
1) use of this image is for education and educational research; 2) access is restricted to University of Colorado and Auraria Higher Education Center communities; 3) the original photographer is credited if known; 4) the image is published; 5) the amount of the work in relation to the whole is needed for education or educational research; 6) the number of derivatives is the minimum required for education or educational research; 7) the image has not been found to be reasonably available for sale; 8) duplication of the image does not violate preexisting contracts.
Work Rights (display):
public domain
Terms of Agreement and Conditions of Use:
YOU AGREE: Luna Imaging's Insight Software and the digital image collection associated with it (the Software) are being provided by the University of Colorado under the following license. By obtaining, using, and/or copying this work, you (the Licensee) agree that you have read, understood, and will comply with the following terms and conditions. 1. The Software contains the University of Colorado's Department of Art and Art History's implementation of a digital image collection; 2. Any images obtained through use of the Software will be used only for non-profit, educational purposes; 3. The use of images obtained through the software will only be used while the Licensee is either: a) an employee of the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver, or b) an enrolled student at the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver; 4. When the Licensee is no longer an employee or student of the University of Colorado, Metropolitan State College of Denver or Community College of Denver, either by an action of the University of Colorado, Metropolitan State College of Denver or the Community College of Denver or due to actions of the Licensee, the licensee will cease to use any images exported from the Department of Art and Art History's digital image collection; 5. The Licensee agrees to indemnify the University for claims and liability arising out of the use of the Software or for any violations of this license; 6. THE UNIVERSITY OF COLORADO SUPPLIES THE SOFTWARE WITHOUT ANY WARRANTIES, EXPRESS OR IMPLIED, INCLUDING ANY WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
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Holding Institution:
University of Colorado at Boulder
Collection:
Art and Art History Visual Resources Collection
Collection info and contact:
For information about this collection, see