COLLECTION NAME:
Visual Resources Teaching Collection
mediaCollectionId
ArtArtHiAAH~7~7
Visual Resources Teaching Collection
Collection
true
Image Record ID:
aahi0010098
image_record_id
aahi0010098
Image Record ID
false
Work Title (display):
Copy After Delacroix
Image Title:
full view
Work Dates (display):
1885
Work Dates type:
creation
Image Date (display):
2012-08-27
Work Creator (display):
James Ensor (Belgian, 1860-1949)
Work Creator gender:
male
work_creator_or_agent_gender
male
Work Creator gender
false
Work Creator notes (display):
Ensor was a visionary and proto-modernist artist whose use of color prefigured fauvism and expressionism, and whose use of fantastical, symbolist, and satirical imagery were to influence Paul Klee, Emil Nolde, and later the Cobra group. His most productive period was been 1880 and 1900, but he was not well known until the late 1920s. Although many of his works feature satirical fantasies, he also painted seascapes, landscapes, and still-lifes. He was self-taught in the art of copperplate etching and produced many masterful works in this medium. In both his graphical works and in his paintings he made use of the carnival masks sold in his family's shop in Ostend as models for figures in thronging crowd scenes, still lifes, and domestic tableaux. These works can be interpreted as critiques of the Catholic Church, the Belgian state, and society in general. His most well-known painting may be "Christ's Entry into Brussels," a large-scale work in which the title figure is dwarfed by a crowd of grotesques. He remained in Ostend for the majority of his life, leaving in 1877 at the age of 17 to study at the Académie Royale des Beaux Arts in Brussels. Upon his return to Ostend in 1879 he established a studio above his parents shop, where he produced the majority of his mature work. In 1883 he was a founding member of the Groupe des Vingt. During his lifetime Ensor's work was critiqued harshly by his contemporaries, even among the avant-garde group he helped found. (Getty Union List of Artists Name accessed 2007-10-17)
Work Style Period:
19th century
work_styleperiod
19th century
Work Style Period
false
Work Subject:
tigers
subject
tigers
Work Subject
false
Work Subject:
danger
subject
danger
Work Subject
false
Work Subject:
movement
subject
movement
Work Subject
false
Work Subject:
violence
subject
violence
Work Subject
false
Work Subject:
men (male humans)
subject
men (male humans)
Work Subject
false
Work Subject:
animals
subject
animals
Work Subject
false
Work Subject:
horses
subject
horses
Work Subject
false
Work Subject:
classicism
subject
classicism
Work Subject
false
Work Subject:
figures
subject
figures
Work Subject
false
Work Worktype:
drawings
work_type
drawings
Work Worktype
false
Work Category (VRC classification):
drawings
work_category__ucbaahvrc_classification_
drawings
Work Category (VRC classification)
false
Work Material and Technique (display):
black chalk on paper
Work Location (Repository or Site) name:
Koninklijk Museum voor Schone Kunsten
Work Location (Repository or Site) role:
repository
Work Location (Geographic) name:
Antwerp, Belgium
Image Source Reproduction citation:
Hoozee, Robert, Sabine Bown- Taevernier, Jan F. Heijbroek, Catherine Warnant, John Rossbach, and Marnix Vincent. James Ensor: Dessins Et Estampes. Antwerpen: Fonds Mercator, 1987. Print.
image_source_copy_from_print_name
Hoozee, Robert, Sabine Bown- Taevernier, Jan F. Heijbroek, Catherine Warnant, John Rossbach, and Marnix Vincent. James Ensor: Dessins Et Estampes. Antwerpen: Fonds Mercator, 1987. Print.
Image Source Reproduction citation
false
Image Source Reproduction refid:
9061531772
Image Source Reproduction page number:
62
Image Source Reproduction plate-figure number:
28
Image Source Reproduction refid type:
ISBN
Image Rights (display):
unknown
Image Rights fair use checklist:
1) use of this image is for education and educational research; 2) access is restricted to University of Colorado and Auraria Higher Education Center communities; 3) the original photographer is credited if known; 4) the image is published; 5) the amount of the work in relation to the whole is needed for education or educational research; 6) the number of derivatives is the minimum required for education or educational research; 7) the image has not been found to be reasonably available for sale; 8) duplication of the image does not violate preexisting contracts.
Work Rights (display):
public domain
Terms of Agreement and Conditions of Use:
YOU AGREE: Luna Imaging's Insight Software and the digital image collection associated with it (the Software) are being provided by the University of Colorado under the following license. By obtaining, using, and/or copying this work, you (the Licensee) agree that you have read, understood, and will comply with the following terms and conditions. 1. The Software contains the University of Colorado's Department of Art and Art History's implementation of a digital image collection; 2. Any images obtained through use of the Software will be used only for non-profit, educational purposes; 3. The use of images obtained through the software will only be used while the Licensee is either: a) an employee of the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver, or b) an enrolled student at the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver; 4. When the Licensee is no longer an employee or student of the University of Colorado, Metropolitan State College of Denver or Community College of Denver, either by an action of the University of Colorado, Metropolitan State College of Denver or the Community College of Denver or due to actions of the Licensee, the licensee will cease to use any images exported from the Department of Art and Art History's digital image collection; 5. The Licensee agrees to indemnify the University for claims and liability arising out of the use of the Software or for any violations of this license; 6. THE UNIVERSITY OF COLORADO SUPPLIES THE SOFTWARE WITHOUT ANY WARRANTIES, EXPRESS OR IMPLIED, INCLUDING ANY WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
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Holding Institution:
University of Colorado at Boulder
Collection:
Art and Art History Visual Resources Collection
Collection info and contact:
For information about this collection, see