COLLECTION NAME:
Visual Resources Teaching Collection
mediaCollectionId
ArtArtHiAAH~7~7
Visual Resources Teaching Collection
Collection
true
Image Record ID:
aahi0009291
image_record_id
aahi0009291
Image Record ID
false
Work Title (display):
The Ballerina and the Bum
Image Title:
full view
Work Dates (display):
1974
Work Dates type:
creation
Work Creator (display):
Eleanor Antin (American, born 1935)
Work Creator gender:
female
work_creator_or_agent_gender
female
Work Creator gender
false
Work Creator notes (display):
American performance artist. In the mid-1950s she studied acting at the Tamara Daykarhanova School for Stage, New York, and creative writing at the College of the City of New York. Her performances can be seen as autobiographical, with invented roles based partly on historical characters. Set-pieces recurring in performances from the early 1970s included the King of Solana Beach, inspired by a portrait of Charles I, King of England, by Anthony van Dyck; Eleanor Antinova, giving the recollections of a black dancer in Serge Diaghilev's Ballets Russes; and the Angel of Mercy, Florence Nightingale in the Crimea. Antin considered her performances as a means of self-definition as an artist and woman in the late 20th century. The presentations incorporated pithy commentaries on contemporary social and political issues. The spontaneous nature of her activity can be linked to the early years of American film-making, when participants devised dramatic scenarios in an ad hoc sequence. By interspersing her personal experience and vision with episodes from the past, Antin attempted to redefine traditional boundaries associated with women, power and art. From 1979 she was Professor of Visual Arts at the University of California, San Diego. ("Antin, Eleanor." Grove Art Online. Oxford Art Online. 13 Jan. 2009 .)
Work Creator UCB affiliation notes (display):
visiting artist twice: once with David Antin in 1994, other in 2006
Work Creator UCB affiliation (display):
visiting artist, Visiting Artist Program, 1994 and 2006
Work Style Period:
20th century
work_styleperiod
20th century
Work Style Period
false
Work Subject:
modernity
subject
modernity
Work Subject
false
Work Subject:
Uncanny, The (Psychoanalysis)
subject
Uncanny, The (Psychoanalysis)
Work Subject
false
Work Subject:
ballet
subject
ballet
Work Subject
false
Work Subject:
mortality
subject
mortality
Work Subject
false
Work Subject:
beauty
subject
beauty
Work Subject
false
Work Subject:
narrative (artistic device)
subject
narrative (artistic device)
Work Subject
false
Work Subject:
violence
subject
violence
Work Subject
false
Work Subject:
history (discipline)
subject
history (discipline)
Work Subject
false
Work Subject:
art
subject
art
Work Subject
false
Work Subject:
humor
subject
humor
Work Subject
false
Work Worktype:
films (visual works)
work_type
films (visual works)
Work Worktype
false
Work Category (VRC classification):
films
work_category__ucbaahvrc_classification_
films
Work Category (VRC classification)
false
Work Material and Technique (display):
black and white video tape, sound
Work Measurements (display):
54 minutes
Image Source Reproduction citation:
Public Broadcasting Service (U.S.). Art 21: Art in the Twenty-First Century 2. Ed. Susan Sollins & Marybeth Sollins. New York, N.Y: Abrams, 2003. Print.
image_source_copy_from_print_name
Public Broadcasting Service (U.S.). Art 21: Art in the Twenty-First Century 2. Ed. Susan Sollins & Marybeth Sollins. New York, N.Y: Abrams, 2003. Print.
Image Source Reproduction citation
false
Image Source Reproduction refid:
0-8109-4609-2
Image Source Reproduction page number:
115
Image Source Reproduction refid type:
ISBN
Image Rights (display):
© Ronald Feldman Fine Arts
Image Rights fair use checklist:
1) use of this image is for education and educational research; 2) access is restricted to University of Colorado and Auraria Higher Education Center communities; 3) the original photographer is credited if known; 4) the image is published; 5) the amount of the work in relation to the whole is needed for education or educational research; 6) the number of derivatives is the minimum required for education or educational research; 7) the image has not been found to be reasonably available for sale; 8) duplication of the image does not violate preexisting contracts.
Work Rights (display):
© Eleanor Antin
Terms of Agreement and Conditions of Use:
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Holding Institution:
University of Colorado at Boulder
Collection:
Art and Art History Visual Resources Collection
Collection info and contact:
For information about this collection, see