COLLECTION NAME:
Visual Resources Teaching Collection
mediaCollectionId
ArtArtHiAAH~7~7
Visual Resources Teaching Collection
Collection
true
Image Record ID:
aahi0009267
image_record_id
aahi0009267
Image Record ID
false
Work Title (display):
Lick and Lather
Image Title:
full view
Work Dates (display):
1993
Work Dates type:
creation
Work Creator (display):
Janine Antoni (American, born 1964)
Work Creator gender:
female
work_creator_or_agent_gender
female
Work Creator gender
false
Work Creator notes (display):
American sculptor, performance artist, installation artist and photographer. After studying in New York at the Sarah Lawrence College, she went to the Rhode Island School of Design, Providence, where she graduated with an MFA in 1989. Her first major work, Wean (198990; see 1995 exh. cat., pp. 67), consists of plaster impressions of one of the artist's breasts and nipples alongside impressions of latex nipples and their packaging. The themes of the absent body and the oral focus in the formation of identity are central to much of Antoni's work (see fig.). In one of her best-known works, Gnaw (1992; London, Saatchi Gal.), she chewed lumps out of two large cubes, one consisting of 600 pounds of chocolate and the other of 600 pounds of lard. From this she then made chocolate boxes in the shape of hearts from the chocolate and bright red lipsticks from the lard. The finished artworks come from the process of her private performance with the material, so that the work is focused upon the experience of the event, rather than on a final object. In an unusually public performance, Loving Care, staged at the Anthony d'Offay Gallery, London, in 1993, Antoni dipped her hair in hair dye and mopped the floor with it, in a gesture reminiscent of Nam June Paik's 1962 Zen for Head performance; by loading the action with connotations of femininity and domesticity, she twisted the heritage of performance art to her own ends. Later she made a series of Cibachrome photographs of her parents, for example Mom and Dad (1994; see 1995 exh. cat., pp. 339), in which she dressed them up in each other's clothes and applied make-up to their faces so that their identities were interchanged. (Grove Art Online Accessed 2001-02-06)
Work Creator UCB affiliation (display):
visiting artist, Visiting Artist Program 2012
Work Style Period:
Contemporary
work_styleperiod
Contemporary
Work Style Period
false
Work Style Period:
20th century
work_styleperiod
20th century
Work Style Period
false
Work Subject:
food
subject
food
Work Subject
false
Work Subject:
body, human
subject
body, human
Work Subject
false
Work Subject:
sexuality
subject
sexuality
Work Subject
false
Work Subject:
bathing (hygienic activity)
subject
bathing (hygienic activity)
Work Subject
false
Work Subject:
gender (sex role)
subject
gender (sex role)
Work Subject
false
Work Subject:
femininity
subject
femininity
Work Subject
false
Work Subject:
weight (attributes and properties)
subject
weight (attributes and properties)
Work Subject
false
Work Subject:
eating disorders
subject
eating disorders
Work Subject
false
Work Subject:
chocolate
subject
chocolate
Work Subject
false
Work Subject:
female
subject
female
Work Subject
false
Work Worktype:
sculpture (visual works)
work_type
sculpture (visual works)
Work Worktype
false
Work Category (VRC classification):
sculptures and installations
work_category__ucbaahvrc_classification_
sculptures and installations
Work Category (VRC classification)
false
Work Material and Technique (display):
soap and chocolate
Work Measurements (display):
24 in (H) x 16 in (W) x 13 in (D)
Work Location (Repository or Site) name:
Collection of Jeffrey Deitch
Work Location (Repository or Site) role:
repository
Work Location (Geographic) name:
New York, New York
Image Source Reproduction citation:
Public Broadcasting Service (U.S.). Art 21: Art in the Twenty-First Century 2. Ed. Susan Sollins & Marybeth Sollins. New York, N.Y: Abrams, 2003. Print.
image_source_copy_from_print_name
Public Broadcasting Service (U.S.). Art 21: Art in the Twenty-First Century 2. Ed. Susan Sollins & Marybeth Sollins. New York, N.Y: Abrams, 2003. Print.
Image Source Reproduction citation
false
Image Source Reproduction refid:
0-8109-4609-2
Image Source Reproduction page number:
77
Image Source Reproduction refid type:
ISBN
Image Rights (display):
unknown
Image Rights fair use checklist:
1) use of this image is for education and educational research; 2) access is restricted to University of Colorado and Auraria Higher Education Center communities; 3) the original photographer is credited if known; 4) the image is published; 5) the amount of the work in relation to the whole is needed for education or educational research; 6) the number of derivatives is the minimum required for education or educational research; 7) the image has not been found to be reasonably available for sale; 8) duplication of the image does not violate preexisting contracts.
Work Rights (display):
© Janine Antoni
Terms of Agreement and Conditions of Use:
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Holding Institution:
University of Colorado at Boulder
Collection:
Art and Art History Visual Resources Collection
Collection info and contact:
For information about this collection, see