COLLECTION NAME:
Visual Resources Teaching Collection
mediaCollectionId
ArtArtHiAAH~7~7
Visual Resources Teaching Collection
Collection
true
Image Record ID:
aahi0009054
image_record_id
aahi0009054
Image Record ID
false
Work Title (display):
Hip Hop History Sampling Hip Hop History: The Red Remix
Image Title:
full view
Work Dates (display):
2008
Work Dates type:
creation
Image Date (display):
2011-11-17
Work Creator (display):
Tuan Andrew Nguyen (Vietnamese, born 1976)
Work Creator gender:
male
work_creator_or_agent_gender
male
Work Creator gender
false
Work Creator notes (display):
TUAN ANDREW NGUYEN
b. 1976, Sai Gon, Viet Nam
Lives and works Sai Gon, Viet Nam
Tuan Andrew Nguyen (b. 1976, Sai Gon, Viet Nam) graduated from the Fine Arts program at the University of California, Irvine in 1999 and received his Masters of Fine Arts from The California Institute of the Arts in 2004. He was a co-founder and board member of Sàn Art, an artist-initiated exhibition space and educational program in Sai Gon, Viet Nam. Tuan has shown in numerous film festivals, international exhibitions, has works in the collection of the Queensland Art Gallery, Carré d'Art, the Museum of Modern Art, and the Solomon R. Guggenheim Museum. Tuan has received several awards in both film and arts, including an Art Matters grant in 2010. His work explores strategies of political resistance through rituals, the making of objects [both as testimony and as devotion], supernaturalism and the impact of mass media on these moments of resistance. In his continual attempts at reworking the power dynamics of public space and mass media in general, he initiated The Propeller Group in 2006, a platform for collectivity that situates themselves between an art collective and an advertising company. Accolades for the group include the main prize at the 2015 Internationale Kurzfilmtage Winterthur and a Creative Capital award for their video project Television Commercial for Communism. The collective has been featured in numerous international exhibitions including The Ungovernables [2012 New Museum Triennial], Made In LA [2012 Los Angeles Biennial], Prospect 3 [New Orleans Triennial 2014], and the Venice Biennale 2015.
https://www.tuanand…
b. 1976, Sai Gon, Viet Nam
Lives and works Sai Gon, Viet Nam
Tuan Andrew Nguyen (b. 1976, Sai Gon, Viet Nam) graduated from the Fine Arts program at the University of California, Irvine in 1999 and received his Masters of Fine Arts from The California Institute of the Arts in 2004. He was a co-founder and board member of Sàn Art, an artist-initiated exhibition space and educational program in Sai Gon, Viet Nam. Tuan has shown in numerous film festivals, international exhibitions, has works in the collection of the Queensland Art Gallery, Carré d'Art, the Museum of Modern Art, and the Solomon R. Guggenheim Museum. Tuan has received several awards in both film and arts, including an Art Matters grant in 2010. His work explores strategies of political resistance through rituals, the making of objects [both as testimony and as devotion], supernaturalism and the impact of mass media on these moments of resistance. In his continual attempts at reworking the power dynamics of public space and mass media in general, he initiated The Propeller Group in 2006, a platform for collectivity that situates themselves between an art collective and an advertising company. Accolades for the group include the main prize at the 2015 Internationale Kurzfilmtage Winterthur and a Creative Capital award for their video project Television Commercial for Communism. The collective has been featured in numerous international exhibitions including The Ungovernables [2012 New Museum Triennial], Made In LA [2012 Los Angeles Biennial], Prospect 3 [New Orleans Triennial 2014], and the Venice Biennale 2015.
https://www.tuanand…
Work Creator UCB affiliation (display):
visiting artist, Visiting Artist Program 2019
Work Style Period:
21st century
work_styleperiod
21st century
Work Style Period
false
Work Style Period:
Contemporary
work_styleperiod
Contemporary
Work Style Period
false
Work Subject:
entertainment
subject
entertainment
Work Subject
false
Work Subject:
localism
subject
localism
Work Subject
false
Work Subject:
documentation (function)
subject
documentation (function)
Work Subject
false
Work Subject:
male
subject
male
Work Subject
false
Work Subject:
female
subject
female
Work Subject
false
Work Subject:
juxtapositions
subject
juxtapositions
Work Subject
false
Work Subject:
globalism
subject
globalism
Work Subject
false
Work Subject:
culture
subject
culture
Work Subject
false
Work Subject:
streets
subject
streets
Work Subject
false
Work Subject:
dance
subject
dance
Work Subject
false
Work Subject:
figures
subject
figures
Work Subject
false
Work Subject:
music
subject
music
Work Subject
false
Work Worktype:
photographic prints
work_type
photographic prints
Work Worktype
false
Work Worktype:
photographs
work_type
photographs
Work Worktype
false
Work Worktype:
digital prints
work_type
digital prints
Work Worktype
false
Work Category (VRC classification):
photographs
work_category__ucbaahvrc_classification_
photographs
Work Category (VRC classification)
false
Work Material and Technique (display):
bicycle, speaker, music player, electronic components
Work Measurements (display):
40 cm (H) x 50 cm (W)
Image Source Reproduction citation:
Chiu, Melissa and Benjamin Genocchio. Asian Art Now. New York: Monacelli Press, 2010. Print.
image_source_copy_from_print_name
Chiu, Melissa and Benjamin Genocchio. Asian Art Now. New York: Monacelli Press, 2010. Print.
Image Source Reproduction citation
false
Image Source Reproduction refid:
978-1-58093-298-1
Image Source Reproduction page number:
208
Image Source Reproduction refid type:
ISBN
Image Rights (display):
© Ha Thuc Phu Nam
Image Rights fair use checklist:
1) use of this image is for education and educational research; 2) access is restricted to University of Colorado and Auraria Higher Education Center communities; 3) the original photographer is credited if known; 4) the image is published; 5) the amount of the work in relation to the whole is needed for education or edicational research; 6) the number of derivatives is the minimum required for education or educational research; 7) the image has not been found to be reasonably available for sale; 8) duplication of the image does not violate preexisting contracts.
Work Rights (display):
© Tuan Andrew Nguyen
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Holding Institution:
University of Colorado at Boulder
Collection:
Art and Art History Visual Resources Collection
Collection info and contact:
For information about this collection, see