COLLECTION NAME:
Visual Resources Teaching Collection
mediaCollectionId
ArtArtHiAAH~7~7
Visual Resources Teaching Collection
Collection
true
Image Record ID:
aahi0009628
image_record_id
aahi0009628
Image Record ID
false
Work Title (display):
Cell IX
Image Title:
installation view
Work Dates (display):
1999
Work Dates type:
creation
Image Date (display):
2012-04-10
Work Creator (display):
Louise Bourgeois (American, born France, 1911-2010)
Work Creator gender:
female
work_creator_or_agent_gender
female
Work Creator gender
false
Work Creator notes (display):
American sculptor, painter and printmaker of French birth. Her parents ran a workshop in Paris restoring tapestries, for which Bourgeois filled in the designs where they had become worn. She studied mathematics at the Sorbonne before turning to studio arts. In 1938, after marrying Robert Goldwater, an American art historian, critic and curator, she went to New York, where she enrolled in the Art Students League and studied painting for two years with Václav Vytlačil (b 1892). Bourgeois's work was shown at the Brooklyn Museum Print Exhibition in 1939. During World War II she worked with Joan Miró, André Masson and other European expatriates. Although Bourgeois exhibited with the Abstract Expressionistsand, like them, drew from the unconsciousshe never became an abstract artist. Instead, she created symbolic objects and drawings expressing themes of loneliness and conflict, frustration and vulnerability, as reflected in her suite of engravings and parables, He Disappeared into Complete Silence (1947). In 1949 Bourgeois had her first sculpture exhibition, including Woman in the Shape of a Shuttle (19479; New York, Xavier Fourcade), at the Peridot Gallery; this work proved typical of her wooden sculpture and foreshadowed her preoccupations of the following years. Her first sculptures were narrow wooden pieces, such as Sleeping Figure (1950; New York, MOMA), a 'stick' figure articulated into four parts with two supporting poles. Bourgeois soon began using non-traditional media, with rough works in latex and plaster contrasting with her elegantly worked pieces in wood, bronze and marble. In the 1960s and 1970s her work became more sexually explicit, as in the Femme Couteau group (196970; King's Point, NY, J. and E. Spiegel priv. col.) and Cumul I (1969; Paris, Pompidou). The psychological origins of her work are particularly evident in Destruction of the Father (1974; New York, Xavier Fourcade). Bourgeois's work was appreciated by a wider public in the 1970s as a result of the change in attitudes wrought by feminism and Post-modernism. (Grove Art Online Accessed 2008-02-06)
Work Style Period:
20th century
work_styleperiod
20th century
Work Style Period
false
Work Style Period:
Contemporary
work_styleperiod
Contemporary
Work Style Period
false
Work Worktype:
sculpture (visual works)
work_type
sculpture (visual works)
Work Worktype
false
Work Category (VRC classification):
sculptures and installations
work_category__ucbaahvrc_classification_
sculptures and installations
Work Category (VRC classification)
false
Work Material and Technique (display):
steel, marble and mirrors
Work Measurements (display):
84 in (H) x 100 in (W) x 52 in (D)
Work Location (Repository or Site) name:
Daros Collection
Work Location (Repository or Site) role:
repository
Work Location (Geographic) name:
Zurich, Switzerland
Image Source Reproduction citation:
Bourgeois, Louise, Eva Keller, Regula Malin, Robert Storr, and Fontaine J. La. Louise Bourgeois: Emotions Abstracted: Werke/works, 1941-2000. Z�rich: Daros, 2004. Print.
image_source_copy_from_print_name
Bourgeois, Louise, Eva Keller, Regula Malin, Robert Storr, and Fontaine J. La. Louise Bourgeois: Emotions Abstracted: Werke/works, 1941-2000. Z�rich: Daros, 2004. Print.
Image Source Reproduction citation
false
Image Source Reproduction refid:
3-7757-1461-8
Image Source Reproduction page number:
115
Image Source Reproduction plate-figure number:
Fig. 47 (cat. 51)
Image Rights (display):
© Christopher Burke
Image Rights fair use checklist:
1) use of this image is for education and educational research; 2) access is restricted to University of Colorado and Auraria Higher Education Center communities; 3) the original photographer is credited if known; 4) the image is published; 5) the amount of the work in relation to the whole is needed for education or educational research; 6) the number of derivatives is the minimum required for education or educational research; 7) the image has not been found to be reasonably available for sale; 8) duplication of the image does not violate preexisting contracts.
Work Rights (display):
© Louise Bourgeois
Terms of Agreement and Conditions of Use:
YOU AGREE: Luna Imaging's Insight Software and the digital image collection associated with it (the Software) are being provided by the University of Colorado under the following license. By obtaining, using, and/or copying this work, you (the Licensee) agree that you have read, understood, and will comply with the following terms and conditions. 1. The Software contains the University of Colorado's Department of Art and Art History's implementation of a digital image collection; 2. Any images obtained through use of the Software will be used only for non-profit, educational purposes; 3. The use of images obtained through the software will only be used while the Licensee is either: a) an employee of the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver, or b) an enrolled student at the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver; 4. When the Licensee is no longer an employee or student of the University of Colorado, Metropolitan State College of Denver or Community College of Denver, either by an action of the University of Colorado, Metropolitan State College of Denver or the Community College of Denver or due to actions of the Licensee, the licensee will cease to use any images exported from the Department of Art and Art History's digital image collection; 5. The Licensee agrees to indemnify the University for claims and liability arising out of the use of the Software or for any violations of this license; 6. THE UNIVERSITY OF COLORADO SUPPLIES THE SOFTWARE WITHOUT ANY WARRANTIES, EXPRESS OR IMPLIED, INCLUDING ANY WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
CU Copyright Statement:
The contents of the University of Colorado Digital Library are available for your use in research, teaching, and private study. Some of these items are protected by the U.S. Copyright Law (Title 17, U.S.C.) and some items may have additional restrictions. If you use the items in this collection, make sure you abide by any restrictions stated in the descriptive data window. The nature of these collections often makes it difficult to determine the copyright status of an item. We have made every effort to provide information about copyright owners and other restrictions in the descriptive data window. Ultimately, however, it is your responsibility to use the item according to the terms governing its use. If you are a copyright holder and the information is either not listed or listed incorrectly, please let us know so that we can update the information on our site.
Holding Institution:
University of Colorado at Boulder
Collection:
Art and Art History Visual Resources Collection
Collection info and contact:
For information about this collection, see