COLLECTION NAME:
Visual Resources Teaching Collection
mediaCollectionId
ArtArtHiAAH~7~7
Visual Resources Teaching Collection
Collection
true
Image Record ID:
aahi0009449
image_record_id
aahi0009449
Image Record ID
false
Work Title (display):
All We are Saying is Give Pizza a Chance
Image Title:
side view
Work Dates (display):
2003
Work Dates type:
creation
Image Date (display):
2012-03-12
Work Creator (display):
Sarah Lucas (English, born 1962)
Work Creator gender:
female
work_creator_or_agent_gender
female
Work Creator gender
false
Work Creator notes (display):
English sculptor, installation artist and photographer. She studied in London at the Working Men's College (19823), London College of Printing (19834), and Goldsmiths' College (19847) and emerged as one of the major Young British Artists during the 1990s, with a body of highly provocative work. In the early 1990s she began using furniture as a substitute for the human body, usually with crude genital punning. In works such as Bitch (table, t-shirt, melons, vacuum-packed smoked fish, 1995; see exh. cat., 1996, pp. 545), she merges low-life misogynist tabloid culture with the economy of the ready-made, with the intention of confronting sexual stereotyping. As with earlier works in which she had displayed enlarged pages from the Sunday Sport newspaper, the intention was to attack stereotyping on its own ground, using a base language given critical viability by an affinity to previous movements such as Situationism and Surrealism. She is also known for her confrontational self-portraits, such as Human Toilet Revisited (1998; London, Tate), a colour photograph in which she sits on a toilet smoking a cigarette. In her solo exhibition The Fag Show (London, Sadie Coles, 2000), she explored her obsession with cigarettes as a material for art, suggesting the connection between smoking and sexually obsessive activity. Self-portrait with Cigarettes (2000; London, Saatchi Gal.), a self-portrait made with cigarettes, makes a connection between the obsessional, introverted activities of smoking and drawing. The morbidity and provocative nature of her work has often elicited comparisons with Francis Bacon and Damien Hirst; her androgynous occupation of this masculine low-life domain gives her work much of its critical character. In 1996 she was the subject of a BBC documentary, Two Melons and a Stinking Fish. (John-Paul Stonard. "Lucas, Sarah." Grove Art Online. Oxford Art Online. 17 Mar. 2009 .)
Work Style Period:
21st century
work_styleperiod
21st century
Work Style Period
false
Work Style Period:
Contemporary
work_styleperiod
Contemporary
Work Style Period
false
Work Subject:
entertainment
subject
entertainment
Work Subject
false
Work Subject:
peace
subject
peace
Work Subject
false
Work Subject:
motorcycles (passenger vehicles)
subject
motorcycles (passenger vehicles)
Work Subject
false
Work Subject:
advertisements
subject
advertisements
Work Subject
false
Work Subject:
capitalism
subject
capitalism
Work Subject
false
Work Subject:
bombs (explosive weapons)
subject
bombs (explosive weapons)
Work Subject
false
Work Subject:
consumerism
subject
consumerism
Work Subject
false
Work Subject:
violence
subject
violence
Work Subject
false
Work Subject:
wars
subject
wars
Work Subject
false
Work Subject:
food
subject
food
Work Subject
false
Work Worktype:
sculpture (visual works)
work_type
sculpture (visual works)
Work Worktype
false
Work Category (VRC classification):
sculptures and installations
work_category__ucbaahvrc_classification_
sculptures and installations
Work Category (VRC classification)
false
Work Material and Technique (display):
motorbike, cardboard, wire, wheels, pizza leaflets
Work Measurements (display):
120 cm (H) x 295 cm (W) x 120 cm (D)
Work Location (Repository or Site) name:
Sadie Coles HQ
Work Location (Repository or Site) role:
repository
Work Location (Geographic) name:
London, England
Image Source Reproduction citation:
Fairhurst, Angus, Damien Hirst, and Sarah Lucas. In-a-Gadda-Da-Vida: Angus Fairhurst, Damien Hirst, Sarah Lucas. London: Tate Publishing, 2004. Print.
image_source_copy_from_print_name
Fairhurst, Angus, Damien Hirst, and Sarah Lucas. In-a-Gadda-Da-Vida: Angus Fairhurst, Damien Hirst, Sarah Lucas. London: Tate Publishing, 2004. Print.
Image Source Reproduction citation
false
Image Source Reproduction page number:
33
Image Source Reproduction refid type:
ISBN
Image Rights (display):
© Johnnie Shand Kydd
Work Rights (display):
© Sarah Lucas
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Holding Institution:
University of Colorado at Boulder
Collection:
Art and Art History Visual Resources Collection
Collection info and contact:
For information about this collection, see