COLLECTION NAME:
Visual Resources Teaching Collection
mediaCollectionId
ArtArtHiAAH~7~7
Visual Resources Teaching Collection
Collection
true
Image Record ID:
aahi0008900
image_record_id
aahi0008900
Image Record ID
false
Work Title (display):
Impermanence
Image Title:
side view
Work Dates (display):
2006
Work Dates type:
creation
Image Date (display):
2011-10-31
Work Creator (display):
Sui Jianguo (Chinese, born 1956)
Work Creator gender:
male
work_creator_or_agent_gender
male
Work Creator gender
false
Work Creator notes (display):
1956 Born in Qingdao, Shandong Province 1984 Graduated from the Fine Arts Department, Shandong Institute of Fine Arts 1989 Graduated from the Sculpture Department, Central Academy of Fine Arts (CAFA) Beijing 1994 UNESCO - Aschberg International Foundation for the Promotion of Culture 1989 - 1997 Associate Professor, Sculpture Department, CAFA 1997 Victoria College of Arts, Melbourne University Travel Grant for Young Asian Scholars 2000 Teaching at Ensba, Paris as a Guest Professor three months Currently lives in Bejing, China / Vit à Beijing (Chine). Director of the Sculpture Department for the Académie des Beaux Arts. It is thanks to him that abstract and conceptual sculpture have been accepted by the chinese authorities. Surpassing China's borders, he is probably one of the most promising sculptures of the 21st century.The red dinosaur a symbol of imperialist China, like communist China- with the engraved door on the chest mentions 'Made in China'; it is a glance toward plastic toys from the start of the Chinese economic flight, but definitely a powerful symbol of an antiquated China moving toward being contemporary. Throughout the 1960s, everything was 'Made in Japan', in the 1970s 'Made in Taiwan', and in the 1980s 'Made in China'. The fabrication of finished products based on models and imported raw materials has become the economic norm of emerging countries. This economic international capitalistic model has helped to accelerate stimulating an economic transformation of an archaic and impoverished China. The transplantation of the 'Consumer Culture' at such an astronomical scale from the chinese population has made China the biggest unknown in the world' Proposed by Sui Jianguo, extract from the exhibition catalogue 'Paris-Pékin', Espace Pierre Cardin, October 5-28, 2002. (artnet Artists, http://www.artnet.c
accessed 2008-09-08)
Work Style Period:
21st century
work_styleperiod
21st century
Work Style Period
false
Work Style Period:
Contemporary
work_styleperiod
Contemporary
Work Style Period
false
Work Subject:
permanence
subject
permanence
Work Subject
false
Work Subject:
skeletons
subject
skeletons
Work Subject
false
Work Subject:
China (nation)
subject
China (nation)
Work Subject
false
Work Subject:
skulls (skeleton component)
subject
skulls (skeleton component)
Work Subject
false
Work Subject:
history (discipline)
subject
history (discipline)
Work Subject
false
Work Subject:
time
subject
time
Work Subject
false
Work Subject:
death
subject
death
Work Subject
false
Work Worktype:
metalwork
work_type
metalwork
Work Worktype
false
Work Worktype:
sculpture (visual works)
work_type
sculpture (visual works)
Work Worktype
false
Work Category (VRC classification):
sculptures and installations
work_category__ucbaahvrc_classification_
sculptures and installations
Work Category (VRC classification)
false
Work Material and Technique (display):
lead
Work Measurements (display):
10.25 in (H) x 6.25 in (W) x 7.875 in (D)
Work Location (Repository or Site) name:
Collection of Kent and Vicki Logan
Work Location (Repository or Site) role:
owner
Work Location (Geographic) name:
Vail, Colorado
Image Source Reproduction citation:
Kelly, Jeff, Christoph Heinrich, Eleanor Heartney, and Kent Logan. Half-Life of a Dream: Contemporary Chinese Art from the Logan Collection. Berkeley: University of Califormia Press, 2008. Print.
image_source_copy_from_print_name
Kelly, Jeff, Christoph Heinrich, Eleanor Heartney, and Kent Logan. Half-Life of a Dream: Contemporary Chinese Art from the Logan Collection. Berkeley: University of Califormia Press, 2008. Print.
Image Source Reproduction citation
false
Image Source Reproduction refid:
978-0-520-25779-5
Image Source Reproduction page number:
43
Image Source Reproduction plate-figure number:
24
Image Source Reproduction refid type:
ISBN
Image Rights (display):
© Vicki and Kent Logan Collection
Image Rights fair use checklist:
1) use of this image is for education and educational research; 2) access is restricted to University of Colorado and Auraria Higher Education Center communities; 3) the original photographer is credited if known; 4) the image is published; 5) the amount of the work in relation to the whole is needed for education or educational research; 6) the number of derivatives is the minimum required for education or educational research; 7) the image has not been found to be reasonably available for sale; 8) duplication of the image does not violate preexisting contracts.
Work Rights (display):
© Sui Jianguo
Terms of Agreement and Conditions of Use:
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Holding Institution:
University of Colorado at Boulder
Collection:
Art and Art History Visual Resources Collection
Collection info and contact:
For information about this collection, see . For specific questions, suggestions, or corrections about the descriptive data for images, contact aahvrc@colorado.edu. Please include the Image Record ID ('aahi' followed by a 7-digit number) for each image in question.