COLLECTION NAME:
Visual Resources Teaching Collection
mediaCollectionId
ArtArtHiAAH~7~7
Visual Resources Teaching Collection
Collection
true
Image Record ID:
aahi0009064
image_record_id
aahi0009064
Image Record ID
false
Work Title (display):
The Sighting of the Distant Argus
Image Title:
full view
Work Dates (display):
1818
Work Dates type:
creation
Image Date (display):
2011-11-07
Work Creator (display):
Theodore Gericault (French, 1791-1824)
Work Creator gender:
male
work_creator_or_agent_gender
male
Work Creator gender
false
Work Creator notes (display):
Gericault grew up with Napoleon's triumphs and reached maturity at the time of the empire's decline, dying after only 12 working years in the troubled early period of the Restoration. He was frequently ill, probably with tuberculosis. He also suffered several riding accidents and seemed self-destructive in terms of endangering his health and making unwise financial speculations and expenditures. When he died, he was known to the public only by the three paintings he had exhibited at the Salon in Paris. He had also been active in London. He left behind 200 paintings and 1600 other works that made him famous posthumously and were influential to later artists. His style is characterized by an attempt to depict contemporary events in a grand scale and emotional tone, using influences of both the Romantic and the Neo-classical styles to create an individual style of his own. (ULAN)
Work Style Period:
Romantic (modern European styles)
work_styleperiod
Romantic (modern European styles)
Work Style Period
false
Work Style Period:
19th century
work_styleperiod
19th century
Work Style Period
false
Work Subject:
boats
subject
boats
Work Subject
false
Work Subject:
oceans
subject
oceans
Work Subject
false
Work Subject:
death
subject
death
Work Subject
false
Work Subject:
men (male humans)
subject
men (male humans)
Work Subject
false
Work Subject:
starvation
subject
starvation
Work Subject
false
Work Subject:
corpses
subject
corpses
Work Subject
false
Work Subject:
cannibalism
subject
cannibalism
Work Subject
false
Work Subject:
despair
subject
despair
Work Subject
false
Work Subject:
violence
subject
violence
Work Subject
false
Work Subject:
figures
subject
figures
Work Subject
false
Work Worktype:
oil paintings
work_type
oil paintings
Work Worktype
false
Work Worktype:
paintings (visual works)
work_type
paintings (visual works)
Work Worktype
false
Work Category (VRC classification):
paintings
work_category__ucbaahvrc_classification_
paintings
Work Category (VRC classification)
false
Work Measurements (display):
37.5 cm (H) x 46 cm (W)
Work Location (Repository or Site) name:
Louvre (French museum, Paris, open 1793)
Work Location (Repository or Site) role:
repository
Work Location (Geographic) name:
Paris, France
Image Source Reproduction citation:
Alhadeff, Albert. The Raft of the Medusa Gericault, Art, and Race. Munich: Prestel Verlag, 2002. N. pag. Print.
image_source_copy_from_print_name
Alhadeff, Albert. The Raft of the Medusa Gericault, Art, and Race. Munich: Prestel Verlag, 2002. N. pag. Print.
Image Source Reproduction citation
false
Image Source Reproduction refid:
3-7913-2782-8
Image Source Reproduction page number:
63
Image Source Reproduction plate-figure number:
22
Image Source Reproduction refid type:
ISBN
Image Rights (display):
© Photo RMN - Hervé Lewandowski
Image Rights fair use checklist:
1) use of this image is for education and educational research; 2) access is restricted to University of Colorado and Auraria Higher Education Center communities; 3) the original photographer is credited if known; 4) the image is published; 5) the amount of the work in relation to the whole is needed for education or educational research; 6) the number of derivatives is the minimum required for education or educational research; 7) the image has not been found to be reasonably available for sale; 8) duplication of the image does not violate preexisting contracts.
Work Rights (display):
public domain
Terms of Agreement and Conditions of Use:
YOU AGREE: Luna Imaging's Insight Software and the digital image collection associated with it (the Software) are being provided by the University of Colorado under the following license. By obtaining, using, and/or copying this work, you (the Licensee) agree that you have read, understood, and will comply with the following terms and conditions. 1. The Software contains the University of Colorado's Department of Art and Art History's implementation of a digital image collection; 2. Any images obtained through use of the Software will be used only for non-profit, educational purposes; 3. The use of images obtained through the software will only be used while the Licensee is either: a) an employee of the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver, or b) an enrolled student at the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver; 4. When the Licensee is no longer an employee or student of the University of Colorado, Metropolitan State College of Denver or Community College of Denver, either by an action of the University of Colorado, Metropolitan State College of Denver or the Community College of Denver or due to actions of the Licensee, the licensee will cease to use any images exported from the Department of Art and Art History's digital image collection; 5. The Licensee agrees to indemnify the University for claims and liability arising out of the use of the Software or for any violations of this license; 6. THE UNIVERSITY OF COLORADO SUPPLIES THE SOFTWARE WITHOUT ANY WARRANTIES, EXPRESS OR IMPLIED, INCLUDING ANY WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
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Holding Institution:
University of Colorado at Boulder
Collection:
Art and Art History Visual Resources Collection
Collection info and contact:
For information about this collection, see