COLLECTION NAME:
Visual Resources Teaching Collection
mediaCollectionId
ArtArtHiAAH~7~7
Visual Resources Teaching Collection
Collection
true
Image Record ID:
aahi0008387
image_record_id
aahi0008387
Image Record ID
false
Work Title (display):
Motion Study: George reynolds, nude, pole-vaulting to left
Image Title:
full view
Work Description:
Copy from a dry-plate negative
Work Dates (display):
1885
Work Dates type:
creation
Image Date (display):
2011-07-06
Work Creator (display):
Thomas Eakins (American, 1844-1916)
Work Creator gender:
male
work_creator_or_agent_gender
male
Work Creator gender
false
Work Creator notes (display):
American painter, photographer, and sculptor, best known for his precise, exacting paintings in the tradition of the Barbizon School and Velásquez. He studied with Gérome and others in Paris from 1866-1869, but returned to Philadelphia in 1870 where he painted local figures and scenes that emphasized emotional truth and visual fact. His interest in science led to probably his best-known painting, "The Gross Clinic" (1875), showing the famous surgeon in the operating theater. The picture shocked contemporaries with its frank depiction of blood. Eakins taught at the Philadelphia Academy of the Arts from 1876-1878, reforming the teaching methods and giving priority to painting from live nude models as oppose to drawing from plaster casts. American artist. (ULAN)
Work Style Period:
19th century
work_styleperiod
19th century
Work Style Period
false
Work Subject:
pole-vaulting
subject
pole-vaulting
Work Subject
false
Work Subject:
athletes
subject
athletes
Work Subject
false
Work Subject:
motion
subject
motion
Work Subject
false
Work Subject:
figures
subject
figures
Work Subject
false
Work Subject:
nudes (representations)
subject
nudes (representations)
Work Subject
false
Work Worktype:
photographs
work_type
photographs
Work Worktype
false
Work Category (VRC classification):
photographs
work_category__ucbaahvrc_classification_
photographs
Work Category (VRC classification)
false
Work Location (Repository or Site) name:
Pennsylvania Academy of the Fine Arts
Work Location (Repository or Site) role:
repository
Work Location (Geographic) name:
Philadelphia, Pennsylvania
Image Source Reproduction citation:
Pohl, Frances K. Framing America: A Social History of American Art. 2nd ed. New York, NY: Thames and Hudson, 2008. Print.
image_source_copy_from_print_name
Pohl, Frances K. Framing America: A Social History of American Art. 2nd ed. New York, NY: Thames and Hudson, 2008. Print.
Image Source Reproduction citation
false
Image Source Reproduction refid:
978-0-500-28715-6
Image Source Reproduction page number:
267
Image Source Reproduction plate-figure number:
5.12
Image Rights (display):
© Pennsylvania Academy of the Fine Arts, Philadelphia
Image Rights fair use checklist:
1) use of this image is for education and educational research; 2) access is restricted to University of Colorado and Auraria Higher Education Center communities; 3) the original photographer is credited if known; 4) the image is published; 5) the amount of the work in relation to the whole is needed for education or educational research; 6) the number of derivatives is the minimum required for education or educational research; 7) the image has not been found to be reasonably available for sale; 8) duplication of the image does not violate preexisting contracts.
Work Rights (display):
public domain
Terms of Agreement and Conditions of Use:
YOU AGREE: Luna Imaging's Insight Software and the digital image collection associated with it (the Software) are being provided by the University of Colorado under the following license. By obtaining, using, and/or copying this work, you (the Licensee) agree that you have read, understood, and will comply with the following terms and conditions. 1. The Software contains the University of Colorado's Department of Art and Art History's implementation of a digital image collection; 2. Any images obtained through use of the Software will be used only for non-profit, educational purposes; 3. The use of images obtained through the software will only be used while the Licensee is either: a) an employee of the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver, or b) an enrolled student at the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver; 4. When the Licensee is no longer an employee or student of the University of Colorado, Metropolitan State College of Denver or Community College of Denver, either by an action of the University of Colorado, Metropolitan State College of Denver or the Community College of Denver or due to actions of the Licensee, the licensee will cease to use any images exported from the Department of Art and Art History's digital image collection; 5. The Licensee agrees to indemnify the University for claims and liability arising out of the use of the Software or for any violations of this license; 6. THE UNIVERSITY OF COLORADO SUPPLIES THE SOFTWARE WITHOUT ANY WARRANTIES, EXPRESS OR IMPLIED, INCLUDING ANY WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
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Holding Institution:
University of Colorado at Boulder
Collection:
Art and Art History Visual Resources Collection
Collection info and contact:
For information about this collection, see