COLLECTION NAME:
Visual Resources Teaching Collection
mediaCollectionId
ArtArtHiAAH~7~7
Visual Resources Teaching Collection
Collection
true
Image Record ID:
aahi0001062
image_record_id
aahi0001062
Image Record ID
false
Work Title (display):
Fan Club
Image Title:
full view
Work Dates (display):
1994
Work Dates type:
creation
Image Date (display):
2008-02-01
Work Creator (display):
Mel Chin (American, born 1951)
Work Creator gender:
male
work_creator_or_agent_gender
male
Work Creator gender
false
Work Creator notes (display):
Mel Chin was born in Houston to Chinese parents in 1951, the first of his family born in the United States, and was reared in a predominantly African-American and Latino neighborhood. He worked in his family's grocery store, and began making art at an early age. Though he is classically trained, Chin's art, which is both analytical and poetic, evades easy classification. Alchemy, botany, and ecology are but a few of the disciplines that intersect in his work. He insinuates art into unlikely places, including destroyed homes, toxic landfills, and even popular television, investigating how art can provoke greater social awareness and responsibility. Unconventional and politically engaged, his projects also challenge the idea of the artist as the exclusive creative force behind an artwork. "The survival of my own ideas may not be as important as a condition I might create for others' ideas to be realized," says Chin, who often enlists entire neighborhoods or groups of students in creative partnerships. In "KNOWMAD," Chin worked with software engineers to create a video game based on rug patterns of nomadic peoples facing persecution. Chin also promotes "works of art" that have the ultimate effect of benefiting science or rejuvenating the economies of inner-city neighborhoods. In "Revival Field," Chin worked with scientists to create sculpted gardens of hyperaccumulatorsplants that can draw heavy metals from contaminated areasin some of the most polluted sites in the world. Chin received a BA from Peabody College in Nashville, Tennessee, in 1975, and fellowships from the National Endowment for the Arts in 1988 and 1990. He lives in North Carolina. (PBS Art21 Accessed 2008-02-06)
Work Creator UCB affiliation (display):
visiting artist, Visiting Artist Program, 2000
Work Style Period:
Contemporary
work_styleperiod
Contemporary
Work Style Period
false
Work Style Period:
20th century
work_styleperiod
20th century
Work Style Period
false
Work Subject:
Japanese Americans
subject
Japanese Americans
Work Subject
false
Work Subject:
Chinese Americans
subject
Chinese Americans
Work Subject
false
Work Subject:
commemoratives
subject
commemoratives
Work Subject
false
Work Subject:
racism
subject
racism
Work Subject
false
Work Subject:
violence
subject
violence
Work Subject
false
Work Subject:
race (concept)
subject
race (concept)
Work Subject
false
Work Subject:
death
subject
death
Work Subject
false
Work Category (VRC classification):
sculptures and installations
work_category__ucbaahvrc_classification_
sculptures and installations
Work Category (VRC classification)
false
Work Category (VRC classification):
costume
work_category__ucbaahvrc_classification_
costume
Work Category (VRC classification)
false
Image Rights (display):
unknown
Work Rights (display):
© Mel Chin
Terms of Agreement and Conditions of Use:
YOU AGREE: Luna Imaging's Insight Software and the digital image collection associated with it (the Software) are being provided by the University of Colorado under the following license. By obtaining, using, and/or copying this work, you (the Licensee) agree that you have read, understood, and will comply with the following terms and conditions. 1. The Software contains the University of Colorado's Department of Art and Art History's implementation of a digital image collection; 2. Any images obtained through use of the Software will be used only for non-profit, educational purposes; 3. The use of images obtained through the software will only be used while the Licensee is either: a) an employee of the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver, or b) an enrolled student at the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver; 4. When the Licensee is no longer an employee or student of the University of Colorado, Metropolitan State College of Denver or Community College of Denver, either by an action of the University of Colorado, Metropolitan State College of Denver or the Community College of Denver or due to actions of the Licensee, the licensee will cease to use any images exported from the Department of Art and Art History's digital image collection; 5. The Licensee agrees to indemnify the University for claims and liability arising out of the use of the Software or for any violations of this license; 6. THE UNIVERSITY OF COLORADO SUPPLIES THE SOFTWARE WITHOUT ANY WARRANTIES, EXPRESS OR IMPLIED, INCLUDING ANY WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
Holding Institution:
University of Colorado at Boulder
Collection:
Art and Art History Visual Resources Center
Collection info and contact:
For information about this collection, see . For specific questions, suggestions, or corrections about the descriptive data for images, contact aahvrc@colorado.edu. Please include the Image Record ID ('aahi' followed by a 7-digit number) for each image in question.