COLLECTION NAME:
Visual Resources Teaching Collection
mediaCollectionId
ArtArtHiAAH~7~7
Visual Resources Teaching Collection
Collection
true
Image Record ID:
aahi0008105
image_record_id
aahi0008105
Image Record ID
false
Work Title (display):
Carnet Dinard: Plate 34
Image Title:
full view
Work Dates (display):
1928
Work Dates type:
creation
Image Date (display):
2011-03-15
Work Creator (display):
Pablo Picasso (Spanish, active in France, 1881-1973)
Work Creator gender:
male
work_creator_or_agent_gender
male
Work Creator gender
false
Work Creator notes (display):
Spanish painter, sculptor, draughtsman, printmaker, decorative artist and writer, active in France. He dominated 20th-century European art and was central in the development of the image of the modern artist. Episodes of his life were recounted in intimate detail, his comments on art were published and his working methods recorded on film. Painting was his principal medium, but his sculptures, prints, theatre designs and ceramics all had an impact on their respective disciplines. Even artists not influenced by the style or appearance of his work had to come to terms with its implications. With Georges Braque Picasso was responsible for Cubism, one of the most radical re-structurings of the way that a work of art constructs its meaning. During his extremely long life Picasso instigated or responded to most of the artistic dialogues taking place in Europe and North America, registering and transforming the developments that he found most fertile. His marketability as a unique and enormously productive artistic personality, together with the distinctiveness of his work and practice, have made him the most extensively exhibited and discussed artist of the 20th century. (Grove Art Online Accessed 2006-07-28)
Work Style Period:
Surrealist
work_styleperiod
Surrealist
Work Style Period
false
Work Style Period:
20th century
work_styleperiod
20th century
Work Style Period
false
Work Subject:
Walter, Marie-Thérèse (1909-1977)
subject
Walter, Marie-Thérèse (1909-1977)
Work Subject
false
Work Subject:
cubist
subject
cubist
Work Subject
false
Work Subject:
female
subject
female
Work Subject
false
Work Subject:
form (aesthetics)
subject
form (aesthetics)
Work Subject
false
Work Subject:
distortion
subject
distortion
Work Subject
false
Work Subject:
shape (form attribute)
subject
shape (form attribute)
Work Subject
false
Work Subject:
movement
subject
movement
Work Subject
false
Work Subject:
mistresses
subject
mistresses
Work Subject
false
Work Subject:
reality
subject
reality
Work Subject
false
Work Subject:
women (female humans)
subject
women (female humans)
Work Subject
false
Work Subject:
body, human
subject
body, human
Work Subject
false
Work Subject:
portraits
subject
portraits
Work Subject
false
Work Worktype:
drawings
work_type
drawings
Work Worktype
false
Work Category (VRC classification):
drawings
work_category__ucbaahvrc_classification_
drawings
Work Category (VRC classification)
false
Work Material and Technique (display):
drawing on paper
Work Location (Repository or Site) name:
Marina Picasso Collection
Work Location (Repository or Site) role:
owner
Image Source Reproduction citation:
Spies, Werner. Pablo Picasso on the Path to Sculpture: The Paris and Dinard Sketchbooks of 1928 from the Marina Picasso Collection. New York: Prestel-Verlag, 1995.
image_source_copy_from_print_name
Spies, Werner. Pablo Picasso on the Path to Sculpture: The Paris and Dinard Sketchbooks of 1928 from the Marina Picasso Collection. New York: Prestel-Verlag, 1995.
Image Source Reproduction citation
false
Image Source Reproduction refid:
3-7913-1611-7
Image Source Reproduction plate-figure number:
Carnet Dinard 34
Image Source Reproduction refid type:
ISBN
Image Rights (display):
© Collection Marina Picasso
Image Rights (display):
© Galerie Jan Krugier
Image Rights fair use checklist:
1) use of this image is for education and educational research; 2) access is restricted to University of Colorado and Auraria Higher Education Center communities; 3) the original photographer is credited if known; 4) the image is published; 5) the amount of the work in relation to the whole is needed for education or educational research; 6) the number of derivatives is the minimum required for education or educational research; 7) the image has not been found to be reasonably available for sale; 8) duplication of the image does not violate preexisting contracts.
Work Rights (display):
© VG Bild-Kunst
Terms of Agreement and Conditions of Use:
YOU AGREE: Luna Imaging's Insight Software and the digital image collection associated with it (the Software) are being provided by the University of Colorado under the following license. By obtaining, using, and/or copying this work, you (the Licensee) agree that you have read, understood, and will comply with the following terms and conditions. 1. The Software contains the University of Colorado's Department of Art and Art History's implementation of a digital image collection; 2. Any images obtained through use of the Software will be used only for non-profit, educational purposes; 3. The use of images obtained through the software will only be used while the Licensee is either: a) an employee of the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver, or b) an enrolled student at the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver; 4. When the Licensee is no longer an employee or student of the University of Colorado, Metropolitan State College of Denver or Community College of Denver, either by an action of the University of Colorado, Metropolitan State College of Denver or the Community College of Denver or due to actions of the Licensee, the licensee will cease to use any images exported from the Department of Art and Art History's digital image collection; 5. The Licensee agrees to indemnify the University for claims and liability arising out of the use of the Software or for any violations of this license; 6. THE UNIVERSITY OF COLORADO SUPPLIES THE SOFTWARE WITHOUT ANY WARRANTIES, EXPRESS OR IMPLIED, INCLUDING ANY WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
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Holding Institution:
University of Colorado at Boulder
Collection:
Art and Art History Visual Resources Collection
Collection info and contact:
For information about this collection, see