COLLECTION NAME:
Visual Resources Teaching Collection
mediaCollectionId
ArtArtHiAAH~7~7
Visual Resources Teaching Collection
Collection
true
Image Record ID:
aahi0000383
image_record_id
aahi0000383
Image Record ID
false
Work Title (display):
Sunday Morning (Black Domestic Interior)
Image Title:
full view
Work Dates (display):
2nd half 19th century
Work Dates type:
creation
Work Creator (display):
Thomas Hovenden (American, 1840-1895)
Work Creator gender:
male
work_creator_or_agent_gender
male
Work Creator gender
false
Work Creator notes (display):
American painter of Irish birth. He was orphaned when he was six and was apprenticed to a frame carver and gilder at fourteen. His master encouraged him to enrol at the Cork School of Design. In 1863 Hovenden emigrated to New York and supported himself by colouring photographs and making frames. He attended night classes at the National Academy of Design, but was attracted to Paris in 1874, where he immersed himself in the academic painting of Jules Breton and Alexandre Cabanel and joined the artists' colony at Pont-Aven. In 1880 he returned to New York with his new wife, the painter Helen Corson (18461935), and the following year they settled near Philadelphia. Hovenden's favourite subjects were interiors; he is best remembered for Breaking Home Ties (1890; Philadelphia, PA, Mus. A.), which was voted the most popular picture at the Chicago World's Columbian Exposition in 1893. It depicts a young man leaving his rural home to make his fame and fortune in the city. The painting conveys a powerful and genuine sentimentality that is saved from excess by the solidity of the compositional structure, derived from his French training. In general, Hovenden's output is characterized by naturalism of detail and overall clarity. Although he was primarily a genre painter, he also painted some Impressionistic landscapes, with softened forms and a lighter palette. He was elected Academician of the National Academy of Design, New York, in 1882 and succeeded Thomas Eakins as instructor at the Pennsylvania Academy of the Fine Arts in 1886. He was killed by a train while trying to save a child. (Grove Art Online Accessed 2006-07-26)
Work Style Period:
Realist (modern European fine arts styles)
work_styleperiod
Realist (modern European fine arts styles)
Work Style Period
false
Work Style Period:
19th century
work_styleperiod
19th century
Work Style Period
false
Work Subject:
poverty
subject
poverty
Work Subject
false
Work Subject:
spouses
subject
spouses
Work Subject
false
Work Subject:
poor (people)
subject
poor (people)
Work Subject
false
Work Subject:
blacks (as an element in the population)
subject
blacks (as an element in the population)
Work Subject
false
Work Subject:
race (concept)
subject
race (concept)
Work Subject
false
Work Subject:
men (male humans)
subject
men (male humans)
Work Subject
false
Work Subject:
middle age (life stage)
subject
middle age (life stage)
Work Subject
false
Work Subject:
women (female humans)
subject
women (female humans)
Work Subject
false
Work Subject:
African Americans
subject
African Americans
Work Subject
false
Work Worktype:
oil paintings
work_type
oil paintings
Work Worktype
false
Work Worktype:
paintings (visual works)
work_type
paintings (visual works)
Work Worktype
false
Work Category (VRC classification):
paintings
work_category__ucbaahvrc_classification_
paintings
Work Category (VRC classification)
false
Work Material and Technique (display):
oil on canvas
Work Measurements (display):
46.4 cm (H) x 39.4 cm (W)
Work Location (Repository or Site) name:
M.H. De Young Memorial Museum
Work Location (Repository or Site) role:
repository
Work Location (Geographic) name:
San Francisco, California
Image Rights (display):
© Ronald Wiedenhoeft. Licensed for educational use via Scholars Resource: Saskia, Ltd.
Image Rights license agreement:
SASKIA, LTD.: WHO CAN USE THIS SOFTWARE: (a) Licensee, including faculty, staff and currently enrolled students may use the Licensed Software to display and or print the corresponding graphic images without limitation for teaching and research purposes at the defined Sites, or at remote locations having electronic access to your Site(s). (b) This license include permission to use the Licensed Software on a multi-user network at the defined Site, and to permit remote access to a computer/server located at your Site. Simultaneous display in multiple locations at or connected to the Site is also permitted. (c) Licensee agrees to employ reasonable security measures designed to limit access to your faculty, staff and currently enrolled students. PROHIBITED USES AND LIMITATIONS: (a) Saskia hereby reserves all rights not expressly granted herein. (b) the License Software may not be used for preparaiton of any publication, scholarly or otherwise; or for any purpose other than teaching or research. Publication of an image from the Licensed Software requires a separate license from Saskia. (c) Licensee agrees not to resell, lease, transfer, sub-license or otherwise distribute a copy of the Licensed Software, or any image taken from the Licensed Software, in whole or in part. (d) Licensee also agrees not to modify, corrupt or alter any digital image graphic content or "digital watermark" or the like in the software provided by Saskia under this Agreement. (e) Licensee agrees not to remove, alter, cover or distort Saskia's copyright notice, trademark, or other proprietary rights notice placed by Saskia in the Licensed Software itself, or in the associated packaging, media or documentation. (f) And Licensee agrees to notify users of the Licensed Software, in writing or by sign-on screen display, of their obligations under this Agreement and solicit their cooperation and compliance with such obligations.
Work Rights (display):
public domain
Terms of Agreement and Conditions of Use:
YOU AGREE: Luna Imaging's Insight Software and the digital image collection associated with it (the Software) are being provided by the University of Colorado under the following license. By obtaining, using, and/or copying this work, you (the Licensee) agree that you have read, understood, and will comply with the following terms and conditions. 1. The Software contains the University of Colorado's Department of Art and Art History's implementation of a digital image collection; 2. Any images obtained through use of the Software will be used only for non-profit, educational purposes; 3. The use of images obtained through the software will only be used while the Licensee is either: a) an employee of the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver, or b) an enrolled student at the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver; 4. When the Licensee is no longer an employee or student of the University of Colorado, Metropolitan State College of Denver or Community College of Denver, either by an action of the University of Colorado, Metropolitan State College of Denver or the Community College of Denver or due to actions of the Licensee, the licensee will cease to use any images exported from the Department of Art and Art History's digital image collection; 5. The Licensee agrees to indemnify the University for claims and liability arising out of the use of the Software or for any violations of this license; 6. THE UNIVERSITY OF COLORADO SUPPLIES THE SOFTWARE WITHOUT ANY WARRANTIES, EXPRESS OR IMPLIED, INCLUDING ANY WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
CU Copyright Statement:
The contents of the University of Colorado Digital Library are available for your use in research, teaching, and private study. Some of these items are protected by the U.S. Copyright Law (Title 17, U.S.C.) and some items may have additional restrictions. If you use the items in this collection, make sure you abide by any restrictions stated in the descriptive data window. The nature of these collections often makes it difficult to determine the copyright status of an item. We have made every effort to provide information about copyright owners and other restrictions in the descriptive data window. Ultimately, however, it is your responsibility to use the item according to the terms governing its use. If you are a copyright holder and the information is either not listed or listed incorrectly, please let us know so that we can update the information on our site.
Holding Institution:
University of Colorado at Boulder
Collection:
Art and Art History Visual Resources Center
Collection info and contact:
For information about this collection, see