COLLECTION NAME:
Visual Resources Teaching Collection
mediaCollectionId
ArtArtHiAAH~7~7
Visual Resources Teaching Collection
Collection
true
Image Record ID:
aahi0007272
image_record_id
aahi0007272
Image Record ID
false
Work Title (display):
Bliz-aard Ball Sale
Image Title:
performance view
Work Dates (display):
1983
Work Dates type:
performance
Work Dates type:
creation
Image Date (display):
2010-07-09
Work Creator (display):
David Hammons (American, born 1943)
Work Creator gender:
male
work_creator_or_agent_gender
male
Work Creator gender
false
Work Creator notes (display):
American installation artist, performance artist and sculptor. He studied in Los Angeles at the Chouinard Art Institute and the Otis Art Institute before settling in New York in 1974. He first gained a reputation for his series of Body Prints in the early 1970s. Often resembling X-rays in their detail and translucency, they are direct imprints of the body made on paper with grease. Injustice Case (1973; Los Angeles, CA, Mus. Contemp. A.) is typical in dealing with a contemporary racial issue, with the American flag framing the image presented in opposition to cultural and racial stereotypes; see also AfricanAmerican Flag, 1990. Contemporaneous with these were the Spade series, which featured garden spades as defiant metaphors for his race, appropriating a derogatory term used by prejudiced whites. These served as a prelude to the found-object sculptures he began to make in the late 1970s from cheap and discarded items such as elephant dung, Afro hair, chicken bones, bottles and bags. Hammons justified his use of such non-art materials which marked a reaction against what he saw as 'clean' art, by pointing to the precedents of Dada, Outsider art and Arte Povera. It was these works that brought him greatest recognition. Pissed Off (1981; see 199091 exh. cat., pp. 845), a work which involved him urinating against a Richard Serra sculpture, also suggests his distaste for much formalist sculpture as devoid of content. Higher Goals (1986; see 199091 exh. cat., p. 49), erected in Cadman Plaza, Brooklyn, NY, was one of his many public commissions, and typical of his lyrical interventions in the urban landscape; the project involved turning enormous telegraph poles into basketball hoops and decorating them with abstract patterns made from bottle caps. (Morgan Falconer. "Hammons, David." Grove Art Online. Oxford Art Online. 17 Mar. 2009 .)
Work Style Period:
20th century
work_styleperiod
20th century
Work Style Period
false
Work Style Period:
Contemporary
work_styleperiod
Contemporary
Work Style Period
false
Work Subject:
interaction
subject
interaction
Work Subject
false
Work Subject:
public spaces
subject
public spaces
Work Subject
false
Work Subject:
New York, New York
subject
New York, New York
Work Subject
false
Work Subject:
snow (precipitation)
subject
snow (precipitation)
Work Subject
false
Work Worktype:
performance art
work_type
performance art
Work Worktype
false
Work Category (VRC classification):
performance
work_category__ucbaahvrc_classification_
performance
Work Category (VRC classification)
false
Work Material and Technique (display):
snow
Work Location (Repository or Site) name:
P.S. 1 Contemporary Art Center
Work Location (Repository or Site) role:
exhibition
Work Location (Geographic) name:
Long Island City, New York
Image Source Reproduction refid:
040741
Image Source Reproduction refid type:
UCBAAHVRCSlideAccessionNumber
Image Rights (display):
unknown
Image Rights fair use checklist:
1) use of this image is for education and educational research; 2) access is restricted to University of Colorado and Auraria Higher Education Center communities; 3) the original photographer is credited if known; 4) the image is published; 5) the amount of the work in relation to the whole is needed for education or educational research; 6) the number of derivatives is the minimum required for education or educational research; 7) the image has not been found to be reasonably available for sale; 8) duplication of the image does not violate preexisting contracts.
Work Rights (display):
© David Hammons
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Holding Institution:
University of Colorado at Boulder
Collection:
Art and Art History Visual Resources Collection
Collection info and contact:
For information about this collection, see