COLLECTION NAME:
Visual Resources Teaching Collection
mediaCollectionId
ArtArtHiAAH~7~7
Visual Resources Teaching Collection
Collection
true
Image Record ID:
aahi0007256
image_record_id
aahi0007256
Image Record ID
false
Work Title (display):
Mary, Star of the Sea
Image Title:
performance view
Work Dates (display):
1999-2000
Work Dates type:
performance
Work Dates type:
creation
Work Creator (display):
Janine Antoni (American, born 1964)
Work Creator gender:
female
work_creator_or_agent_gender
female
Work Creator gender
false
Work Creator notes (display):
American sculptor, performance artist, installation artist and photographer. After studying in New York at the Sarah Lawrence College, she went to the Rhode Island School of Design, Providence, where she graduated with an MFA in 1989. Her first major work, Wean (198990; see 1995 exh. cat., pp. 67), consists of plaster impressions of one of the artist's breasts and nipples alongside impressions of latex nipples and their packaging. The themes of the absent body and the oral focus in the formation of identity are central to much of Antoni's work (see fig.). In one of her best-known works, Gnaw (1992; London, Saatchi Gal.), she chewed lumps out of two large cubes, one consisting of 600 pounds of chocolate and the other of 600 pounds of lard. From this she then made chocolate boxes in the shape of hearts from the chocolate and bright red lipsticks from the lard. The finished artworks come from the process of her private performance with the material, so that the work is focused upon the experience of the event, rather than on a final object. In an unusually public performance, Loving Care, staged at the Anthony d'Offay Gallery, London, in 1993, Antoni dipped her hair in hair dye and mopped the floor with it, in a gesture reminiscent of Nam June Paik's 1962 Zen for Head performance; by loading the action with connotations of femininity and domesticity, she twisted the heritage of performance art to her own ends. Later she made a series of Cibachrome photographs of her parents, for example Mom and Dad (1994; see 1995 exh. cat., pp. 339), in which she dressed them up in each other's clothes and applied make-up to their faces so that their identities were interchanged. (Grove Art Online Accessed 2001-02-06)
Work Creator UCB affiliation (display):
visiting artist, Visiting Artist Program 2012
Work Style Period:
21st century
work_styleperiod
21st century
Work Style Period
false
Work Style Period:
20th century
work_styleperiod
20th century
Work Style Period
false
Work Style Period:
Contemporary
work_styleperiod
Contemporary
Work Style Period
false
Work Subject:
imagination
subject
imagination
Work Subject
false
Work Subject:
symbols
subject
symbols
Work Subject
false
Work Subject:
deities
subject
deities
Work Subject
false
Work Subject:
movement
subject
movement
Work Subject
false
Work Subject:
transformation
subject
transformation
Work Subject
false
Work Subject:
gender (sex role)
subject
gender (sex role)
Work Subject
false
Work Subject:
performance art
subject
performance art
Work Subject
false
Work Subject:
dance
subject
dance
Work Subject
false
Work Subject:
identity
subject
identity
Work Subject
false
Work Subject:
found objects
subject
found objects
Work Subject
false
Work Worktype:
performance art
work_type
performance art
Work Worktype
false
Work Category (VRC classification):
performance
work_category__ucbaahvrc_classification_
performance
Work Category (VRC classification)
false
Work Material and Technique (display):
fabric, mirror, crown
Work Location (Repository or Site) name:
Museu de Arte Moderna da Bahia
Work Location (Repository or Site) role:
exhibition
Work Location (Geographic) name:
Bahia, Brazil
Image Source Reproduction refid:
075498
Image Source Reproduction refid type:
UCBAAHVRCSlideAccessionNumber
Image Rights (display):
unknown
Image Rights fair use checklist:
1) use of this image is for education and educational research; 2) access is restricted to University of Colorado and Auraria Higher Education Center communities; 3) the original photographer is credited if known; 4) the image is published; 5) the amount of the work in relation to the whole is needed for education or educational research; 6) the number of derivatives is the minimum required for education or educational research; 7) the image has not been found to be reasonably available for sale; 8) duplication of the image does not violate preexisting contracts.
Work Rights (display):
© Janine Antoni
Terms of Agreement and Conditions of Use:
YOU AGREE: Luna Imaging's Insight Software and the digital image collection associated with it (the Software) are being provided by the University of Colorado under the following license. By obtaining, using, and/or copying this work, you (the Licensee) agree that you have read, understood, and will comply with the following terms and conditions. 1. The Software contains the University of Colorado's Department of Art and Art History's implementation of a digital image collection; 2. Any images obtained through use of the Software will be used only for non-profit, educational purposes; 3. The use of images obtained through the software will only be used while the Licensee is either: a) an employee of the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver, or b) an enrolled student at the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver; 4. When the Licensee is no longer an employee or student of the University of Colorado, Metropolitan State College of Denver or Community College of Denver, either by an action of the University of Colorado, Metropolitan State College of Denver or the Community College of Denver or due to actions of the Licensee, the licensee will cease to use any images exported from the Department of Art and Art History's digital image collection; 5. The Licensee agrees to indemnify the University for claims and liability arising out of the use of the Software or for any violations of this license; 6. THE UNIVERSITY OF COLORADO SUPPLIES THE SOFTWARE WITHOUT ANY WARRANTIES, EXPRESS OR IMPLIED, INCLUDING ANY WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
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Holding Institution:
University of Colorado at Boulder
Collection:
Art and Art History Visual Resources Collection
Collection info and contact:
For information about this collection, see