COLLECTION NAME:
Visual Resources Teaching Collection
mediaCollectionId
ArtArtHiAAH~7~7
Visual Resources Teaching Collection
Collection
true
Image Record ID:
aahi0006843
image_record_id
aahi0006843
Image Record ID
false
Work Title (display):
Torture in Chile
Image Title:
full view
Work Dates (display):
1974
Work Dates type:
creation
Image Date (display):
2010-05-24
Work Creator (display):
Nancy Spero (American, 1926-2009)
Work Creator gender:
female
work_creator_or_agent_gender
female
Work Creator gender
false
Work Creator notes (display):
American painter. She studied at the Art Institute of Chicago from 1945 to 1949 and in Paris at the Atelier André Lhote and the Ecole des Beaux-Arts (194950). While a student in Chicago, Spero was fascinated by artefacts at the Field Museum of Natural History, especially objects from New Guinea and the New Hebrides and totems from Alaska. From the late 1950s Spero was consistently concerned with showing how the idea of woman as man's inferior had become inherent in male-dominated Western history. Her early dark oil paintings, such as Lovers (19625; priv. col., see 1985 exh. cat., p. 14), stress male and female erotic desire as a way of briefly unifying sexual polarities. Yet in these schematic and sensuous scenes, the woman is pictured only in the isolated roles of mother, lover and prostitute. In 1966 her dissatisfaction with the commercial demands of New York galleries led her to stop making easel paintings, and she began to work on paper, portraying the violent abuses of imbalanced power relations between the sexes, and the horrors of the Vietnam War, in her subject-matter. Her almost childlike gouache and ink paper works (e.g. Crematorium Chimney and Victims, 1968; priv. col., see Kuspit, p. 90) interpret the male phallus as a symbol of destruction. Spero's use of the printed and typed word in her collages of the 1970s, first appearing in her Codex Artaud series (19713), more explicitly underlined the patriarchal system's isolation and rejection of those it saw as outsiders. In the 1980s she promoted the possibilities for reordering history and reformulating women's identities through her collages employing the ancient format of the scroll and depicting the human body in pictographic language. (Grove Art Online Accessed 2008-02-06)
Work Style Period:
Contemporary
work_styleperiod
Contemporary
Work Style Period
false
Work Style Period:
20th century
work_styleperiod
20th century
Work Style Period
false
Work Subject:
Chile (nation)
subject
Chile (nation)
Work Subject
false
Work Subject:
corruption
subject
corruption
Work Subject
false
Work Subject:
sexism
subject
sexism
Work Subject
false
Work Subject:
power
subject
power
Work Subject
false
Work Subject:
snakes
subject
snakes
Work Subject
false
Work Subject:
women (female humans)
subject
women (female humans)
Work Subject
false
Work Subject:
violence
subject
violence
Work Subject
false
Work Subject:
heads (representations)
subject
heads (representations)
Work Subject
false
Work Subject:
politics
subject
politics
Work Subject
false
Work Worktype:
gouaches (paintings)
work_type
gouaches (paintings)
Work Worktype
false
Work Worktype:
collage (visual works)
work_type
collage (visual works)
Work Worktype
false
Work Worktype:
paintings (visual works)
work_type
paintings (visual works)
Work Worktype
false
Work Worktype:
prints (visual works)
work_type
prints (visual works)
Work Worktype
false
Work Category (VRC classification):
paintings
work_category__ucbaahvrc_classification_
paintings
Work Category (VRC classification)
false
Work Category (VRC classification):
prints
work_category__ucbaahvrc_classification_
prints
Work Category (VRC classification)
false
Work Category (VRC classification):
collage
work_category__ucbaahvrc_classification_
collage
Work Category (VRC classification)
false
Work Material and Technique (display):
gouache and collage on paper and printing on paper
Work Measurements (display):
30 cm (H) x 241 cm (W); 63 cm (H) x 290 cm (W)
Work Location (Repository or Site) name:
Artist's Collection
Work Location (Repository or Site) role:
owner
Image Rights (display):
© Davis Art Images. Licensed for educational use via Scholars Resource: Davis Art Images
Image Rights license agreement:
DAVIS ART IMAGES: This image is copyrighted by Davis or its sources and all interest in and to the Image and its copyrights throughout the World are retained by Davis or its sources. Your permission to use the Images is limited as provided below. You acknowledge and agree that your use of the Images, including all use by your faculty and students who are users, shall be strictly limited to educational purposes by means of display through classroom projection and closed network, for instruction and study solely by users who are staff, faculty and registered students of your educational institution at the locations specified below. This license includes permission to use the Images on a multi-user network at the defined locations, and to permit remote access to a computer/server located at your site. Simultaneous display in multiple locations at or connected to the defined locations also is permitted. For all of these uses, you willl use reasonable security measures designed to limit access accordingly (e.g. by requiring authenticated password entry or by using other reasonable security measures to limit access). Any open access use and any publication (including scholarly publication) of the Images for any purpose, is strictly prohibited. Any request for any such use, or any other use not expressly authorized in this Agreement, must be directed to Davis in writing. You shall inform all permitted users of the copyright status of the Images and the restrictions on their use set forth in this Agreement. Your specified locations of use are: 1. University of Colorado at Boulder; 2. University of Colorado at Denvcer and Health Sciences Center (inclusing the Metropolitan State College of Denver and the Community College of Denver which may have students on that downtown campus); 3. University of Colorado at Colorado Springs.
Work Rights (display):
© Nancy Spero
Terms of Agreement and Conditions of Use:
YOU AGREE: Luna Imaging's Insight Software and the digital image collection associated with it (the Software) are being provided by the University of Colorado under the following license. By obtaining, using, and/or copying this work, you (the Licensee) agree that you have read, understood, and will comply with the following terms and conditions. 1. The Software contains the University of Colorado's Department of Art and Art History's implementation of a digital image collection; 2. Any images obtained through use of the Software will be used only for non-profit, educational purposes; 3. The use of images obtained through the software will only be used while the Licensee is either: a) an employee of the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver, or b) an enrolled student at the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver; 4. When the Licensee is no longer an employee or student of the University of Colorado, Metropolitan State College of Denver or Community College of Denver, either by an action of the University of Colorado, Metropolitan State College of Denver or the Community College of Denver or due to actions of the Licensee, the licensee will cease to use any images exported from the Department of Art and Art History's digital image collection; 5. The Licensee agrees to indemnify the University for claims and liability arising out of the use of the Software or for any violations of this license; 6. THE UNIVERSITY OF COLORADO SUPPLIES THE SOFTWARE WITHOUT ANY WARRANTIES, EXPRESS OR IMPLIED, INCLUDING ANY WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
CU Copyright Statement:
The contents of the University of Colorado Digital Library are available for your use in research, teaching, and private study. Some of these items are protected by the U.S. Copyright Law (Title 17, U.S.C.) and some items may have additional restrictions. If you use the items in this collection, make sure you abide by any restrictions stated in the descriptive data window. The nature of these collections often makes it difficult to determine the copyright status of an item. We have made every effort to provide information about copyright owners and other restrictions in the descriptive data window. Ultimately, however, it is your responsibility to use the item according to the terms governing its use. If you are a copyright holder and the information is either not listed or listed incorrectly, please let us know so that we can update the information on our site.
Holding Institution:
University of Colorado at Boulder
Collection:
Art and Art History Visual Resources Collection
Collection info and contact:
For information about this collection, see