COLLECTION NAME:
Visual Resources Teaching Collection
mediaCollectionId
ArtArtHiAAH~7~7
Visual Resources Teaching Collection
Collection
true
Image Record ID:
aahi0006755
image_record_id
aahi0006755
Image Record ID
false
Work Title (display):
Emetic Fields
Image Title:
full view
Work Dates (display):
1989
Work Dates type:
creation
Work Creator (display):
Ida Applebroog (American, born 1929)
Work Creator gender:
female
work_creator_or_agent_gender
female
Work Creator gender
false
Work Creator notes (display):
American painter. She attended the New York State Institute of Applied Arts and Sciences (194750) and in 1958 moved to Chicago, where she was a student at the School of the Art Institute of Chicago (19668). In 1974 she moved to New York. Applebroog's paintings were best known for their collision of imagery based on specific everyday experiences, news items and endemic social ills. She first became known in the 1970s for small books, such as Galileo Works (1977), in which her own 'narratives', consisting of leaps and jumps between ideas and images, represent a disjunction associated with social critique and a questioning of the ideologies implicit in representation. She posted them to friends and people in the art world. They were the precursors to larger sequential works such as Sure I'm Sure (ink and rhoplex on vellum, 2.56×1.72 m, 1980; artist's col.), comprising six panels, much like sinister comic-strips, combining irony and intense tenderness. She is best known for her multi-partite paintings that, as part of the legacy of feminist practice in the 1970s, deal with the 'trivial details' of everyday life as if they had the scale and weight of subject-matter of traditional history painting. By giving prominence to ordinary events or to groups of people whom she saw as victimized or marginalized, she attempted to empower such groups, especially women, by revealing those elements in their experience that she saw as common to all (e.g. Pull Down the Shade, oil on canvas, 2.18×1.52 m, 1985). Her paintings place the viewer in an uncomfortable moral position, as they demonstrate Applebroog's moral outrage and social conscience. (Grove Art Online Accessed 2008-02-06)
Work Creator UCB affiliation (display):
visiting artist, Visiting Artist Program, 1986
Work Style Period:
Contemporary
work_styleperiod
Contemporary
Work Style Period
false
Work Style Period:
20th century
work_styleperiod
20th century
Work Style Period
false
Work Subject:
societies
subject
societies
Work Subject
false
Work Subject:
commentaries
subject
commentaries
Work Subject
false
Work Subject:
power
subject
power
Work Subject
false
Work Subject:
irony (in visual art)
subject
irony (in visual art)
Work Subject
false
Work Subject:
everyday life
subject
everyday life
Work Subject
false
Work Subject:
space (composition concept)
subject
space (composition concept)
Work Subject
false
Work Subject:
comics (documents)
subject
comics (documents)
Work Subject
false
Work Subject:
gender (sex role)
subject
gender (sex role)
Work Subject
false
Work Subject:
identity
subject
identity
Work Subject
false
Work Subject:
politics
subject
politics
Work Subject
false
Work Subject:
humor
subject
humor
Work Subject
false
Work Subject:
figures
subject
figures
Work Subject
false
Work Worktype:
paintings (visual works)
work_type
paintings (visual works)
Work Worktype
false
Work Category (VRC classification):
paintings
work_category__ucbaahvrc_classification_
paintings
Work Category (VRC classification)
false
Work Material and Technique (display):
oil on canvas, eight panels
Work Measurements (display):
259 cm (H) x 529.6 cm (W) overall
Work Location (Repository or Site) name:
Ronald Feldman Fine Arts
Work Location (Repository or Site) role:
exhibition
Work Location (Geographic) name:
New York, New York
Image Rights (display):
© Jennifer Cotter
Image Rights license agreement:
DAVIS ART IMAGES: This image is copyrighted by Davis or its sources and all interest in and to the Image and its copyrights throughout the World are retained by Davis or its sources. Your permission to use the Images is limited as provided below. You acknowledge and agree that your use of the Images, including all use by your faculty and students who are users, shall be strictly limited to educational purposes by means of display through classroom projection and closed network, for instruction and study solely by users who are staff, faculty and registered students of your educational institution at the locations specified below. This license includes permission to use the Images on a multi-user network at the defined locations, and to permit remote access to a computer/server located at your site. Simultaneous display in multiple locations at or connected to the defined locations also is permitted. For all of these uses, you willl use reasonable security measures designed to limit access accordingly (e.g. by requiring authenticated password entry or by using other reasonable security measures to limit access). Any open access use and any publication (including scholarly publication) of the Images for any purpose, is strictly prohibited. Any request for any such use, or any other use not expressly authorized in this Agreement, must be directed to Davis in writing. You shall inform all permitted users of the copyright status of the Images and the restrictions on their use set forth in this Agreement. Your specified locations of use are: 1. University of Colorado at Boulder; 2. University of Colorado at Denvcer and Health Sciences Center (inclusing the Metropolitan State College of Denver and the Community College of Denver which may have students on that downtown campus); 3. University of Colorado at Colorado Springs.
Work Rights (display):
© Ida Applebroog
Terms of Agreement and Conditions of Use:
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Holding Institution:
University of Colorado at Boulder
Collection:
Art and Art History Visual Resources Collection
Collection info and contact:
For information about this collection, see