COLLECTION NAME:
Visual Resources Teaching Collection
mediaCollectionId
ArtArtHiAAH~7~7
Visual Resources Teaching Collection
Collection
true
Image Record ID:
aahi0005675
image_record_id
aahi0005675
Image Record ID
false
Work Title (display):
Revival Field, Pig's Eye Landfill. View, Chin With Assistants
Image Title:
full view
Work Dates (display):
1990-1993
Work Dates type:
creation
Image Date (display):
2009-11-30
Work Creator (display):
Mel Chin (American, born 1951)
Work Creator gender:
male
work_creator_or_agent_gender
male
Work Creator gender
false
Work Creator notes (display):
Mel Chin was born in Houston to Chinese parents in 1951, the first of his family born in the United States, and was reared in a predominantly African-American and Latino neighborhood. He worked in his family's grocery store, and began making art at an early age. Though he is classically trained, Chin's art, which is both analytical and poetic, evades easy classification. Alchemy, botany, and ecology are but a few of the disciplines that intersect in his work. He insinuates art into unlikely places, including destroyed homes, toxic landfills, and even popular television, investigating how art can provoke greater social awareness and responsibility. Unconventional and politically engaged, his projects also challenge the idea of the artist as the exclusive creative force behind an artwork. "The survival of my own ideas may not be as important as a condition I might create for others' ideas to be realized," says Chin, who often enlists entire neighborhoods or groups of students in creative partnerships. In "KNOWMAD," Chin worked with software engineers to create a video game based on rug patterns of nomadic peoples facing persecution. Chin also promotes "works of art" that have the ultimate effect of benefiting science or rejuvenating the economies of inner-city neighborhoods. In "Revival Field," Chin worked with scientists to create sculpted gardens of hyperaccumulatorsplants that can draw heavy metals from contaminated areasin some of the most polluted sites in the world. Chin received a BA from Peabody College in Nashville, Tennessee, in 1975, and fellowships from the National Endowment for the Arts in 1988 and 1990. He lives in North Carolina. (PBS Art21 Accessed 2008-02-06)
Work Creator UCB affiliation (display):
visiting artist, Visiting Artist Program, 2000
Work Style Period:
20th century
work_styleperiod
20th century
Work Style Period
false
Work Style Period:
Contemporary
work_styleperiod
Contemporary
Work Style Period
false
Work Subject:
collaboration
subject
collaboration
Work Subject
false
Work Subject:
awareness
subject
awareness
Work Subject
false
Work Subject:
restoration (process)
subject
restoration (process)
Work Subject
false
Work Subject:
metals
subject
metals
Work Subject
false
Work Subject:
lands (general areas)
subject
lands (general areas)
Work Subject
false
Work Subject:
responsibility
subject
responsibility
Work Subject
false
Work Subject:
plants (vegetation)
subject
plants (vegetation)
Work Subject
false
Work Subject:
environmentalism
subject
environmentalism
Work Subject
false
Work Subject:
science
subject
science
Work Subject
false
Work Subject:
gardens
subject
gardens
Work Subject
false
Work Subject:
agriculture
subject
agriculture
Work Subject
false
Work Worktype:
ecological art
work_type
ecological art
Work Worktype
false
Work Worktype:
sculpture (visual works)
work_type
sculpture (visual works)
Work Worktype
false
Work Worktype:
installations (visual works)
work_type
installations (visual works)
Work Worktype
false
Work Worktype:
environmental art
work_type
environmental art
Work Worktype
false
Work Category (VRC classification):
gardens, landscapes, and landforms
work_category__ucbaahvrc_classification_
gardens, landscapes, and landforms
Work Category (VRC classification)
false
Work Category (VRC classification):
sculptures and installations
work_category__ucbaahvrc_classification_
sculptures and installations
Work Category (VRC classification)
false
Work Material and Technique (display):
Plants, Fence, Pig's Eye Landfill (Hazardous Waste)
Work Measurements (display):
3 m (H) x 18 m (W) x 18 m (D)
Work Location (Geographic) name:
St. Paul, Minnesota
Image Source Reproduction refid:
060201
Image Source Reproduction refid type:
UCBAAHVRCSlideAccessionNumber
Image Rights (display):
unknown
Image Rights fair use checklist:
1) use of this image is for education and educational research; 2) access is restricted to University of Colorado and Auraria Higher Education Center communities; 3) the original photographer is credited if known; 4) the image is published; 5) the amount of the work in relation to the whole is needed for education or educational research; 6) the number of derivatives is the minimum required for education or educational research; 7) the image has not been found to be reasonably available for sale; 8) duplication of the image does not violate preexisting contracts.
Work Rights (display):
© Mel Chin
Terms of Agreement and Conditions of Use:
YOU AGREE: Luna Imaging's Insight Software and the digital image collection associated with it (the Software) are being provided by the University of Colorado under the following license. By obtaining, using, and/or copying this work, you (the Licensee) agree that you have read, understood, and will comply with the following terms and conditions. 1. The Software contains the University of Colorado's Department of Art and Art History's implementation of a digital image collection; 2. Any images obtained through use of the Software will be used only for non-profit, educational purposes; 3. The use of images obtained through the software will only be used while the Licensee is either: a) an employee of the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver, or b) an enrolled student at the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver; 4. When the Licensee is no longer an employee or student of the University of Colorado, Metropolitan State College of Denver or Community College of Denver, either by an action of the University of Colorado, Metropolitan State College of Denver or the Community College of Denver or due to actions of the Licensee, the licensee will cease to use any images exported from the Department of Art and Art History's digital image collection; 5. The Licensee agrees to indemnify the University for claims and liability arising out of the use of the Software or for any violations of this license; 6. THE UNIVERSITY OF COLORADO SUPPLIES THE SOFTWARE WITHOUT ANY WARRANTIES, EXPRESS OR IMPLIED, INCLUDING ANY WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
CU Copyright Statement:
The contents of the University of Colorado Digital Library are available for your use in research, teaching, and private study. Some of these items are protected by the U.S. Copyright Law (Title 17, U.S.C.) and some items may have additional restrictions. If you use the items in this collection, make sure you abide by any restrictions stated in the descriptive data window. The nature of these collections often makes it difficult to determine the copyright status of an item. We have made every effort to provide information about copyright owners and other restrictions in the descriptive data window. Ultimately, however, it is your responsibility to use the item according to the terms governing its use. If you are a copyright holder and the information is either not listed or listed incorrectly, please let us know so that we can update the information on our site.
Holding Institution:
University of Colorado at Boulder
Collection:
Art and Art History Visual Resources Collection
Collection info and contact:
For information about this collection, see