COLLECTION NAME:
Visual Resources Teaching Collection
mediaCollectionId
ArtArtHiAAH~7~7
Visual Resources Teaching Collection
Collection
true
Image Record ID:
aahi0000363
image_record_id
aahi0000363
Image Record ID
false
Work Title (display):
Still Life with Copper Kettle, Ham and Rabbit
Image Title:
full view
Work Dates (display):
1769
Work Dates type:
creation
Work Creator (display):
Anne Vallayer-Coster (French, 1744-1818)
Work Creator gender:
female
work_creator_or_agent_gender
female
Work Creator gender
false
Work Creator notes (display):
French painter. She spent her childhood at the Gobelins, where her father was a goldsmith. Though she thus belonged to artistic circles, when received (reçue) by the Académie Royale in 1770, on presentation of the still-lifes Attributes of Painting and Musical Instruments (both Paris, Louvre), she was known to have neither a teacher nor an official patron. She exhibited for the first time at the Salon the following year and achieved a success that never deserted her. She showed still-lifes (which were compared to those of Jean-Siméon Chardin), imitation low reliefs and genre scenes, the last reminiscent of those by Jean-Baptiste Greuze. From 1775 onwards her flower paintings attracted greatest attention: many of these remain in private collections (see Roland Michel), but among others on public view are those in Nancy (Mus. B.-A.) and New York (Met.). She also drew, painted miniatures (see Roland Michel, nos 36186) and executed life-size portraits. Her portraits were admired by her contemporaries, as is shown by the commissions she received for those of Louis XVI's aunt Mme Sophie and of Queen Marie-Antoinette (both 1780). Among her surviving portraits is that of a Lady Writing, and her Daughter (1775; Barnard Castle, Bowes Mus.). One of her series of portraits of Vestals belonged to Marie-Antoinette, who obtained lodgings for her in the Louvre and in 1781 signed her contract of marriage with the lawyer Jean-Pierre-Sylvestre Coster. However, the appearance of the portrait painters Adelaïde Labille-Guiard and Elisabeth Vigée-Lebrun led to comparisons unfavourable to Vallayer-Coster, who then devoted herself to the genre in which her superiority was recognized. In her last Salon in 1817 she showed a large still-life, Vase, Lobster, Fruit and Game (Paris, Louvre), which belonged to Louis XVIII. Vallayer-Coster had a very personal way of grouping flowers, fruit, animal trophies, plate and domestic objects in a perfectly organized space over which the chromatic subtleties of her palette could play. With particular arrangements of selected forms such as flowers and fruit she built up a repertory, which, over the years, though hardly changing, became increasingly subtle. This unsentimental art sometimes achieved, in her assemblages of flags and drums, corals and shells, a strength unrivalled by any of the painters of her generation. (Grove Art Online Accessed 2006-07-27)
Work Style Period:
French Renaissance-Baroque styles
work_styleperiod
French Renaissance-Baroque styles
Work Style Period
false
Work Style Period:
18th century
work_styleperiod
18th century
Work Style Period
false
Work Subject:
radishes
subject
radishes
Work Subject
false
Work Subject:
hares
subject
hares
Work Subject
false
Work Subject:
kettles (vessels)
subject
kettles (vessels)
Work Subject
false
Work Subject:
bottles
subject
bottles
Work Subject
false
Work Subject:
death
subject
death
Work Subject
false
Work Subject:
game and game-birds
subject
game and game-birds
Work Subject
false
Work Subject:
food
subject
food
Work Subject
false
Work Subject:
still lifes
subject
still lifes
Work Subject
false
Work Subject:
meat
subject
meat
Work Subject
false
Work Worktype:
oil paintings
work_type
oil paintings
Work Worktype
false
Work Worktype:
paintings (visual works)
work_type
paintings (visual works)
Work Worktype
false
Work Category (VRC classification):
paintings
work_category__ucbaahvrc_classification_
paintings
Work Category (VRC classification)
false
Work Material and Technique (display):
oil on canvas
Work Measurements (display):
101.8 cm (H) x 80.7 cm (W)
Work Inscription (display):
Signed; Dated
Work Location (Repository or Site) name:
Musee des beaux-arts (Reims, France)
Work Location (Repository or Site) role:
repository
Work Location (Repository or Site) refid:
D.953.1
Work Location (Repository or Site) refid type:
accession
Work Location (Geographic) name:
Reims, France
Image Rights (display):
© Ronald Wiedenhoeft. Licensed for educational use via Scholars Resource: Saskia, Ltd.
Image Rights license agreement:
SASKIA, LTD.: WHO CAN USE THIS SOFTWARE: (a) Licensee, including faculty, staff and currently enrolled students may use the Licensed Software to display and or print the corresponding graphic images without limitation for teaching and research purposes at the defined Sites, or at remote locations having electronic access to your Site(s). (b) This license include permission to use the Licensed Software on a multi-user network at the defined Site, and to permit remote access to a computer/server located at your Site. Simultaneous display in multiple locations at or connected to the Site is also permitted. (c) Licensee agrees to employ reasonable security measures designed to limit access to your faculty, staff and currently enrolled students. PROHIBITED USES AND LIMITATIONS: (a) Saskia hereby reserves all rights not expressly granted herein. (b) the License Software may not be used for preparaiton of any publication, scholarly or otherwise; or for any purpose other than teaching or research. Publication of an image from the Licensed Software requires a separate license from Saskia. (c) Licensee agrees not to resell, lease, transfer, sub-license or otherwise distribute a copy of the Licensed Software, or any image taken from the Licensed Software, in whole or in part. (d) Licensee also agrees not to modify, corrupt or alter any digital image graphic content or "digital watermark" or the like in the software provided by Saskia under this Agreement. (e) Licensee agrees not to remove, alter, cover or distort Saskia's copyright notice, trademark, or other proprietary rights notice placed by Saskia in the Licensed Software itself, or in the associated packaging, media or documentation. (f) And Licensee agrees to notify users of the Licensed Software, in writing or by sign-on screen display, of their obligations under this Agreement and solicit their cooperation and compliance with such obligations.
Work Rights (display):
public domain
Terms of Agreement and Conditions of Use:
YOU AGREE: Luna Imaging's Insight Software and the digital image collection associated with it (the Software) are being provided by the University of Colorado under the following license. By obtaining, using, and/or copying this work, you (the Licensee) agree that you have read, understood, and will comply with the following terms and conditions. 1. The Software contains the University of Colorado's Department of Art and Art History's implementation of a digital image collection; 2. Any images obtained through use of the Software will be used only for non-profit, educational purposes; 3. The use of images obtained through the software will only be used while the Licensee is either: a) an employee of the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver, or b) an enrolled student at the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver; 4. When the Licensee is no longer an employee or student of the University of Colorado, Metropolitan State College of Denver or Community College of Denver, either by an action of the University of Colorado, Metropolitan State College of Denver or the Community College of Denver or due to actions of the Licensee, the licensee will cease to use any images exported from the Department of Art and Art History's digital image collection; 5. The Licensee agrees to indemnify the University for claims and liability arising out of the use of the Software or for any violations of this license; 6. THE UNIVERSITY OF COLORADO SUPPLIES THE SOFTWARE WITHOUT ANY WARRANTIES, EXPRESS OR IMPLIED, INCLUDING ANY WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
CU Copyright Statement:
The contents of the University of Colorado Digital Library are available for your use in research, teaching, and private study. Some of these items are protected by the U.S. Copyright Law (Title 17, U.S.C.) and some items may have additional restrictions. If you use the items in this collection, make sure you abide by any restrictions stated in the descriptive data window. The nature of these collections often makes it difficult to determine the copyright status of an item. We have made every effort to provide information about copyright owners and other restrictions in the descriptive data window. Ultimately, however, it is your responsibility to use the item according to the terms governing its use. If you are a copyright holder and the information is either not listed or listed incorrectly, please let us know so that we can update the information on our site.
Holding Institution:
University of Colorado at Boulder
Collection:
Art and Art History Visual Resources Center
Collection info and contact:
For information about this collection, see