COLLECTION NAME:
Visual Resources Teaching Collection
mediaCollectionId
ArtArtHiAAH~7~7
Visual Resources Teaching Collection
Collection
true
Image Record ID:
aahi0005084
image_record_id
aahi0005084
Image Record ID
false
Work Title (display):
Inhaled Room
Image Title:
partial view
Work Dates (display):
1992
Work Dates type:
creation
Image Date (display):
2009-09-04
Work Creator (display):
Cornelia Parker (English, born 1956)
Work Creator gender:
female
work_creator_or_agent_gender
female
Work Creator gender
false
Work Creator notes (display):
English sculptor and installation artist. After leaving Gloucestershire College of Art and Design in 1974, she undertook her BFA at Wolverhampton Polytechnic (19758) and her MFA at Reading University (198082). Even in its early stages, her work dealt with an intuitive understanding of the physicality of things. Her early installation works were imbued with poetic innuendos linked to the fragility of human experience. The substances used in the work of the late 1980s and the early 1990s, such as copper, charcoal and silver, were transformed through violent and dramatic means. Cold Dark Matter: An Exploded View (1991, London, Tate) is the restored three-dimensional volume of a garden shed exploded by the British Army at the request of the artist. The surviving fragments, suspended from the ceiling and lit by a single bulb, create a dramatic effect and cast shadows on the gallery's walls. This strategy was echoed in a later piece, Mass: Colder Darker Matter (1997, priv. col., see 2000 exh. cat. cover), made from a church burnt by a lightning strike. The carbonized wooden remains were hung in a similar way. Interested in the invisible, the unquantifiable (that is, the exact definition of the scientific term 'cold dark matter'), Parker worked not only with the altered scale and substance of things, but also with the meaning conveyed by found objects. The Maybe, an exhibition made in collaboration with the actress Tilda Swinton (b 1960) in 1995 (London, Serpentine Gal.) focused on the impressions that one has when confronted with the belongings of famous people. Parker selected curiosities from various museums, including Turner's watercolour box, Queen Victoria's stockings and Sigmund Freud's blanket, in order to elicit free associations from the beholder. Swinton was herself on display, asleep in another glass case. Parker's aim was not merely to question the power of relics, but also to create a mental route that triggers unexpected associations. The unconscious thread was made more humorously explicit in The Pornographic Drawings (1996, London, Tate) in which drawings resembling Rorschach blots were created from pornographic videotapes dissolved in solvent, the resulting marks resembling genitalia. She was shortlisted for the 1997 Turner Prize. (Aurélie Verdier. "Parker, Cornelia." Grove Art Online. Oxford Art Online. 18 Mar. 2009 .)
Work Style Period:
20th century
work_styleperiod
20th century
Work Style Period
false
Work Style Period:
Contemporary
work_styleperiod
Contemporary
Work Style Period
false
Work Subject:
keys (hardware)
subject
keys (hardware)
Work Subject
false
Work Subject:
meaning (philosophy)
subject
meaning (philosophy)
Work Subject
false
Work Subject:
transformation
subject
transformation
Work Subject
false
Work Worktype:
sculpture (visual works)
work_type
sculpture (visual works)
Work Worktype
false
Work Category (VRC classification):
sculptures and installations
work_category__ucbaahvrc_classification_
sculptures and installations
Work Category (VRC classification)
false
Work Material and Technique (display):
blank house keys, wire
Work Location (Repository or Site) name:
Camden Arts Center
Work Location (Repository or Site) role:
exhibition
Work Location (Geographic) name:
London, England
Image Source Reproduction citation:
Jahn, Andrea, ed. Cornelia Parker- Perpetual Canon. Beilefeld, Germany: Kerber- Verlag, 2005.
image_source_copy_from_print_name
Jahn, Andrea, ed. Cornelia Parker- Perpetual Canon. Beilefeld, Germany: Kerber- Verlag, 2005.
Image Source Reproduction citation
false
Image Source Reproduction refid:
3-938025-02-6
Image Source Reproduction page number:
31
Image Source Reproduction plate-figure number:
top
Image Source Reproduction refid type:
ISBN
Image Rights fair use checklist:
1) use of this image is for education and educational research; 2) access is restricted to University of Colorado and Auraria Higher Education Center communities; 3) the original photographer is credited if known; 4) the image is published; 5) the amount of the work in relation to the whole is needed for education or educational research; 6) the number of derivatives is the minimum required for education or educational research; 7) the image has not been found to be reasonably available for sale; 8) duplication of the image does not violate preexisting contracts.
Work Rights (display):
© Cornelia Parker
Terms of Agreement and Conditions of Use:
YOU AGREE: Luna Imaging's Insight Software and the digital image collection associated with it (the Software) are being provided by the University of Colorado under the following license. By obtaining, using, and/or copying this work, you (the Licensee) agree that you have read, understood, and will comply with the following terms and conditions. 1. The Software contains the University of Colorado's Department of Art and Art History's implementation of a digital image collection; 2. Any images obtained through use of the Software will be used only for non-profit, educational purposes; 3. The use of images obtained through the software will only be used while the Licensee is either: a) an employee of the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver, or b) an enrolled student at the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver; 4. When the Licensee is no longer an employee or student of the University of Colorado, Metropolitan State College of Denver or Community College of Denver, either by an action of the University of Colorado, Metropolitan State College of Denver or the Community College of Denver or due to actions of the Licensee, the licensee will cease to use any images exported from the Department of Art and Art History's digital image collection; 5. The Licensee agrees to indemnify the University for claims and liability arising out of the use of the Software or for any violations of this license; 6. THE UNIVERSITY OF COLORADO SUPPLIES THE SOFTWARE WITHOUT ANY WARRANTIES, EXPRESS OR IMPLIED, INCLUDING ANY WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
CU Copyright Statement:
The contents of the University of Colorado Digital Library are available for your use in research, teaching, and private study. Some of these items are protected by the U.S. Copyright Law (Title 17, U.S.C.) and some items may have additional restrictions. If you use the items in this collection, make sure you abide by any restrictions stated in the descriptive data window. The nature of these collections often makes it difficult to determine the copyright status of an item. We have made every effort to provide information about copyright owners and other restrictions in the descriptive data window. Ultimately, however, it is your responsibility to use the item according to the terms governing its use. If you are a copyright holder and the information is either not listed or listed incorrectly, please let us know so that we can update the information on our site.
Holding Institution:
University of Colorado at Boulder
Collection:
Art and Art History Visual Resources Collection
Collection info and contact:
For information about this collection, see