COLLECTION NAME:
Visual Resources Teaching Collection
mediaCollectionId
ArtArtHiAAH~7~7
Visual Resources Teaching Collection
Collection
true
Image Record ID:
aahi0004993
image_record_id
aahi0004993
Image Record ID
false
Work Title (display):
Installation
Image Title:
installation view
Work Dates (display):
1991
Work Dates type:
creation
Image Date (display):
2009-09-02
Work Creator (display):
Barbara Kruger (American, born 1945)
Work Creator gender:
female
work_creator_or_agent_gender
female
Work Creator gender
false
Work Creator notes (display):
American conceptual artist, designer and writer. She enrolled at Parsons School of Design, Syracuse, NY, where her teachers included the photographer Diane Arbus and Marvin Israel (b 1924), a successful graphic designer and art director of Harper's Bazaar, who was particularly encouraging. When Kruger's interest in art school waned in the mid-1960s, Israel encouraged her to prepare a professional portfolio. Kruger moved to New York and entered the design department of Mademoiselle magazine, becoming chief designer a year later. Also at that time she designed book covers for political texts. In the late 1960s and early 1970s she became interested in poetry and began writing and attending readings. From 1976 to 1980 she lived in Berkeley, CA, teaching and reflecting on her own art. In photograph-based images she examined the representation of power via mass-media images, appropriating their iconography and slogans and deconstructing them visually and verbally. Such works as Untitled (You Invest in the Divinity of the Masterpiece) (photograph, 1.82×1.16 m, 1982; New York, MOMA) exploit an economy of image and text to articulate and undermine the power-based relations established in such media images. Major influences cited by Kruger include films, television and the stereotypical situations of everyday life, and especially her training as a graphic designer. Her messages have been displayed in both galleries and public spaces, as well as on framed and unframed photographs, posters, T-shirts, electronic signboards, billboards and flyposters. (Grove Art Online Accessed 2008-02-06)
Work Creator UCB affiliation (display):
visiting artist, Visiting Artist Program, 1986
Work Style Period:
Contemporary
work_styleperiod
Contemporary
Work Style Period
false
Work Style Period:
20th century
work_styleperiod
20th century
Work Style Period
false
Work Subject:
transparencies
subject
transparencies
Work Subject
false
Work Subject:
surveillance
subject
surveillance
Work Subject
false
Work Subject:
images (object genres)
subject
images (object genres)
Work Subject
false
Work Subject:
distortion
subject
distortion
Work Subject
false
Work Subject:
experience
subject
experience
Work Subject
false
Work Subject:
space (composition concept)
subject
space (composition concept)
Work Subject
false
Work Subject:
text (document genre)
subject
text (document genre)
Work Subject
false
Work Subject:
color
subject
color
Work Subject
false
Work Subject:
exhibitions
subject
exhibitions
Work Subject
false
Work Subject:
architecture (discipline)
subject
architecture (discipline)
Work Subject
false
Work Worktype:
sculpture (visual works)
work_type
sculpture (visual works)
Work Worktype
false
Work Worktype:
installations (visual works)
work_type
installations (visual works)
Work Worktype
false
Work Worktype:
screen prints
work_type
screen prints
Work Worktype
false
Work Category (VRC classification):
sculptures and installations
work_category__ucbaahvrc_classification_
sculptures and installations
Work Category (VRC classification)
false
Work Material and Technique (display):
silkscreen, wallpaper
Work Location (Repository or Site) name:
Venice Biennale
Work Location (Repository or Site) role:
exhibition
Work Location (Geographic) name:
Venice, Italy
Image Source Reproduction citation:
The Experience if Art, Biennale di Venezia, 2005, Volume I
image_source_copy_from_print_name
The Experience if Art, Biennale di Venezia, 2005, Volume I
Image Source Reproduction citation
false
Image Source Reproduction refid:
0-8478-2745-3
Image Source Reproduction page number:
128
Image Source Reproduction refid type:
ISBN
Image Rights (display):
© Zindman, Fremont
Image Rights fair use checklist:
1) use of this image is for education and educational research; 2) access is restricted to University of Colorado and Auraria Higher Education Center communities; 3) the original photographer is credited if known; 4) the image is published; 5) the amount of the work in relation to the whole is needed for education or educational research; 6) the number of derivatives is the minimum required for education or educational research; 7) the image has not been found to be reasonably available for sale; 8) duplication of the image does not violate preexisting contracts.
Work Rights (display):
© Barbara Kruger
Terms of Agreement and Conditions of Use:
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Holding Institution:
University of Colorado at Boulder
Collection:
Art and Art History Visual Resources Collection
Collection info and contact:
For information about this collection, see . For specific questions, suggestions, or corrections about the descriptive data for images, contact aahvrc@colorado.edu. Please include the Image Record ID ('aahi' followed by a 7-digit number) for each image in question.