COLLECTION NAME:
Visual Resources Teaching Collection
mediaCollectionId
ArtArtHiAAH~7~7
Visual Resources Teaching Collection
Collection
true
Image Record ID:
aahi0000741
image_record_id
aahi0000741
Image Record ID
false
Work Title (display):
Abduction of King's Daughters, from Cycle 'Children's Poses,' II
Image Title:
full view
Work Dates (display):
1908
Work Dates type:
creation
Work Creator (display):
Witold Wojtkiewicz (Polish, 1879-1909)
Work Creator gender:
male
work_creator_or_agent_gender
male
Work Creator gender
false
Work Creator notes (display):
(b Warsaw, 29 Dec 1879; d Warsaw, 14 June 1909). Polish painter. His unsystematic training began in 1898 at the Warsaw Drawing School and continued at the Academy of Fine Arts in Kraków (19036). He anticipated Polish Expressionism and was one of the most intriguing and inventive artists of the period. An ironic sense and the grotesque motifs in his works bear a similarity to James Ensor's art. The roots of Wojtkiewicz's art, however, are local. He admired the modernist paintings of Stanisław Wyspiański and Jacek Malczewski, and he held aesthetic ideas similar to those of the Romantic poet and painter Cyprian Kamil Norwid (182183) and of Stanisław Przybyszewski (18681927) and Edward Abramowski, the authors of Expressionist manifestos. He began his short career as an illustrator and postcard designer. His first known work, a watercolour entitled Spring Is Approaching (1900; Warsaw, N. Mus.), already shows tragic irony, depicting dead birds on snow-covered ground. After 1905 he exhibited with the 'Group of Five', also known as 'Norwid's Group'. During their exhibition at the Galerie Schulte in Berlin (1907) Wojtkiewicz's 'strange harmony of tones, painful fantasy of drawing, pathetic and moving game of colours' caught the eye of André Gide, who invited him to Paris and organized his one-man show at the Galerie Druet. Wojtkiewicz's later works (series entitled Monomanias, Circuses and Ceremonies) include oil and distemper paintings, watercolours, drawings and lithographs that explore the world of madness (e.g. Circus of Madmen, 1906) and the melancholic poetry of fairy tales (e.g. the Rape of a Princess, 1908; both Warsaw, N. Mus.). (Grove Art Online accessed 2007-10-23)
Work Worktype:
oil paintings
work_type
oil paintings
Work Worktype
false
Work Worktype:
paintings (visual works)
work_type
paintings (visual works)
Work Worktype
false
Work Category (VRC classification):
paintings
work_category__ucbaahvrc_classification_
paintings
Work Category (VRC classification)
false
Work Material and Technique (display):
oil on canvas
Work Measurements (display):
77 cm (H) x 90 cm (W)
Work Inscription (display):
signed, dated
Work Location (Repository or Site) name:
Muzeum Narodowe w Warszawie
Work Location (Repository or Site) role:
repository
Work Location (Repository or Site) refid:
MP 351
Work Location (Repository or Site) refid type:
accession
Work Location (Geographic) name:
Warsaw, Poland
Image Rights (display):
© Ronald Wiedenhoeft. Licensed for educational use via Scholars Resource: Saskia, Ltd.
Image Rights license agreement:
SASKIA, LTD.: WHO CAN USE THIS SOFTWARE: (a) Licensee, including faculty, staff and currently enrolled students may use the Licensed Software to display and or print the corresponding graphic images without limitation for teaching and research purposes at the defined Sites, or at remote locations having electronic access to your Site(s). (b) This license include permission to use the Licensed Software on a multi-user network at the defined Site, and to permit remote access to a computer/server located at your Site. Simultaneous display in multiple locations at or connected to the Site is also permitted. (c) Licensee agrees to employ reasonable security measures designed to limit access to your faculty, staff and currently enrolled students. PROHIBITED USES AND LIMITATIONS: (a) Saskia hereby reserves all rights not expressly granted herein. (b) the License Software may not be used for preparaiton of any publication, scholarly or otherwise; or for any purpose other than teaching or research. Publication of an image from the Licensed Software requires a separate license from Saskia. (c) Licensee agrees not to resell, lease, transfer, sub-license or otherwise distribute a copy of the Licensed Software, or any image taken from the Licensed Software, in whole or in part. (d) Licensee also agrees not to modify, corrupt or alter any digital image graphic content or "digital watermark" or the like in the software provided by Saskia under this Agreement. (e) Licensee agrees not to remove, alter, cover or distort Saskia's copyright notice, trademark, or other proprietary rights notice placed by Saskia in the Licensed Software itself, or in the associated packaging, media or documentation. (f) And Licensee agrees to notify users of the Licensed Software, in writing or by sign-on screen display, of their obligations under this Agreement and solicit their cooperation and compliance with such obligations.
Terms of Agreement and Conditions of Use:
YOU AGREE: Luna Imaging's Insight Software and the digital image collection associated with it (the Software) are being provided by the University of Colorado under the following license. By obtaining, using, and/or copying this work, you (the Licensee) agree that you have read, understood, and will comply with the following terms and conditions. 1. The Software contains the University of Colorado's Department of Art and Art History's implementation of a digital image collection; 2. Any images obtained through use of the Software will be used only for non-profit, educational purposes; 3. The use of images obtained through the software will only be used while the Licensee is either: a) an employee of the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver, or b) an enrolled student at the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver; 4. When the Licensee is no longer an employee or student of the University of Colorado, Metropolitan State College of Denver or Community College of Denver, either by an action of the University of Colorado, Metropolitan State College of Denver or the Community College of Denver or due to actions of the Licensee, the licensee will cease to use any images exported from the Department of Art and Art History's digital image collection; 5. The Licensee agrees to indemnify the University for claims and liability arising out of the use of the Software or for any violations of this license; 6. THE UNIVERSITY OF COLORADO SUPPLIES THE SOFTWARE WITHOUT ANY WARRANTIES, EXPRESS OR IMPLIED, INCLUDING ANY WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
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Holding Institution:
University of Colorado at Boulder
Collection:
Art and Art History Visual Resources Center
Collection info and contact:
For information about this collection, see