COLLECTION NAME:
Visual Resources Teaching Collection
mediaCollectionId
ArtArtHiAAH~7~7
Visual Resources Teaching Collection
Collection
true
Image Record ID:
aahi0000729
image_record_id
aahi0000729
Image Record ID
false
Work Title (display):
The Boy in a Ruff
Image Title:
full view
Work Dates (display):
1871
Work Dates type:
creation
Work Creator (display):
Wilhelm Trübner (German, 1851-1917)
Work Creator gender:
male
work_creator_or_agent_gender
male
Work Creator gender
false
Work Creator notes (display):
German painter. The son of a goldsmith and jeweller, he began an apprenticeship as a goldsmith. The intervention of Anselm Feuerbach enabled him to overcome his father's resistance and train as a painter. In 1867 he began to study at the Kunstschule in Karlsruhe, where his tutors included Karl Friedrich Schick (182675). Trübner also met artists outside the school, such as Hans Canon, who were very influential. Trübner moved to Munich in 1869 to study with Alexander von Wagner (18381919) at the Akademie der Bildenden Künste, where he also met Wilhelm Leibl. He continued his studies with Wilhelm von Diez (18391907) and met Hans Thoma, with whom, for a while, he shared a studio and models. Trübner acknowledged his debt to Feuerbach, Canon, Leibl and Thoma, whom he described as his 'leaders and guiding stars', throughout his life. In the winter of 187071 he met Carl Schuch and with him and other friends worked in Bernried on the Starnberg Lake, where Leibl championed them, praising Trübner in particular. Summer 1871 marked the real beginning of the Leibl circle (see Leibl, wilhelm). Encouraged by Leibl, Trübner, Schuch and Albert Lang (18471933) left the academy and hired a studio together in winter 18712. Some of Trübner's most striking works were produced during this period, such as Boy at the Sideboard (1872; Stuttgart, Staatsgal.) and The Sofa (1872; Berlin, Staatl. Museen, N.G.). Trübner reached his relatively brief artistic peak between 1872 and 1876, during which time he made some of the most important contributions to the Leibl circle's achievement and produced the most effective examples of what he called 'purist painting', painting that disregards the expectations of the public to concentrate on formal qualities rather than content. Horse and Beech Trees (1874; Karlsruhe, Staatl. Ksthalle) and the stark Carpenters on the Banks of Wessling Lake (1876; Hamburg, Ksthalle) reject the conventions of picturesque landscape to produce low-key and unglamorous images of rural life and labour painted in sombre tones. After this time Trübner's objectives and achievements began to flag. He felt neglected by the public and tried to achieve popularity by tackling literary subjects and by intensifying the colour-range of his palette. During his period in Munich Trübner was also involved in the Secession, which was founded in April 1892. After 1896, when he left the city, he travelled widely, visiting Italy, the Netherlands, Belgium, France, Switzerland and England. In London he met important academicians such as Lawrence Alma-Tadema, Hubert von Herkomer and Frederic Leighton. In 1896 he became Director of the Städelsches Kunstinstitut in Frankfurt am Main, and the following year he founded a private art school there. In 1903 he was appointed Director of the Kunstschule in Karlsruhe, and in 1917 he obtained a post at the Akademie der Künste in Berlin but died before he could accept it. (Grove Art Online Accessed 2007--10-22)
Work Style Period:
Realist (modern European fine arts styles)
work_styleperiod
Realist (modern European fine arts styles)
Work Style Period
false
Work Style Period:
19th century
work_styleperiod
19th century
Work Style Period
false
Work Subject:
ruffs
subject
ruffs
Work Subject
false
Work Subject:
boys
subject
boys
Work Subject
false
Work Subject:
portraits
subject
portraits
Work Subject
false
Work Worktype:
paintings (visual works)
work_type
paintings (visual works)
Work Worktype
false
Work Category (VRC classification):
paintings
work_category__ucbaahvrc_classification_
paintings
Work Category (VRC classification)
false
Work Material and Technique (display):
paint on canvas
Work Measurements (display):
40 cm (H) x 34 cm (W)
Work Location (Repository or Site) name:
Kunsthistorisches Museum Wien
Work Location (Repository or Site) role:
repository
Work Location (Geographic) name:
Vienna, Austria
Image Rights (display):
© Ronald Wiedenhoeft. Licensed for educational use via Scholars Resource: Saskia, Ltd.
Image Rights license agreement:
SASKIA, LTD.: WHO CAN USE THIS SOFTWARE: (a) Licensee, including faculty, staff and currently enrolled students may use the Licensed Software to display and or print the corresponding graphic images without limitation for teaching and research purposes at the defined Sites, or at remote locations having electronic access to your Site(s). (b) This license include permission to use the Licensed Software on a multi-user network at the defined Site, and to permit remote access to a computer/server located at your Site. Simultaneous display in multiple locations at or connected to the Site is also permitted. (c) Licensee agrees to employ reasonable security measures designed to limit access to your faculty, staff and currently enrolled students. PROHIBITED USES AND LIMITATIONS: (a) Saskia hereby reserves all rights not expressly granted herein. (b) the License Software may not be used for preparaiton of any publication, scholarly or otherwise; or for any purpose other than teaching or research. Publication of an image from the Licensed Software requires a separate license from Saskia. (c) Licensee agrees not to resell, lease, transfer, sub-license or otherwise distribute a copy of the Licensed Software, or any image taken from the Licensed Software, in whole or in part. (d) Licensee also agrees not to modify, corrupt or alter any digital image graphic content or "digital watermark" or the like in the software provided by Saskia under this Agreement. (e) Licensee agrees not to remove, alter, cover or distort Saskia's copyright notice, trademark, or other proprietary rights notice placed by Saskia in the Licensed Software itself, or in the associated packaging, media or documentation. (f) And Licensee agrees to notify users of the Licensed Software, in writing or by sign-on screen display, of their obligations under this Agreement and solicit their cooperation and compliance with such obligations.
Work Rights (display):
public domain
Terms of Agreement and Conditions of Use:
YOU AGREE: Luna Imaging's Insight Software and the digital image collection associated with it (the Software) are being provided by the University of Colorado under the following license. By obtaining, using, and/or copying this work, you (the Licensee) agree that you have read, understood, and will comply with the following terms and conditions. 1. The Software contains the University of Colorado's Department of Art and Art History's implementation of a digital image collection; 2. Any images obtained through use of the Software will be used only for non-profit, educational purposes; 3. The use of images obtained through the software will only be used while the Licensee is either: a) an employee of the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver, or b) an enrolled student at the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver; 4. When the Licensee is no longer an employee or student of the University of Colorado, Metropolitan State College of Denver or Community College of Denver, either by an action of the University of Colorado, Metropolitan State College of Denver or the Community College of Denver or due to actions of the Licensee, the licensee will cease to use any images exported from the Department of Art and Art History's digital image collection; 5. The Licensee agrees to indemnify the University for claims and liability arising out of the use of the Software or for any violations of this license; 6. THE UNIVERSITY OF COLORADO SUPPLIES THE SOFTWARE WITHOUT ANY WARRANTIES, EXPRESS OR IMPLIED, INCLUDING ANY WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
CU Copyright Statement:
The contents of the University of Colorado Digital Library are available for your use in research, teaching, and private study. Some of these items are protected by the U.S. Copyright Law (Title 17, U.S.C.) and some items may have additional restrictions. If you use the items in this collection, make sure you abide by any restrictions stated in the descriptive data window. The nature of these collections often makes it difficult to determine the copyright status of an item. We have made every effort to provide information about copyright owners and other restrictions in the descriptive data window. Ultimately, however, it is your responsibility to use the item according to the terms governing its use. If you are a copyright holder and the information is either not listed or listed incorrectly, please let us know so that we can update the information on our site.
Holding Institution:
University of Colorado at Boulder
Collection:
Art and Art History Visual Resources Center
Collection info and contact:
For information about this collection, see