COLLECTION NAME:
Visual Resources Teaching Collection
mediaCollectionId
ArtArtHiAAH~7~7
Visual Resources Teaching Collection
Collection
true
Image Record ID:
aahi0004103
image_record_id
aahi0004103
Image Record ID
false
Work Title (display):
The Present Order is the Disorder of the Future, Saint-Just
Image Title:
full view
Work Dates (display):
1988
Work Dates type:
creation
Image Date (display):
2009-03-09
Work Creator (display):
Ian Hamilton Finlay (Scottish, 1925-2006)
Work Creator gender:
male
work_creator_or_agent_gender
male
Work Creator gender
false
Work Creator notes (display):
Scottish sculptor, graphic artist and poet. Brought up in Scotland, he briefly attended Glasgow School of Art and first made his reputation as a writer, publishing short stories and plays in the 1950s. In 1961 he founded the Wild Hawthorn Press with Jessie McGuffie and within a few years had established himself internationally as Britain's foremost concrete poet (see Concrete poetry). His publications also played an important role in the initial dissemination of his work as a visual artist. As a sculptor, he has worked collaboratively in a wide range of materials, having his designs executed as stone-carvings, as constructed objects and even in the form of neon lighting. In 1966 Finlay and his wife, Sue, moved to the hillside farm of Stonypath, south-west of Edinburgh, and began to transform the surrounding acres into a unique garden, which he named Little Sparta. He revived the traditional notion of the poet's garden, arranging ponds, trees and vegetation to provide a responsive environment for sundials, inscriptions, columns and garden temples. As the proponent of a rigorous classicism and as the defender of Little Sparta against the intrusions of local bureaucracy, he insisted on the role of the artist as a moralist who comments sharply on cultural affairs. The esteem won by Finlay's artistic stance and style is attested by many important large-scale projects undertaken throughout the world. The 'Sacred Grove', created between 1980 and 1982 at the heart of the Kröller-Müller Sculpture Park, Otterlo, is one of the most outstanding examples of Finlay's work outside Little Sparta. (Stephen Bann. "Finlay, Ian Hamilton." Grove Art Online. Oxford Art Online. 18 Mar. 2009 .)
Work Style Period:
20th century
work_styleperiod
20th century
Work Style Period
false
Work Style Period:
Contemporary
work_styleperiod
Contemporary
Work Style Period
false
Work Subject:
Sparta (Greece)
subject
Sparta (Greece)
Work Subject
false
Work Subject:
classical
subject
classical
Work Subject
false
Work Subject:
stones (rocks)
subject
stones (rocks)
Work Subject
false
Work Subject:
culture
subject
culture
Work Subject
false
Work Subject:
text (document genre)
subject
text (document genre)
Work Subject
false
Work Subject:
nature
subject
nature
Work Subject
false
Work Subject:
wood (plant material)
subject
wood (plant material)
Work Subject
false
Work Subject:
pastoral
subject
pastoral
Work Subject
false
Work Worktype:
environmental art
work_type
environmental art
Work Worktype
false
Work Worktype:
carvings (visual works)
work_type
carvings (visual works)
Work Worktype
false
Work Worktype:
sculpture (visual works)
work_type
sculpture (visual works)
Work Worktype
false
Work Category (VRC classification):
sculptures and installations
work_category__ucbaahvrc_classification_
sculptures and installations
Work Category (VRC classification)
false
Work Material and Technique (display):
stones with carved letters
Work Measurements (display):
dimensions variable
Work Location (Repository or Site) name:
Little Sparta
Work Location (Repository or Site) role:
site
Work Location (Geographic) name:
Dunsyre, Scotland
Image Source Reproduction citation:
Collins, Judith. Sculpture Today. New York: Phaidon Press, 2007.
image_source_copy_from_print_name
Collins, Judith. Sculpture Today. New York: Phaidon Press, 2007.
Image Source Reproduction citation
false
Image Source Reproduction refid:
978-0-7148-4314-8
Image Source Reproduction page number:
233
Image Source Reproduction plate-figure number:
237
Image Source Reproduction refid type:
ISBN
Image Rights (display):
© Andrew Lawson
Image Rights fair use checklist:
1) use of this image is for education and educational research; 2) access is restricted to University of Colorado and Auraria Higher Education Center communities; 3) the original photographer is credited if known; 4) the image is published; 5) the amount of the work in relation to the whole is needed for education or educational research; 6) the number of derivatives is the minimum required for education or educational research; 7) the image has not been found to be reasonably available for sale; 8) duplication of the image does not violate preexisting contracts.
Work Rights (display):
© Ian Hamilton Finlay
Terms of Agreement and Conditions of Use:
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Holding Institution:
University of Colorado at Boulder
Collection:
Art and Art History Visual Resources Collection
Collection info and contact:
For information about this collection, see . For specific questions, suggestions, or corrections about the descriptive data for images, contact aahvrc@colorado.edu. Please include the Image Record ID ('aahi' followed by a 7-digit number) for each image in question.