COLLECTION NAME:
Visual Resources Teaching Collection
mediaCollectionId
ArtArtHiAAH~7~7
Visual Resources Teaching Collection
Collection
true
Image Record ID:
aahi0004102
image_record_id
aahi0004102
Image Record ID
false
Work Title (display):
Revival Field
Image Title:
full view
Work Dates (display):
1991
Work Dates type:
creation
Image Date (display):
2009-03-09
Work Creator (display):
Mel Chin (American, born 1951)
Work Creator gender:
male
work_creator_or_agent_gender
male
Work Creator gender
false
Work Creator notes (display):
Mel Chin was born in Houston to Chinese parents in 1951, the first of his family born in the United States, and was reared in a predominantly African-American and Latino neighborhood. He worked in his family's grocery store, and began making art at an early age. Though he is classically trained, Chin's art, which is both analytical and poetic, evades easy classification. Alchemy, botany, and ecology are but a few of the disciplines that intersect in his work. He insinuates art into unlikely places, including destroyed homes, toxic landfills, and even popular television, investigating how art can provoke greater social awareness and responsibility. Unconventional and politically engaged, his projects also challenge the idea of the artist as the exclusive creative force behind an artwork. "The survival of my own ideas may not be as important as a condition I might create for others' ideas to be realized," says Chin, who often enlists entire neighborhoods or groups of students in creative partnerships. In "KNOWMAD," Chin worked with software engineers to create a video game based on rug patterns of nomadic peoples facing persecution. Chin also promotes "works of art" that have the ultimate effect of benefiting science or rejuvenating the economies of inner-city neighborhoods. In "Revival Field," Chin worked with scientists to create sculpted gardens of hyperaccumulatorsplants that can draw heavy metals from contaminated areasin some of the most polluted sites in the world. Chin received a BA from Peabody College in Nashville, Tennessee, in 1975, and fellowships from the National Endowment for the Arts in 1988 and 1990. He lives in North Carolina. (PBS Art21 Accessed 2008-02-06)
Work Creator UCB affiliation (display):
visiting artist, Visiting Artist Program, 2000
Work Style Period:
20th century
work_styleperiod
20th century
Work Style Period
false
Work Style Period:
Contemporary
work_styleperiod
Contemporary
Work Style Period
false
Work Subject:
purification
subject
purification
Work Subject
false
Work Subject:
restoration (process)
subject
restoration (process)
Work Subject
false
Work Subject:
alchemy
subject
alchemy
Work Subject
false
Work Subject:
lands (general areas)
subject
lands (general areas)
Work Subject
false
Work Subject:
plants (vegetation)
subject
plants (vegetation)
Work Subject
false
Work Subject:
environmental protection
subject
environmental protection
Work Subject
false
Work Subject:
landfills
subject
landfills
Work Subject
false
Work Subject:
processes
subject
processes
Work Subject
false
Work Subject:
landscape architecture
subject
landscape architecture
Work Subject
false
Work Subject:
pollution
subject
pollution
Work Subject
false
Work Subject:
life
subject
life
Work Subject
false
Work Worktype:
sculpture (visual works)
work_type
sculpture (visual works)
Work Worktype
false
Work Worktype:
ecological art
work_type
ecological art
Work Worktype
false
Work Category (VRC classification):
sculptures and installations
work_category__ucbaahvrc_classification_
sculptures and installations
Work Category (VRC classification)
false
Work Material and Technique (display):
landfill, chain link fence, six varieties of plants
Work Measurements (display):
60 sq ft.
Work Location (Repository or Site) name:
Pig's Eye Landfill
Work Location (Repository or Site) role:
site
Work Location (Geographic) name:
Saint Paul, Minnesota
Image Source Reproduction citation:
Collins, Judith. Sculpture Today. New York: Phaidon Press, 2007.
image_source_copy_from_print_name
Collins, Judith. Sculpture Today. New York: Phaidon Press, 2007.
Image Source Reproduction citation
false
Image Source Reproduction refid:
978-0-7148-4314-8
Image Source Reproduction page number:
233
Image Source Reproduction plate-figure number:
236
Image Source Reproduction refid type:
ISBN
Image Rights (display):
© Mel Chin
Image Rights fair use checklist:
1) use of this image is for education and educational research; 2) access is restricted to University of Colorado and Auraria Higher Education Center communities; 3) the original photographer is credited if known; 4) the image is published; 5) the amount of the work in relation to the whole is needed for education or educational research; 6) the number of derivatives is the minimum required for education or educational research; 7) the image has not been found to be reasonably available for sale; 8) duplication of the image does not violate preexisting contracts.
Work Rights (display):
© Mel Chin
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Holding Institution:
University of Colorado at Boulder
Collection:
Art and Art History Visual Resources Collection
Collection info and contact:
For information about this collection, see