COLLECTION NAME:
Visual Resources Teaching Collection
mediaCollectionId
ArtArtHiAAH~7~7
Visual Resources Teaching Collection
Collection
true
Image Record ID:
aahi0000676
image_record_id
aahi0000676
Image Record ID
false
Work Title (display):
Harbor at Lubeck
Image Title:
full view
Work Dates (display):
1907
Work Dates type:
creation
Work Creator (display):
Edvard Munch (Norwegian, 1863-1944)
Work Creator gender:
male
work_creator_or_agent_gender
male
Work Creator gender
false
Work Creator notes (display):
Munch, one of the most noted Norwegian artists, was concerned with the expressive representation of emotions and personal relationships in his work. He was associated with the international development of Symbolism during the 1890s and recognized as a major influence on Expressionism. His early work was conventionally naturalistic; by 1884, he belonged to the avant-garde circle of the painter Christian Krøhg. During stays in Paris between 1889 and1892 Munch was influenced by the symbolists, van Gogh, and, above all, Gauguin; it was during this time that he established his characteristic nervous linear style. An exhibition of more than 50 of Munch's work at the Berlin Kunstlerverein (Artists' Union) in 1892 was so scandalous that it was closed after a week with the repercussions leading to the formation of the Berlin Sezession in 1899. Much of the next ten years was spent in Berlin associating with writers such as Richard Dehmel and August Strindberg and creating works featuring his recurrent themes of sexual awareness, illness, jealousy, and insanity. These intense and disturbing works reflected not only Symbolist preoccupations but Munch's difficulties stemming from his own traumatic childhood during which his mother and sister died and his father nearly went mad. While in Berlin he produced his first prints, with lithographs and woodcuts becoming equally important to his painting. In 1908 he suffered a nervous breakdown and in 1909 he returned permanently to Norway, deliberately abandoning his disturbing themes as part of his recovery. His work became more outgoing, his palette brighter, and his themes more optimistic although his self-portraits retained the earlier intensity. After 1916 Munch became increasingly reclusive and his work regained some of its earlier urgency. He lived at Ekely outside Oslo; when he died he left over 20,000 works to the city. During Munch's lifetime there were many exhibitions of his work in Oslo, Prague, Stockholm, and German cities. (ULAN Accessed 2007-10-22)
Work Style Period:
Brucke (Artists' Group)
work_styleperiod
Brucke (Artists' Group)
Work Style Period
false
Work Style Period:
Symbolist
work_styleperiod
Symbolist
Work Style Period
false
Work Style Period:
Modernist
work_styleperiod
Modernist
Work Style Period
false
Work Style Period:
Expressionist
work_styleperiod
Expressionist
Work Style Period
false
Work Style Period:
20th century
work_styleperiod
20th century
Work Style Period
false
Work Subject:
Lubeck, Germany
subject
Lubeck, Germany
Work Subject
false
Work Subject:
harbors
subject
harbors
Work Subject
false
Work Subject:
Germany (nation)
subject
Germany (nation)
Work Subject
false
Work Subject:
boats
subject
boats
Work Subject
false
Work Worktype:
oil paintings
work_type
oil paintings
Work Worktype
false
Work Worktype:
paintings (visual works)
work_type
paintings (visual works)
Work Worktype
false
Work Category (VRC classification):
paintings
work_category__ucbaahvrc_classification_
paintings
Work Category (VRC classification)
false
Work Material and Technique (display):
oil on canvas
Work Inscription (display):
signed, dated
Work Location (Repository or Site) name:
Kunsthaus Zurich
Work Location (Repository or Site) role:
repository
Work Location (Geographic) name:
Zurich, Switzerland
Image Rights (display):
© Ronald Wiedenhoeft. Licensed for educational use via Scholars Resource: Saskia, Ltd.
Image Rights license agreement:
SASKIA, LTD.: WHO CAN USE THIS SOFTWARE: (a) Licensee, including faculty, staff and currently enrolled students may use the Licensed Software to display and or print the corresponding graphic images without limitation for teaching and research purposes at the defined Sites, or at remote locations having electronic access to your Site(s). (b) This license include permission to use the Licensed Software on a multi-user network at the defined Site, and to permit remote access to a computer/server located at your Site. Simultaneous display in multiple locations at or connected to the Site is also permitted. (c) Licensee agrees to employ reasonable security measures designed to limit access to your faculty, staff and currently enrolled students. PROHIBITED USES AND LIMITATIONS: (a) Saskia hereby reserves all rights not expressly granted herein. (b) the License Software may not be used for preparaiton of any publication, scholarly or otherwise; or for any purpose other than teaching or research. Publication of an image from the Licensed Software requires a separate license from Saskia. (c) Licensee agrees not to resell, lease, transfer, sub-license or otherwise distribute a copy of the Licensed Software, or any image taken from the Licensed Software, in whole or in part. (d) Licensee also agrees not to modify, corrupt or alter any digital image graphic content or "digital watermark" or the like in the software provided by Saskia under this Agreement. (e) Licensee agrees not to remove, alter, cover or distort Saskia's copyright notice, trademark, or other proprietary rights notice placed by Saskia in the Licensed Software itself, or in the associated packaging, media or documentation. (f) And Licensee agrees to notify users of the Licensed Software, in writing or by sign-on screen display, of their obligations under this Agreement and solicit their cooperation and compliance with such obligations.
Work Rights (display):
public domain
Terms of Agreement and Conditions of Use:
YOU AGREE: Luna Imaging's Insight Software and the digital image collection associated with it (the Software) are being provided by the University of Colorado under the following license. By obtaining, using, and/or copying this work, you (the Licensee) agree that you have read, understood, and will comply with the following terms and conditions. 1. The Software contains the University of Colorado's Department of Art and Art History's implementation of a digital image collection; 2. Any images obtained through use of the Software will be used only for non-profit, educational purposes; 3. The use of images obtained through the software will only be used while the Licensee is either: a) an employee of the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver, or b) an enrolled student at the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver; 4. When the Licensee is no longer an employee or student of the University of Colorado, Metropolitan State College of Denver or Community College of Denver, either by an action of the University of Colorado, Metropolitan State College of Denver or the Community College of Denver or due to actions of the Licensee, the licensee will cease to use any images exported from the Department of Art and Art History's digital image collection; 5. The Licensee agrees to indemnify the University for claims and liability arising out of the use of the Software or for any violations of this license; 6. THE UNIVERSITY OF COLORADO SUPPLIES THE SOFTWARE WITHOUT ANY WARRANTIES, EXPRESS OR IMPLIED, INCLUDING ANY WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
CU Copyright Statement:
The contents of the University of Colorado Digital Library are available for your use in research, teaching, and private study. Some of these items are protected by the U.S. Copyright Law (Title 17, U.S.C.) and some items may have additional restrictions. If you use the items in this collection, make sure you abide by any restrictions stated in the descriptive data window. The nature of these collections often makes it difficult to determine the copyright status of an item. We have made every effort to provide information about copyright owners and other restrictions in the descriptive data window. Ultimately, however, it is your responsibility to use the item according to the terms governing its use. If you are a copyright holder and the information is either not listed or listed incorrectly, please let us know so that we can update the information on our site.
Holding Institution:
University of Colorado at Boulder
Collection:
Art and Art History Visual Resources Center
Collection info and contact:
For information about this collection, see