COLLECTION NAME:
Visual Resources Teaching Collection
mediaCollectionId
ArtArtHiAAH~7~7
Visual Resources Teaching Collection
Collection
true
Image Record ID:
aahi0004090
image_record_id
aahi0004090
Image Record ID
false
Work Title (display):
Chocolate Crucifixes
Image Title:
detail view
Work Dates (display):
1995
Work Dates type:
creation
Image Date (display):
2009-03-09
Work Creator (display):
Egle Rakauskaite (Lithuanian, born 1967)
Work Creator gender:
female
work_creator_or_agent_gender
female
Work Creator gender
false
Work Creator notes (display):
Egle Rakauskaite is a leading Lithuanian artist, recognised for her unique and individual works which combine qualities of purity, intimacy and emotional depth. She was born in 1967 and graduated from the Vilnius Academy of Arts in 1993. Trained as a painter, she initially rejected the medium, drawn to unconventional, perishable materials such as chocolate, hair and strawberries. Her work has since moved into performance and video, with a documentary strand. She was selected to represent Lithuania at the 48th Venice Biennale in 1999. She has been awarded important international bursaries including ArtsLink fellowships in the USA in 1998 and 2000 and a residency at Akademie Schloss Solitude in Stuttgart in 1998. Egle Rakauskaite is a leading Lithuanian artist, prominent on the world scene for her highly individual and memorable works. Born in 1967, she studied painting at Vilnius Academy of Arts and graduated in 1993. Described by critic Lolita Jablonskiene as "a unique artist, who does not follow any current trends of Lithuanian art", Rakauskaite works in various media (video, performance, photography, making objects), free to associate and assemble them in different configurations as the project demands. In the early years of her career, she made objects out of unconventional and perishable materials such as chocolate, jasmine flowers, human hair, honey and fat. As she states, "these materials were used to protest against paint and canvas. Many critics attributed this interest in unconventional materials and also some of the images I constructed to my interest in feminist art. However, I think that at present the differences between male and female creation are not that visible any more. It is important that the art work opens itself to the consciousness and sub-consciousness of the viewer". Critic Lolita Jablonskiene characterises Rakauskaite´s work as "conceptually pure and clean" while also "emotionally very impressive". She sees this paradox as emerging from the use of "non-traditional" materials which "provoke some unusual, puzzling sensations". And yet, the works evoke a private human experience, a sense of intimacy. Rakauskaite views her art works as sentences spoken within the language of contemporary life. In a desire to communicate contemporary life she has moved into video and photography and engaged with contemporary society. During an ArtsLink residency at Out-North in Anchorage, Alaska in 2001, she interviewed elderly people on their lives and how they might have been lived differently. Again, in Germany, Russia and Lithuania she interviewed elderly inhabitants on the same question. The work was presented as a video installation "Another Breathing" in 2002 at Mare Balticum in Denmark. The participants´ answers are a series of striking statements strongly linked with national self-perception. Egle Rakauskaite has initiated projects which have matured as they are presented and re-presented in different locations. Her live sculpture "Trap, expulsion from Paradise" was created in 1996 and figures a dozen young girls dressed in white confirmation dresses with their long hair braided into a tight net that binds them together in a circle. The title alludes to the expulsion from the enforced "Paradise" of a common fate under the Soviet regime. This work has brought the artist her greatest success and has been revived several times (in Vilnius, Warsaw, Istanbul and Zagreb). Critic and curator Lolita Jablonskiene describes how the work "opened the deepest subtle poetry of virginity, once shining with modesty and nobility, sometimes glistening with beauty and arrogance or pulsating with philosophical nuances." Egle Rakauskaite was selected to represent Lithuania at the 48th International Venice Biennale in 1999. She has participated in many other significant international exhibitions and her work is widely exhibited in Europe. Major shows include the Baltic Art Centre´s "Presence Balte: The Human Project" in Visby, Sweden, Athens and Barcelona and the "Baltic Security" exhibition at Arlanda Airport in Stockholm. Forthcoming exhibitions in 2003 include solo exhibitions at the National Centre for Contemporary Arts in Moscow and the Contemporary Art Centre in Vilnius and group exhibitions at Frankfurter Kunstverein ("Nation") and the National Museum Szcecin in Poland ("Extra Strong Super Light"). Rakauskaite has been selected for high level international artists´ residencies: Civitella Ranieri Centre in Italy, Akademie Schloss Solitude in Germany, ArtsLink residencies in the USA at the Fabric Workshop and Museum in Philadelphia and Out-North in Alaska. She was shortlisted for the Visiting Arts/Spike Island International Fellowship 2002 on the nomination of Lolita Jablonskiene, curator and art critic. In 2002, she was a delegate to the European Cultural Parliament, a forum of artists and critics, which met in Bruges to debate issues of identity, diversity and politics. (Culture Base: http://www.cultureb…
Work Style Period:
20th century
work_styleperiod
20th century
Work Style Period
false
Work Style Period:
Contemporary
work_styleperiod
Contemporary
Work Style Period
false
Work Subject:
chocolate
subject
chocolate
Work Subject
false
Work Subject:
eucharists (religious ceremonies)
subject
eucharists (religious ceremonies)
Work Subject
false
Work Subject:
iconography
subject
iconography
Work Subject
false
Work Subject:
crucifixion
subject
crucifixion
Work Subject
false
Work Subject:
religion (discipline)
subject
religion (discipline)
Work Subject
false
Work Subject:
patterns (design elements)
subject
patterns (design elements)
Work Subject
false
Work Subject:
food
subject
food
Work Subject
false
Work Subject:
crucifixes
subject
crucifixes
Work Subject
false
Work Worktype:
casts (sculpture)
work_type
casts (sculpture)
Work Worktype
false
Work Worktype:
sculpture (visual works)
work_type
sculpture (visual works)
Work Worktype
false
Work Category (VRC classification):
sculptures and installations
work_category__ucbaahvrc_classification_
sculptures and installations
Work Category (VRC classification)
false
Work Material and Technique (display):
cast chocolate
Work Measurements (display):
each: 16.5 in (H)
Work Location (Repository or Site) name:
private collection
Work Location (Repository or Site) role:
repository
Image Source Reproduction citation:
Collins, Judith. Sculpture Today. New York: Phaidon Press, 2007.
image_source_copy_from_print_name
Collins, Judith. Sculpture Today. New York: Phaidon Press, 2007.
Image Source Reproduction citation
false
Image Source Reproduction refid:
978-0-7148-4314-8
Image Source Reproduction page number:
209
Image Source Reproduction plate-figure number:
213
Image Source Reproduction refid type:
ISBN
Image Rights (display):
© Andrew Miksys
Image Rights fair use checklist:
1) use of this image is for education and educational research; 2) access is restricted to University of Colorado and Auraria Higher Education Center communities; 3) the original photographer is credited if known; 4) the image is published; 5) the amount of the work in relation to the whole is needed for education or educational research; 6) the number of derivatives is the minimum required for education or educational research; 7) the image has not been found to be reasonably available for sale; 8) duplication of the image does not violate preexisting contracts.
Work Rights (display):
© Egle Rakauskaite
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Holding Institution:
University of Colorado at Boulder
Collection:
Art and Art History Visual Resources Collection
Collection info and contact:
For information about this collection, see