COLLECTION NAME:
Visual Resources Teaching Collection
mediaCollectionId
ArtArtHiAAH~7~7
Visual Resources Teaching Collection
Collection
true
Image Record ID:
aahi0000519
image_record_id
aahi0000519
Image Record ID
false
Work Title (display):
Portrait of Dr. Hans Koch
Image Title:
full view
Work Dates (display):
1921
Work Dates type:
creation
Work Creator (display):
Otto Dix (German, 1891-1969)
Work Creator gender:
male
work_creator_or_agent_gender
male
Work Creator gender
false
Work Creator notes (display):
German painter and printmaker. Dix was born at Untermhaus, Thuringia, and was apprenticed to an interior decorator (19059) before studying at the Dresden School of Arts and Crafts 190914. At Dresden he absorbed the work of the Expressionists and was particularly influenced by van Gogh. From 1914 to 1918 he served in the First World War; initially enthusiastic, he was soon sickened by the horror and violence which he recorded in dramatic oil paintings, full of movement and violence, which incorporated the techniques of Futurism. After the war he studied at the Academies of Dresden (191822) and Düsseldorf (19225) gradually moving from Dadaism towards the greater realism exemplified by the Neue Sachlichkeit, although his work can hardly be described as objective. He remained deeply scarred by his wartime experiences and disillusioned by post-war society; Der Krieg (The War), a series of 50 etchings, published in 1924, has a Goyaesque intensity and his paintings of crippled war veterans, like Die Skatspieler (1920; Berlin, Neue Nationalgal.), have a crude and compelling immediacy. Prostitutes, another recurrent theme in the 1920s, are used almost allegorically as a symbol of a decadent corrupt society and, usually obese or emaciated, are cruelly shocking moralities. From 1927 Dix taught at the Dresden Academy and also established a reputation for his idiosyncratic unflattering portraits; but in 1933 he was dismissed by the Nazis and in 1934 forbidden to exhibit. After the Second World War, in which he was briefly conscripted, he lived in Hemmenhofen, on the Bodensee, where he was inspired by the Alpine landscape to turn to German Renaissance masters, like Dürer and Altdorfer, as prototypes for mannered allegorical and spiritual paintings which, despite their ambition, remain essentially vapid. (Grove Art Online accessed 2007-10-27)
Work Style Period:
Modernist
work_styleperiod
Modernist
Work Style Period
false
Work Style Period:
Expressionist
work_styleperiod
Expressionist
Work Style Period
false
Work Style Period:
20th century
work_styleperiod
20th century
Work Style Period
false
Work Subject:
medical offices
subject
medical offices
Work Subject
false
Work Subject:
hypodermic syringes
subject
hypodermic syringes
Work Subject
false
Work Subject:
medical equipment
subject
medical equipment
Work Subject
false
Work Subject:
medicine
subject
medicine
Work Subject
false
Work Subject:
eyeglasses
subject
eyeglasses
Work Subject
false
Work Subject:
anxiety
subject
anxiety
Work Subject
false
Work Subject:
physicians
subject
physicians
Work Subject
false
Work Subject:
men (male humans)
subject
men (male humans)
Work Subject
false
Work Worktype:
oil paintings
work_type
oil paintings
Work Worktype
false
Work Worktype:
paintings (visual works)
work_type
paintings (visual works)
Work Worktype
false
Work Category (VRC classification):
paintings
work_category__ucbaahvrc_classification_
paintings
Work Category (VRC classification)
false
Work Material and Technique (display):
collage and oil on canvas
Work Measurements (display):
100.5 cm (H) x 90 cm (W)
Work Inscription (display):
signed, dated
Work Location (Repository or Site) name:
Museum Ludwig
Work Location (Repository or Site) role:
repository
Work Location (Repository or Site) refid:
ML 76/2739
Work Location (Repository or Site) refid type:
accession
Work Location (Geographic) name:
Cologne, Germany
Image Rights (display):
© Ronald Wiedenhoeft. Licensed for educational use via Scholars Resource: Saskia, Ltd.
Image Rights license agreement:
SASKIA, LTD.: WHO CAN USE THIS SOFTWARE: (a) Licensee, including faculty, staff and currently enrolled students may use the Licensed Software to display and or print the corresponding graphic images without limitation for teaching and research purposes at the defined Sites, or at remote locations having electronic access to your Site(s). (b) This license include permission to use the Licensed Software on a multi-user network at the defined Site, and to permit remote access to a computer/server located at your Site. Simultaneous display in multiple locations at or connected to the Site is also permitted. (c) Licensee agrees to employ reasonable security measures designed to limit access to your faculty, staff and currently enrolled students. PROHIBITED USES AND LIMITATIONS: (a) Saskia hereby reserves all rights not expressly granted herein. (b) the License Software may not be used for preparaiton of any publication, scholarly or otherwise; or for any purpose other than teaching or research. Publication of an image from the Licensed Software requires a separate license from Saskia. (c) Licensee agrees not to resell, lease, transfer, sub-license or otherwise distribute a copy of the Licensed Software, or any image taken from the Licensed Software, in whole or in part. (d) Licensee also agrees not to modify, corrupt or alter any digital image graphic content or "digital watermark" or the like in the software provided by Saskia under this Agreement. (e) Licensee agrees not to remove, alter, cover or distort Saskia's copyright notice, trademark, or other proprietary rights notice placed by Saskia in the Licensed Software itself, or in the associated packaging, media or documentation. (f) And Licensee agrees to notify users of the Licensed Software, in writing or by sign-on screen display, of their obligations under this Agreement and solicit their cooperation and compliance with such obligations.
Work Rights (display):
public domain
Terms of Agreement and Conditions of Use:
YOU AGREE: Luna Imaging's Insight Software and the digital image collection associated with it (the Software) are being provided by the University of Colorado under the following license. By obtaining, using, and/or copying this work, you (the Licensee) agree that you have read, understood, and will comply with the following terms and conditions. 1. The Software contains the University of Colorado's Department of Art and Art History's implementation of a digital image collection; 2. Any images obtained through use of the Software will be used only for non-profit, educational purposes; 3. The use of images obtained through the software will only be used while the Licensee is either: a) an employee of the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver, or b) an enrolled student at the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver; 4. When the Licensee is no longer an employee or student of the University of Colorado, Metropolitan State College of Denver or Community College of Denver, either by an action of the University of Colorado, Metropolitan State College of Denver or the Community College of Denver or due to actions of the Licensee, the licensee will cease to use any images exported from the Department of Art and Art History's digital image collection; 5. The Licensee agrees to indemnify the University for claims and liability arising out of the use of the Software or for any violations of this license; 6. THE UNIVERSITY OF COLORADO SUPPLIES THE SOFTWARE WITHOUT ANY WARRANTIES, EXPRESS OR IMPLIED, INCLUDING ANY WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
CU Copyright Statement:
The contents of the University of Colorado Digital Library are available for your use in research, teaching, and private study. Some of these items are protected by the U.S. Copyright Law (Title 17, U.S.C.) and some items may have additional restrictions. If you use the items in this collection, make sure you abide by any restrictions stated in the descriptive data window. The nature of these collections often makes it difficult to determine the copyright status of an item. We have made every effort to provide information about copyright owners and other restrictions in the descriptive data window. Ultimately, however, it is your responsibility to use the item according to the terms governing its use. If you are a copyright holder and the information is either not listed or listed incorrectly, please let us know so that we can update the information on our site.
Holding Institution:
University of Colorado at Boulder
Collection:
Art and Art History Visual Resources Center
Collection info and contact:
For information about this collection, see