COLLECTION NAME:
Visual Resources Teaching Collection
mediaCollectionId
ArtArtHiAAH~7~7
Visual Resources Teaching Collection
Collection
true
Image Record ID:
aahi0003349
image_record_id
aahi0003349
Image Record ID
false
Work Title (display):
Carving: A Traditional Sculpture
Image Title:
installation view
Work Dates (display):
1972
Work Dates type:
creation
Work Creator (display):
Eleanor Antin (American, born 1935)
Work Creator gender:
female
work_creator_or_agent_gender
female
Work Creator gender
false
Work Creator notes (display):
American performance artist. In the mid-1950s she studied acting at the Tamara Daykarhanova School for Stage, New York, and creative writing at the College of the City of New York. Her performances can be seen as autobiographical, with invented roles based partly on historical characters. Set-pieces recurring in performances from the early 1970s included the King of Solana Beach, inspired by a portrait of Charles I, King of England, by Anthony van Dyck; Eleanor Antinova, giving the recollections of a black dancer in Serge Diaghilev's Ballets Russes; and the Angel of Mercy, Florence Nightingale in the Crimea. Antin considered her performances as a means of self-definition as an artist and woman in the late 20th century. The presentations incorporated pithy commentaries on contemporary social and political issues. The spontaneous nature of her activity can be linked to the early years of American film-making, when participants devised dramatic scenarios in an ad hoc sequence. By interspersing her personal experience and vision with episodes from the past, Antin attempted to redefine traditional boundaries associated with women, power and art. From 1979 she was Professor of Visual Arts at the University of California, San Diego. ("Antin, Eleanor." Grove Art Online. Oxford Art Online. 13 Jan. 2009 .)
Work Creator UCB affiliation notes (display):
visiting artist twice: once with David Antin in 1994, other in 2006
Work Creator UCB affiliation (display):
visiting artist, Visiting Artist Program, 1994 and 2006
Work Style Period:
20th century
work_styleperiod
20th century
Work Style Period
false
Work Style Period:
Contemporary
work_styleperiod
Contemporary
Work Style Period
false
Work Subject:
narrative (artistic device)
subject
narrative (artistic device)
Work Subject
false
Work Subject:
identity
subject
identity
Work Subject
false
Work Subject:
feminism
subject
feminism
Work Subject
false
Work Subject:
self image
subject
self image
Work Subject
false
Work Subject:
subjectivity
subject
subjectivity
Work Subject
false
Work Subject:
gender (sex role)
subject
gender (sex role)
Work Subject
false
Work Worktype:
photographs
work_type
photographs
Work Worktype
false
Work Worktype:
installations (visual works)
work_type
installations (visual works)
Work Worktype
false
Work Worktype:
gelatin silver prints
work_type
gelatin silver prints
Work Worktype
false
Work Category (VRC classification):
photographs
work_category__ucbaahvrc_classification_
photographs
Work Category (VRC classification)
false
Image Rights (display):
unknown
Work Rights (display):
© Eleanor Antin
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Holding Institution:
University of Colorado at Boulder
Collection:
Art and Art History Visual Resources Collection
Collection info and contact:
For information about this collection, see