COLLECTION NAME:
Visual Resources Teaching Collection
mediaCollectionId
ArtArtHiAAH~7~7
Visual Resources Teaching Collection
Collection
true
Image Record ID:
aahi0000278
image_record_id
aahi0000278
Image Record ID
false
Work Title (display):
Portrait of a Woman Artist (Self-Portrait)
Image Title:
detail, principal
Work Dates (display):
1st half 17th century
Work Creator (display):
Artemisia Gentileschi (Italian, 1593-ca. 1651/1653)
Work Creator gender:
female
work_creator_or_agent_gender
female
Work Creator gender
false
Work Creator notes (display):
Daughter of (1) Orazio Gentileschi. She was the first Italian woman whose artistic achievements not only were praised by her contemporaries but also influenced the work of other artists. She spread her first-hand knowledge of the work of Caravaggio beyond Rome to Florence, Genoa and Naples, where, in her exceptional career, she worked at different times. From the beginning she refused to limit herself to portraits, still-lifes and small devotional pictures, the staples of most women artists in the 16th and 17th centuries, but established herself immediately as an ambitious history painter. (Grove Art Online Accessed 2006-07-26) Artemesia Gentileschi was the most ambitious and influential female painter of her time. She spread the Caravaggesque style throughout Italy and expanded the narrow possibilities for female artists. Artemesia was taught to paint by her father, Orazio Gentileschi, who painted directly on the canvas and used live models. Her paint-handling in her early works reflects her father's influence, yet she also departed from him by choosing to paint tense, dramatic narratives starring female heroines. In 1612, Artemesia left Rome for Florence, after taking part in a trial against her art teacher, Agostino Tassi, who allegedly raped her. Shortly after, she painted her interpretation of Caravaggio's "Judith Beheading Holofernes," taking a more arresting and gruesome approach to the subject than was common at the time. In the 1620s, Artemesia was living again in Rome, making brief trips to Genoa and Venice and continuing to paint narrative paintings as well as female nudes, a subject shyed away from by other female artists of the period. In 1630, Artemesia had moved to Naples where her style became less Caravaggesque and her themes turned to more conventional religious subjects. In 1638 Artemesia moved to London to care for ailing father. From then on, her work was less frequent and poorly documented, and not much is known of her until her death, some time between 1651 and 1653. [ULAN accessed 2007-10-01]
Work Style Period:
Caravaggism
work_styleperiod
Caravaggism
Work Style Period
false
Work Style Period:
Italian Renaissance-Baroque styles
work_styleperiod
Italian Renaissance-Baroque styles
Work Style Period
false
Work Style Period:
17th century
work_styleperiod
17th century
Work Style Period
false
Work Subject:
women (female humans)
subject
women (female humans)
Work Subject
false
Work Subject:
painting (image-making)
subject
painting (image-making)
Work Subject
false
Work Subject:
artists (visual artists)
subject
artists (visual artists)
Work Subject
false
Work Subject:
self-portraits
subject
self-portraits
Work Subject
false
Work Worktype:
paintings (visual works)
work_type
paintings (visual works)
Work Worktype
false
Work Category (VRC classification):
paintings
work_category__ucbaahvrc_classification_
paintings
Work Category (VRC classification)
false
Work Measurements (display):
98 cm (H) x 75 cm (W)
Work Location (Repository or Site) name:
Galleria nazionale d'arte antica (Italy)
Work Location (Repository or Site) role:
repository
Work Location (Repository or Site) refid type:
accession
Work Location (Geographic) name:
Rome, Italy
Image Rights (display):
© Ronald Wiedenhoeft. Licensed for educational use via Scholars Resource: Saskia, Ltd.
Image Rights license agreement:
SASKIA, LTD.: WHO CAN USE THIS SOFTWARE: (a) Licensee, including faculty, staff and currently enrolled students may use the Licensed Software to display and or print the corresponding graphic images without limitation for teaching and research purposes at the defined Sites, or at remote locations having electronic access to your Site(s). (b) This license include permission to use the Licensed Software on a multi-user network at the defined Site, and to permit remote access to a computer/server located at your Site. Simultaneous display in multiple locations at or connected to the Site is also permitted. (c) Licensee agrees to employ reasonable security measures designed to limit access to your faculty, staff and currently enrolled students. PROHIBITED USES AND LIMITATIONS: (a) Saskia hereby reserves all rights not expressly granted herein. (b) the License Software may not be used for preparaiton of any publication, scholarly or otherwise; or for any purpose other than teaching or research. Publication of an image from the Licensed Software requires a separate license from Saskia. (c) Licensee agrees not to resell, lease, transfer, sub-license or otherwise distribute a copy of the Licensed Software, or any image taken from the Licensed Software, in whole or in part. (d) Licensee also agrees not to modify, corrupt or alter any digital image graphic content or "digital watermark" or the like in the software provided by Saskia under this Agreement. (e) Licensee agrees not to remove, alter, cover or distort Saskia's copyright notice, trademark, or other proprietary rights notice placed by Saskia in the Licensed Software itself, or in the associated packaging, media or documentation. (f) And Licensee agrees to notify users of the Licensed Software, in writing or by sign-on screen display, of their obligations under this Agreement and solicit their cooperation and compliance with such obligations.
Work Rights (display):
public domain
Terms of Agreement and Conditions of Use:
YOU AGREE: Luna Imaging's Insight Software and the digital image collection associated with it (the Software) are being provided by the University of Colorado under the following license. By obtaining, using, and/or copying this work, you (the Licensee) agree that you have read, understood, and will comply with the following terms and conditions. 1. The Software contains the University of Colorado's Department of Art and Art History's implementation of a digital image collection; 2. Any images obtained through use of the Software will be used only for non-profit, educational purposes; 3. The use of images obtained through the software will only be used while the Licensee is either: a) an employee of the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver, or b) an enrolled student at the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver; 4. When the Licensee is no longer an employee or student of the University of Colorado, Metropolitan State College of Denver or Community College of Denver, either by an action of the University of Colorado, Metropolitan State College of Denver or the Community College of Denver or due to actions of the Licensee, the licensee will cease to use any images exported from the Department of Art and Art History's digital image collection; 5. The Licensee agrees to indemnify the University for claims and liability arising out of the use of the Software or for any violations of this license; 6. THE UNIVERSITY OF COLORADO SUPPLIES THE SOFTWARE WITHOUT ANY WARRANTIES, EXPRESS OR IMPLIED, INCLUDING ANY WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
CU Copyright Statement:
The contents of the University of Colorado Digital Library are available for your use in research, teaching, and private study. Some of these items are protected by the U.S. Copyright Law (Title 17, U.S.C.) and some items may have additional restrictions. If you use the items in this collection, make sure you abide by any restrictions stated in the descriptive data window. The nature of these collections often makes it difficult to determine the copyright status of an item. We have made every effort to provide information about copyright owners and other restrictions in the descriptive data window. Ultimately, however, it is your responsibility to use the item according to the terms governing its use. If you are a copyright holder and the information is either not listed or listed incorrectly, please let us know so that we can update the information on our site.
Holding Institution:
University of Colorado at Boulder
Collection:
Art and Art History Visual Resources Center
Collection info and contact:
For information about this collection, see