COLLECTION NAME:
Visual Resources Teaching Collection
mediaCollectionId
ArtArtHiAAH~7~7
Visual Resources Teaching Collection
Collection
true
Image Record ID:
aahi0002369
image_record_id
aahi0002369
Image Record ID
false
Work Title (display):
Untitled (Gargoyle)
Work Title (variant):
Gargoyle
Image Title:
full view
Work Dates (display):
1991
Work Dates type:
creation
Image Date (display):
2008-10-27
Work Creator (display):
David Mach (Scottish, born 1956)
Work Creator gender:
male
work_creator_or_agent_gender
male
Work Creator gender
false
Work Creator notes (display):
Scottish sculptor. In his earliest works at the Duncan of Jordanstone College of Art, Dundee (19749), he made use of discarded objects found in local scrap-yards, which he combined in sculpture that explored the resonance of their industrial use. He moved on to make monumental assemblages from such materials as vast stocks of magazines and directories, that were turned into, for example, life-size cars, tanks and submarines (e.g. Silent Running, 1982; Rotterdam, Gal. 't Venster) reflecting aspects of an aggressive and consumer-driven culture. Mach aimed to demythologize the practice of art and did not hesitate to incorporate mass-produced elements, ranging from childrens' toys to kitsch accessories, in often satirical constructions. If You Go Down to the Woods (1987; see 1987 exh. cat.), for example, consists of dozens and dozens of mass-produced dolls and teddy bears supporting huge wooden logs. He also rejected the traditional function of sculpture as an avenue for the contemplation of abstract ideas, preferring in his temporal installations, such as the statues of 101 Dalmatians exhibited in the grounds of the Tate Gallery, London, to make a point of contact with the urgent concerns of the modern world. ("Mach, David." Grove Art Online. Oxford Art Online. 3 Sep. 2008 .)
Work Style Period:
20th century
work_styleperiod
20th century
Work Style Period
false
Work Style Period:
Contemporary
work_styleperiod
Contemporary
Work Style Period
false
Work Subject:
chandeliers (hanging lights)
subject
chandeliers (hanging lights)
Work Subject
false
Work Subject:
Intersex people
subject
Intersex people
Work Subject
false
Work Subject:
televisions
subject
televisions
Work Subject
false
Work Subject:
consumerism
subject
consumerism
Work Subject
false
Work Subject:
legendary beings
subject
legendary beings
Work Subject
false
Work Subject:
figures
subject
figures
Work Subject
false
Work Worktype:
sculpture (visual works)
work_type
sculpture (visual works)
Work Worktype
false
Work Worktype:
installations (visual works)
work_type
installations (visual works)
Work Worktype
false
Work Category (VRC classification):
sculptures and installations
work_category__ucbaahvrc_classification_
sculptures and installations
Work Category (VRC classification)
false
Work Material and Technique (display):
chandelier, television, fiberglass and paint
Work Measurements (display):
98 in (H) x 55 in (W) x 48 in (D)
Work Location (Repository or Site) name:
Museum of Contemporary Art, San Diego
Work Location (Repository or Site) role:
repository
Work Location (Geographic) name:
San Diego, California
Image Source Reproduction citation:
Museum of Contemporary Art, San Diego. Blurring the Boundaries: Installation Art 1969-1996. Anne Farrell, ed. New York: Distributed Art Publishers, 1997.
image_source_copy_from_print_name
Museum of Contemporary Art, San Diego. Blurring the Boundaries: Installation Art 1969-1996. Anne Farrell, ed. New York: Distributed Art Publishers, 1997.
Image Source Reproduction citation
false
Image Source Reproduction refid:
0-934418-44-6
Image Source Reproduction page number:
185
Image Source Reproduction plate-figure number:
bottom
Image Source Reproduction refid type:
ISBN
Image Rights (display):
© Philipp Scholz Rittermann
Image Rights fair use checklist:
1) use of this image is for education and educational research; 2) access is restricted to University of Colorado and Auraria Higher Education Center communities; 3) the original photographer is credited if known; 4) the image is published; 5) the amount of the work in relation to the whole is needed for education or educational research; 6) the number of derivatives is the minimum required for education or educational research; 7) the image has not been found to be reasonably available for sale; 8) duplication of the image does not violate preexisting contracts.
Work Rights (display):
© Sol LeWitt
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Holding Institution:
University of Colorado at Boulder
Collection:
Art and Art History Visual Resources Collection
Collection info and contact:
For information about this collection, see