COLLECTION NAME:
Visiting Artist Lectures/Interviews
mediaCollectionId
ArtArtHi~7~7
Visiting Artist Lectures/Interviews
Collection
true
Image Record ID:
aahi0011825
image_record_id
aahi0011825
Image Record ID
false
Accessibility:
To request captioning assistance or receive further guidance on captioning policy, please contact the IT Service Center at help@colorado.edu or call 303-735-4357 (5-HELP from a campus phone).
Work Title (display):
Visiting Artist Lecture, Ann Hamilton
Image Title:
video
Work Dates (display):
November 16, 1993
Work Dates type:
lecture
Work Creator (display):
Ann Hamilton (American, born 1956)
Work Creator gender:
female
work_creator_or_agent_gender
female
Work Creator gender
false
Work Creator notes (display):
American installation artist, photographer and video artist. After obtaining a BFA in Textile Design at the University of Kansas in 1979, she studied sculpture at Yale University School of Art, New Haven, CT, graduating with an MFA in 1985. Between 1985 and 1991 she taught at the University of Santa Barbara, CA, moving to Columbus, OH, in 1992. During roughly the same period she produced a series of photographs, Untitled (Body Object Series) (198493; see 1996 exh. cat., p. 14), which showed Hamilton performing various poses such as Shoemouth (1984), where she has a shoe inserted into her mouth. These are studies for the later installations, with the body becoming part of an object, a mechanism. In the installation Privation and Excesses (1989; installed San Francisco, CA, Capp Street Projects), Hamilton used most of the $750,000 grant to lay a sea of pennies on a floor of honey. The installation also included a pen of goats and a seated attendant rubbing his or her hands over a hat full of honey. After the installation the pennies were washed and paid into an account to cover the exhibition's expenses. Hamilton's interest in human actions and their legibility forms the basis for her use of text in her work. In Tropos (perf. New York, DIA Cent. A., 1993) an attendant sat burning line after line of a book, gradually and laboriously rendering it illegible. In the 1990s Hamilton began to use light projection and video more predominantly in her work in pieces such as Salic, (1995; see 1997 exh. cat., p. 19), which shows a projection of her unfurling lines of text from her mouth. (Grove Art Online Accessed 2008-02-06)
Work Creator UCB affiliation (display):
1993 visiting artist, Visiting Artist Program
Work Style Period:
20th century
work_styleperiod
20th century
Work Style Period
false
Work Style Period:
Contemporary
work_styleperiod
Contemporary
Work Style Period
false
Work Worktype:
lectures
work_type
lectures
Work Worktype
false
Work Category (VRC classification):
video
work_category__ucbaahvrc_classification_
video
Work Category (VRC classification)
false
Work Measurements (display):
00:57:51
Work Location (Repository or Site) name:
University of Colorado, Department of Art and Art History
Work Location (Repository or Site) role:
lecture
Work Location (Geographic) name:
Boulder, Colorado
Image Rights (display):
© University of Colorado, Department of Art and Art History
Work Rights (display):
© Ann Hamilton
Terms of Agreement and Conditions of Use:
YOU AGREE: Luna Imaging's Insight Software and the digital image collection associated with it (the Software) are being provided by the University of Colorado under the following license. By obtaining, using, and/or copying this work, you (the Licensee) agree that you have read, understood, and will comply with the following terms and conditions. 1. The Software contains the University of Colorado's Department of Art and Art History's implementation of a digital image collection; 2. Any images obtained through use of the Software will be used only for non-profit, educational purposes; 3. The use of images obtained through the software will only be used while the Licensee is either: a) an employee of the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver, or b) an enrolled student at the University of Colorado, Metropolitan State College of Denver, or the Community College of Denver; 4. When the Licensee is no longer an employee or student of the University of Colorado, Metropolitan State College of Denver or Community College of Denver, either by an action of the University of Colorado, Metropolitan State College of Denver or the Community College of Denver or due to actions of the Licensee, the licensee will cease to use any images exported from the Department of Art and Art History's digital image collection; 5. The Licensee agrees to indemnify the University for claims and liability arising out of the use of the Software or for any violations of this license; 6. THE UNIVERSITY OF COLORADO SUPPLIES THE SOFTWARE WITHOUT ANY WARRANTIES, EXPRESS OR IMPLIED, INCLUDING ANY WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
CU Copyright Statement:
The contents of the University of Colorado Digital Library are available for your use in research, teaching, and private study. Some of these items are protected by the U.S. Copyright Law (Title 17, U.S.C.) and some items may have additional restrictions. If you use the items in this collection, make sure you abide by any restrictions stated in the descriptive data window. The nature of these collections often makes it difficult to determine the copyright status of an item. We have made every effort to provide information about copyright owners and other restrictions in the descriptive data window. Ultimately, however, it is your responsibility to use the item according to the terms governing its use. If you are a copyright holder and the information is either not listed or listed incorrectly, please let us know so that we can update the information on our site.
Holding Institution:
University of Colorado Boulder
Collection:
Art and Art History Visual Resources Center
Collection info and contact:
For information about this collection, see