Detail View: Environmental Futures: Selected works from “Mapping Bodily Connections” series (Erika Osborne); Balance (Amy Felder); selected works from the “departing landscapes” series (Herbert Pföstl)
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Image Record ID:
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aahi0021800
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Work Title (display):
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Selected works from “Mapping Bodily Connections” series (Erika Osborne); Balance (Amy Felder); selected works from the “departing landscapes” series (Herbert Pföstl)
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Image Title:
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installation view of (left to right) Ways Of Knowing II Manti La Sal Spruce Beetle Detection I, Spruce, Cottonwood Canyon, UT, and Ways Of Knowing I, Fire Point Timber Sale I by Erika Osborne, Balance by Amy Felder, and selected works by Herbert Pföstl
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Work Description:
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Erika Osborne artist's statement: A map is an abstraction – a cultural system designed for and designated to geographies and topographies in order to better understand what is too vast to be comprehended through experience alone. It is not until the maps leads us to at a vista, a grotto, or an individual tree that we enter the realm of tactile, sensory awareness – making the abstraction reality. // We see the sun cast its light on the tree, and we grasp why it favors growth in a particular direction. We feel the strong wind blowing off the mesa and we understand why the tree is so twisted and wild. We see a spray painted mark on its trunk and, all the sudden, we are aware of its destiny. It is then we are able to formulate a more complex understanding, fusing the overlays of topography, geography and human penetrations pulled from computers and government files, laid out on paper, and the juniper tree we have been sitting with for twelve hours, diligently drawing. When we pick up our pencil and leave, space has become place. The experience plots its mark upon our bodies and minds. We carry the familiarity of a small portion of the map away with us, knowing a little bit more about the world we occupy. // Herbert Pföstl artist's statement: In his paintings on wood, Herbert Pföstl exposes our present blindness to rhythms of the natural world and vanishing abilities to sense our positionality. We are caught in monochromatic outages—whiteouts, blackouts, smoky hazes, storms—that obscure signs of life or even inanimacies that might once have steered us. Pföstl titles the series departed landscapes (2019-2020), which lends itself to imagining how we are left time-struck. Where are we and what are we without other species as reference, without larger landmarks like rivers, mountains, to fuse the strands of collective memories? // Amy Felder artist's statement: Overcrowding of natural areas is a problem of increasing importance in today’s world. According to the National Park Service, visitation to national parks reached a staggering 327.5 million visits in 2019, the fifth consecutive year where visits exceeded 300 million. As an ecologist, I have devoted myself to exploring the relationship between humans and nature as well as facilitating dialogue about human encroachment of public lands. My paintings span from untouched landscapes to those seen through screens and windshields; they create a space for viewers to analyze their own relationships with nature and often evoke a feeling of uncertainty at how to proceed in natural spaces. My merit and demerit badges reframe and modernize the traditional "Leave No Trace" ideals. Viewers may begin to question their role in nature and consider how social media “sharing” may be to the detriment of the natural places they are seeking to capture.
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Work Dates (display):
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2003-2015 (Osborne); 2020 (Felder); 2019-2020 (Pföstl)
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Work Dates type:
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creation
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Work Creator (display):
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Erika Osborne (American, active ca. 1995 to present)
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Work Creator gender:
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female
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Work Creator notes (display):
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Artist's statement: Erika Osborne received her BFA from the University of Utah in painting and drawing and her MFA from the University of New Mexico. Erika’s artwork deals with cultural connections to place and environment, which garnered her a Fullbright fellowship in 2019. She has exhibited extensively nationally and internationally, with over ten solo exhibitions and over 80 group exhibitions in recent years. She is currently an Associate Professor at Colorado State University.
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Work Creator (display):
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Amy Felder (American, active ca. 2003 to present)
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Work Creator gender:
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female
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Work Creator notes (display):
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Artist's statement: Amy Felder was raised in South Carolina and is currently based in Fort Collins, CO. She earned her MA from University of Northern Colorado and her BA from College of Charleston. Spanning a breadth of mediums including paintings, wall hangings, installation work, and embroidery, her work reflects a contemporary experience of nature and struggle to preserve wilderness. Amy has recently shown work in multiple exhibitions including a solo show and was awarded Best in Show in the University of Northern Colorado’s Annual Student Exhibition.
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Work Creator (display):
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Herbert Pföstl (Austrian, born 1968)
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Work Creator gender:
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male
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Work Creator notes (display):
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Artist's statement: Herbert Pföstl was born in Graz, Austria in 1968. Previously a curator and book buyer at the New Museum in New York, Pföstl is the co-author of To Die No More, and author of Light Issued Against Ruin and Schrift-Landschaften. His recent translation, A Shelter for Bells: From the Writings of Hans Jürgen von der Wense, was published by Epidote Press. A painter of plants, animals, and saints, Pföstl’s artworks are held in both public and private collections.
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Work Creator Multiple Roles (display):
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Artists: Erika Osborne, Amy Felder, and Herbert Pföstl
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Work Subject:
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maps (documents)
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Work Subject:
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geography
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Work Subject:
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topography (image-making)
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Work Subject:
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environment (earth sciences concept)
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Work Subject:
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climate
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Work Subject:
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nature
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Work Subject:
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landscapes (environments)
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Work Subject:
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overcrowding
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Work Subject:
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ecology
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Work Subject:
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lands (general areas)
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Work Subject:
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social media
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Work Subject:
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Co-Terminous (exhibition)
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Work Worktype:
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digital prints
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Work Worktype:
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drawings (visual works)
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Work Worktype:
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installations (visual works)
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Work Worktype:
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oil paintings (visual works)
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Work Worktype:
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maps (documents)
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Work Category (VRC classification):
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drawings
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Work Category (VRC classification):
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photographs
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Work Category (VRC classification):
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sculptures and installations
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Work Category (VRC classification):
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paintings
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Work Material and Technique (display):
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digital prints and graphite on paper (Osborne) ; acrylic on paper mâché, wood and newspaper (Felder); oil on wood and oil on canvas mounted on wood (Pföstl)
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Work Measurements (display):
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various dimensions
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Work Location (Repository or Site) name:
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Union Hall (Denver, Colorado)
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Work Location (Repository or Site) role:
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exhibition
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Work Location (Geographic) name:
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Denver, Colorado
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Image Rights (display):
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© Matthew Pevear
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Work Rights (display):
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© Erika Osborne
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Work Rights (display):
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© Amy Felder
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Work Rights (display):
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© Herbert Pföstl
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CU Copyright Statement:
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Holding Institution:
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University of Colorado Boulder
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Collection:
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Art and Art History Visual Resources Center
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Subcollection:
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Environmental Futures
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Collection info and contact:
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For information about this collection, see
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